Jeff Burns (103 results)

paperback. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Chad Michael Ward (illustrator).

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Chad Michael Ward (illustrator).

paperback. Condition: Good. minor wear tear and creasing. Chad Michael Ward (illustrator).

Condition: New.

Paperback or Softback. Condition: New. Foggy Point Light. Book.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: New.

Paperback. Condition: As New. This book is like new; no remainder marks. Some slight cover shelfwear. Inside pages are clean. ; 254 pages. Chad Michael Ward (illustrator).

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Trade Paperback. Condition: Used - Good. Included are chapters on mowing, watering, fertilizing, soil building, equipment selection, seeding, weed control, diseases and insects, ground covers, and mulches. shelf wear.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Brand New. 36 pages. 11.00x0.09x8.50 inches. In Stock. Shultz, Jeff; Seroya, Tea; SC Studio (illustrator).

Paperback. Condition: Brand New. 24 pages. 11.00x0.06x8.50 inches. In Stock. Shultz, Jeff; Seroya, Tea; SC Studio (illustrator).

Condition: New. In English. Simmonds, Chris; Gauthier, Sharon; Burns, Derrick; Nesbitt, Chris (illustrator).

Condition: New. In English. Van Esch, Sabatian; Burns, Derrick; Nesbitt, Chris; Gauthier, Sharon (illustrator).

Magazine. Condition: Very Good. First Edition. The covers and pages are clean and unmarked. Cover illustration from Peter F. Hamilton's novel 'The Neutronium Alchemist' by Jim Burns. Postage charge will be reduced by £1.50 when the order is processed. Burns, Jim (illustrator).

Paperback. Condition: Brand New. 316 pages. 9.02x5.98x0.66 inches. In Stock.

Paperback. Condition: Brand New. 9.00x6.00x0.67 inches. In Stock.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

book. 9781611630763.

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Condition: New.

Original Wraps. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Ambit Number 126, published in 1991. Illustrated throughout in monochrome. ***Very good in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the outer wrapper are slightly rubbed. The top corner of the page block is slightly creased. No tears. Internally also very good with no inscriptions. Pages clean. Spine tight. ***244mm x 176mm. 96 pages. ***Contents: Jim Burns: Poems; Justine Rivers: Skin; Robert MacAulay; Judy Gahagan: Poem; John Emanuel: Drawings; Elaine Randell: Poem; Jonathan Treitel: Quest; Ken Cox: Drawings; Elaine Randell: Storm Damage; Laurie Preece: Pitures; Donal Atkinson Poems; Charles Shearer: Drawings; John Gower: Lillian; Mike Foreman; Edward Lowbury; Mary Knight: The Girl with the Unicorn; David Remfry; Herbert Lomas: Reviews; Florence Elon: From Frieda & William; Pop Art Retrospective from Ambit: Hockney / Paolozzi / Caulfield / Donaldson / Jones / Blake / Anuand / Donaldson; Joel Lane: The Death of the Witness; Laura Knight; Jeff Nuttall: Eyes IV; Jacqueline Lucas: Poems; William Hampton: To a Man Who Became a Storyteller; Ann Born / Vernon Scannell: Reviews; Duncan Chambers: Poems; Eric Mathieson: Reviews; Robert Magowan: Looking for Binoculars; Kevin Crossley-Holland: Poem. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting. (Martin Bax interview with 3:AM magazine) ***An early 90s edition of the magazine in very nice, collectable condition. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Michael Foreman, Laura Knight et al (illustrator).…