Jerzy Miziolek (30 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New.

Hardcover. Condition: new. Hardcover. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Sehr gut. 1. Auflage. (Swiatowit Supplement Series A: Antiquity, VIII); 238 pages with many b/w-illustrations.

Vorwort und Einleitung auf Englisch, Beiträge englisch, französisch oder italienisch, Okart. (laminiert), 238 Seiten mit zahlr. SW-Abb., 4° (21 x 29,5 cm), Schildchen mit Corrigenda auf Titelseite, Titelseite leicht gewellt, sonst innen tadellos, schöner Zustand. Book Language/s: English, French, Italian.

Hardcover. White boards with b/w illustration. 238 pages : illustrations, maps, plans. "This book is the result of an International Conference organized by the Institute of Archaeology of the Warsaw University, the Warsaw Branch of the Society of Art Historians and the Royal Castle, Warsaw in May 1999."/ Includes bibliographical references. VG Cover has minor wear and corner damage. Previous owners name on ffep.

hardcover. Condition: New.

Softcover. Brown softcover book with the title in white down the spine. Pages: (7), 8-158, (63). Contains sixty black-and-white images. VG+: Minor wear to the corners of the covers.

Rigida. Condition: Come Nuovo (Mint). In collaborazione con Wojciech Bonkowski e Leonardo Masi. 281 p., f.to cm 21x13, copertina rigida, illustrazioni a colori e b/n. Come nuovo. Book.

Condition: New. 2023. Hardcover. . . . . .

Condition: New. 2023. Hardcover. . . . . . Books ship from the US and Ireland.

brossura paperback. Condition: As New. In 8, pp. 250. Brossura con alette. Illustrazioni nel testo anche a doppia pagina paperback 8891308587 Perfetto (Mint) . Book.

hardcover. Condition: New.

paperback. Condition: New. 1st.

Hardcover. Condition: new. Hardcover. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New.

Hardcover. Condition: new. Hardcover. The book discusses some thirty Italian Renaissance domestic paintings from the Viennese collection of Count Karol Lanckoronski (1848-1933), which since 1994 have belonged to the Wawel Royal Castle in Krakow. The majority of them depict mythological subjects and scenes from Greek and Roman history; they once served as decorations on the walls of nuptial chambers (spalliere) or the fronts of painted wedding chests, usually referred to as cassoni. The domestic paintings amassed by Lanckoronski in the last quarter of the 19th century in an exemplary way reflect the Renaissance fascination with classical literature, archaeology, and the classical tradition in the visual arts. Above all the book provides an explorative study of the subject matter of the paintings in the context of weddings, although stylistic analysis is also discussed. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Condition: New. 2018. Hardcover. . . . . .

Condition: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: new. Hardcover. The book discusses some thirty Italian Renaissance domestic paintings from the Viennese collection of Count Karol Lanckoronski (1848-1933), which since 1994 have belonged to the Wawel Royal Castle in Krakow. The majority of them depict mythological subjects and scenes from Greek and Roman history; they once served as decorations on the walls of nuptial chambers (spalliere) or the fronts of painted wedding chests, usually referred to as cassoni. The domestic paintings amassed by Lanckoronski in the last quarter of the 19th century in an exemplary way reflect the Renaissance fascination with classical literature, archaeology, and the classical tradition in the visual arts. Above all the book provides an explorative study of the subject matter of the paintings in the context of weddings, although stylistic analysis is also discussed. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: Very Good. 8vo. pp 292. Original publisher's colour illustrated paper covered boards. Copiously illustrated in colour throughout. Full text in Polish. English summary at rear.(Title: Phidias, Michelangelo, and the Royal Collection of Plaster Casts of the University of Warsaw).ISBN: 9788393558483 Slight lean at spine else VG+.

Brossura. Condition: fine. Varsavia, Istituto d'Arte Accademia Polacca delle Scienze, 1996; pp. 158, 60 tavv., cm 16x24. Libro.

rilegato hardcover. Condition: Fine. in 8,  hardcover 540 9788891318497 Ottimo (Fine) . Book.

Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Renaissance Wedding and the Antique, Italian Secular Paintings from the Lanckoronski Collection. eited by Miziolek Jerzy ISBN 978-88-913-0850-4 Rilegato Nuovo Quantità: 1 EUR 125,00.- Descrizione: Brossura. Condizione: nuovo. L'ERMA di BRETSCHNEIDER, 2018. Rilegatura: Brossura. Pagine: 440, 298 ill. B/N, 1 ill. Colori.The book discusses some thirty Italian Renaissance domestic paintings from the Viennese collection of Count Karol Lanckoroñski (1848-1933), which since 1994 have belonged to the Wawel Royal Castle in Kraków. The majority of them depict mythological subjects and scenes from Greek and Roman history; they once served as decorations on the walls of nuptial chambers (spalliere) or the fronts of painted wedding chests, usually referred to as cassoni. The domestic paintings amassed by Lanckoroñski in the last quarter of the 19th century in an exemplary way reflect the Renaissance fascination with classical literature, archaeology, and the classical tradition in the visual arts. Above all the book provides an explorative study of the subject matter of the paintings in the context of weddings, although stylistic analysis is also discussed. Renaissance Weddings and the Antique Italian Secular Paintings from the Lanckoroñski Collection. The book discusses some thirty Italian Renaissance domestic paintings from the Viennese collection of Count Karol Lanckoroñski (1848-1933), which since 1994 have belonged to the Wawel Royal Castle in Kraków. The majority of them depict mythological subjects and scenes from Greek and Roman history; they once served as decorations on the walls of nuptial chambers (spalliere) or the fronts of painted wedding chests, usually referred to as cassoni. The domestic paintings amassed by Lanckoroñski in the last quarter of the 19th century in an exemplary way reflect the Renaissance fascination with classical literature, archaeology, and the classical tradition in the visual arts. Above all the book provides an explorative study of the subject matter of the paintings in the context of weddings, although stylistic analysis is also discussed. Renaissance Weddings and the Antique Italian Secular Paintings from the Lanckoroñski Collection Contents Introduction and Acknowledgements Part I: The Collector and the Artistic Genre 1. Karol Lanckoroñski and his Art Collection 2. Renaissance Weddings and the Visual Arts Part II: The Power of Narrative. Paintings from Domestic Settings and their Meaning 3. Narcissus, Pyramus and Thisbe, and a Court of Love 4. The Awakening of Paris and Helen of Troy 5. Ulysses, Penelope and the Charm of the Sirens' Song 6. Psyche, Cupid and Botticelli' s Primavera 7. Orpheus and Eurydice, or, the Power of Music and Everlasting Love 8. Battles and Triumphs: the Romans and the Gauls, Scipio Africanus and the Invincible Perseus 9. Shooting at Father' s Corpse and other exempla iustitiae 10. Sages Crowned.and Derided, or, the Stories of Aristotle and Virgil 11. A Rape with a Happy Ending: Magnaminity and Nuptials Conclusions Ewa Wilkoj, Cassoni Panel Paintings - Conservation Notes Appendix Bibliography. Codice articolo 011393 - Language : english text.

paperback. Condition: New. 1st.

Condition: NEW. Roma: L'Erma di Bretschneider, 2026 9788891335807 LermArte 44 1409 N vol.: 1, Pag. intr.: XI, N pag.: 332, W: 21.5, Illustr.: COL + B/N Karolina Lanckoro?ska, la prima donna nella storia della scienza polacca ad essere stata abilitata (1935), ha ottenuto risultati eccezionali nella ricerca delle opere di Michelangelo, Raffaello, Tintoretto e nella pubblicazione di fonti per la storia della Polonia. Fu una grande patriota che, dopo la Seconda guerra mondiale, dedicò tutte le sue energie e le notevoli risorse finanziarie a sua disposizione al sostegno della scienza polacca. Il giorno in cui ricevette la laurea honoris causa dall'Università Jagellonica (1983), pronunciò queste significative parole: «La mia dea terrena è la scienza polacca. Quanto più hai ottenuto, tanto più devi alla tua patria e agli altri». Grazie al suo impegno, nell'immediato dopoguerra più di mille soldati del II Corpo d'Armata del generale Anders poterono intraprendere studi superiori in Italia e, a partire dagli anni Settanta, centinaia di studiosi polacchi ricevettero borse di studio all'estero. Tra questi, oltre 150 accademici dell'Università di Varsavia. Inoltre, dalla nostra Università uscirono eminenti studiosi, tra cui Oskar Halecki e Henryk Paszkiewicz, che svolsero un ruolo importante nelle attività dell'Istituto Storico Polacco di Roma. Karolina Lanckoro?ska, la prima donna nella storia della scienza polacca ad essere stata abilitata (1935), ha ottenuto risultati eccezionali nella ricerca delle opere di Michelangelo, Raffaello, Tintoretto e nella pubblicazione di fonti per la storia della Polonia. Fu una grande patriota che, dopo la Seconda guerra mondiale, dedicò tutte le sue energie e le notevoli risorse finanziarie a sua disposizione al sostegno della scienza polacca. Il giorno in cui ricevette la laurea honoris causa dall'Università Jagellonica (1983), pronunciò queste significative parole: «La mia dea terrena è la scienza polacca. Quanto più hai ottenuto, tanto più devi alla tua patria e agli altri». Grazie al suo impegno, nell'immediato dopoguerra più di mille soldati del II Corpo d'Armata del generale Anders poterono intraprendere studi superiori in Italia e, a partire dagli anni Settanta, centinaia di studiosi polacchi ricevettero borse di studio all'estero. Tra questi, oltre 150 accademici dell'Università di Varsavia. Inoltre, dalla nostra Università uscirono eminenti studiosi, tra cui Oskar Halecki e Henryk Paszkiewicz, che svolsero un ruolo importante nelle attività dell'Istituto Storico Polacco di Roma. Ceci, Francesca; Miziolek, Jerzy.

Roma, L'Erma di Bretschneider, 2016. 286 pp. Col. & b./w. ills. Orig. softcover.