Joy Sleeman (28 results)

Hardback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Paperback. Condition: new. Paperback. Roelof Louw (19362017) created sculpture from wooden slats, cast-iron wedges, sand-blasted and painted scaffolding poles, rope and neon. He made installations using industrial rubber bands, rolled-up lead sheets, or using tape recorders and the movements of viewers around a space. His work addresses itself to our bodies and minds, implicating them in its realisation and its sites, which might be streets, parks, woods or galleries. In Soul City (Pyramid of Oranges) (1967), the work for which he is best known, the fit of an orange to a hand and the experience of eating the fruit are crucial aspects, as is the action of destroying the piece in the process. Prescient in anticipating the participatory and interactive art of the present, Louw's work remained resolutely defined as sculpture, at the artist's insistence. This was even so as sculpture became conceptual, 'dematerialised', or located in 'the expanded field', and while his art was itself a part of these shifts. Born in South Africa, Louw moved to London in 1961. Practicing in London, New York and Cape Town, Louw participated in some of the most important episodes in sculpture history of the twentieth century. As well as being the first authoritative overview of Louw's oeuvre, this book presents a new perspective on a familiar and much written about era in art. SELLING POINTS: . As well as being the first authoritative overview of Louw's oeuvre, this book presents a new perspective on a familiar and much written about era in art 110 colour, 60 b/w illustrations Roelof Louw created sculpture from wooden slats, cast-iron wedges, sand-blasted and painted scaffolding poles, rope and neon. As well as being the first authoritative overview of Louws oeuvre, this book presents a new perspective on a familiar and much written about era in art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Roelof Louw (1936-2017) created sculpture from wooden slats, cast-iron wedges, sand-blasted and painted scaffolding poles, rope and neon. He made installations using industrial rubber bands, rolled-up lead sheets, or using tape recorders and the movements of viewers around a space. His work addresses itself to our bodies and minds, implicating them in its realisation and its sites, which might be streets, parks, woods or galleries.In Soul City (Pyramid of Oranges) (1967), the work for which he is best known, the fit of an orange to a hand and the experience of eating the fruit are crucial aspects, as is the action of destroying the piece in the process. Prescient in anticipating the participatory and interactive art of the present, Louw's work remained resolutely defined as sculpture, at the artist's insistence. This was even so as sculpture became conceptual, 'dematerialised', or located in 'the expanded field', and while his art was itself a part of these shifts.Born in South Africa, Louw moved to London in 1961. Practicing in London, New York and Cape Town, Louw participated in some of the most important episodes in sculpture history of the twentieth century. As well as being the first authoritative overview of Louw's oeuvre, this book presents a new perspective on a familiar and much written about era in art.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Very Good. Dust Jacket Condition: No Jacket as issued. 1st Edition. A firm, clean copy.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Fine. paperback, square 4to, 191pp, numerous illustrations, clean and tight, no inscriptions, Fine condition, still in shrinkwrap. ISBN: 9781909932463.

Condition: New.

Paperback. Condition: new. Paperback. Roelof Louw (19362017) created sculpture from wooden slats, cast-iron wedges, sand-blasted and painted scaffolding poles, rope and neon. He made installations using industrial rubber bands, rolled-up lead sheets, or using tape recorders and the movements of viewers around a space. His work addresses itself to our bodies and minds, implicating them in its realisation and its sites, which might be streets, parks, woods or galleries. In Soul City (Pyramid of Oranges) (1967), the work for which he is best known, the fit of an orange to a hand and the experience of eating the fruit are crucial aspects, as is the action of destroying the piece in the process. Prescient in anticipating the participatory and interactive art of the present, Louw's work remained resolutely defined as sculpture, at the artist's insistence. This was even so as sculpture became conceptual, 'dematerialised', or located in 'the expanded field', and while his art was itself a part of these shifts. Born in South Africa, Louw moved to London in 1961. Practicing in London, New York and Cape Town, Louw participated in some of the most important episodes in sculpture history of the twentieth century. As well as being the first authoritative overview of Louw's oeuvre, this book presents a new perspective on a familiar and much written about era in art. SELLING POINTS: . As well as being the first authoritative overview of Louw's oeuvre, this book presents a new perspective on a familiar and much written about era in art 110 colour, 60 b/w illustrations Roelof Louw created sculpture from wooden slats, cast-iron wedges, sand-blasted and painted scaffolding poles, rope and neon. As well as being the first authoritative overview of Louws oeuvre, this book presents a new perspective on a familiar and much written about era in art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: Near Fine. 1st Edition. first printing./near fine hardback with beautifully designed boards.

Taschenbuch. Condition: Neu. Neuware - Working in London, New York and Cape Town, Roelof Louw (1936-2017) made sculpture from wooden slats, cast iron wedges, sandblasted and painted scaffolding poles, rope and neon; he also anticipated the participatory art of the present. The most authoritative overview on Louw, this book presents a new viewpoint on a familiar era.

Paperback. Condition: New. Roelof Louw (1936-2017) created sculpture from wooden slats, cast-iron wedges, sand-blasted and painted scaffolding poles, rope and neon. He made installations using industrial rubber bands, rolled-up lead sheets, or using tape recorders and the movements of viewers around a space. His work addresses itself to our bodies and minds, implicating them in its realisation and its sites, which might be streets, parks, woods or galleries.In Soul City (Pyramid of Oranges) (1967), the work for which he is best known, the fit of an orange to a hand and the experience of eating the fruit are crucial aspects, as is the action of destroying the piece in the process. Prescient in anticipating the participatory and interactive art of the present, Louw's work remained resolutely defined as sculpture, at the artist's insistence. This was even so as sculpture became conceptual, 'dematerialised', or located in 'the expanded field', and while his art was itself a part of these shifts.Born in South Africa, Louw moved to London in 1961. Practicing in London, New York and Cape Town, Louw participated in some of the most important episodes in sculpture history of the twentieth century. As well as being the first authoritative overview of Louw's oeuvre, this book presents a new perspective on a familiar and much written about era in art.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1600grams, ISBN:9780853319269.

Soft cover. Condition: Near Fine. Book is in near fine conditon. 176pp with b/w photographs.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Signed by the author, Joy Sleeman. Signed by Author(s).

Hardback. Condition: Very good. 25 x 30cm 190pp very good hardback in dust jacket, some minor wear to corners, signed by the author at top of front free end paper. Black and white reproductions throughout show the scope of the British sculptor's work. Tucker was born to English parents in Egypt. In 1937, his family returned to England, where Tucker was raised. At the University of Oxford he studied history from 1955 to 1958. He moved to London and studied sculpture both at the Central School of Art and Design and at Saint Martin's School of Art, where Anthony Caro was teaching.This is the first major monograph on his work and includes a complete catalogue of his sculpture to date. Tucker began making sculpture in the late 1950s and came to public prominence along with fellow sculptors David Annesley, Michael Bolus, Phillip King, Tim Scott and Issac Witkin when they were included in the New Generation 1965 exhibition at the Whitechapel Art Gallery in London. Tucker and his contemporaries presented abstract assembled forms, often painted in bright colours and influenced by American abstract painting. The exhibition marked the conclusion of a period of intense dialogue and experimentation nurtured in the remarkable atmosphere of the sculpture department of St Martin's School of Art in London under the maverick leadership of Frank Martin.

Hardcover. 30 x 24.5 cm. Quarto. 191pp. Brown cloth in dust jacket. First major catalogue of Tucker's works and a complete catalogue of his sculpture up to 2007. 12 color color and 237 black and white photographs. Near Fine in Near Fine dust jacket.

4to. pp 191. Colour illustrated dust jacket. Original publisher's brown cloth with gilt lettering at spine. Copiously illustrated in black and white throughout.ISBN: 9780853319269 Top edge lightly spotted, very slightly toned at page edges, else clean and bright. Very good plus in very good plus dust jacket.

Hardcover. Condition: VG+/VG+. A brown casebound book with gilt lettering down the spine. There is a matte color-illustrated dust jacket with white text down a black spine. Pages: (9), 10-191. Illustrated with both color and black-and-white images.

Softcover with metal clip binding, 110 pages; very good condition; small creases to spine; no internal marks. An edition of 150. Foreign shipping may be extra.

Original Wraps. Condition: Fine. Dust Jacket Condition: No Jacket as issued. 1st Edition. Published on the occasion of the exhibition 19 May - 17 June 2016. 'Some Dimensions of my Lunch: Conceptual Art in Britain (1956 - 1979) Part 1 : Roelof Louw. 120 copies only for private circulation. Virtually as new with prospectus loosely laid in.