James Baker Pyne (40 results)
- Softcover
Seller: PBShop.store US, Wood Dale, U.S.A.PBShop.store US
Contact seller5-star sellerCondition: New
£ 18.22
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Seller: PBShop.store UK, Fairford, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
£ 14.98
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Seller: PBShop.store UK, Fairford, United KingdomPBShop.store UK
Contact seller4-star sellerCondition: New
£ 17.06
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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£ 16.47
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Paperback. Condition: Brand New. 126 pages. 9.02x5.98x0.27 inches. In Stock.
- Softcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
Contact seller5-star sellerCondition: New
£ 17.31
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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
More images- Softcover
- Print on Demand
Seller: Forgotten Books, London, United KingdomForgotten Books
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£ 13.03
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Paperback. Condition: New. Print on Demand. This book presents a stunning collection of engravings that capture the captivating beauty of the Lake District of England. Commissioned by the Proprietors to commemorate its picturesque scenery, the project was undertaken by a talented Painter profoundly connected to the region. The L…ake District, located in the north-west of England, is renowned for its breathtaking landscapes, tranquil lakes, and majestic mountains. This book is a testament to the region's enduring allure. The engravings depict diverse scenes, ranging from the tranquil beauty of Windermere to the rugged grandeur of Borrowdale. These images not only showcase the physical beauty of the Lakes but also evoke the sense of awe and inspiration they instill. The author provides an insightful introduction that contextualizes the work within the history of landscape painting and highlights the unique qualities of the Lake District. The engravings themselves are a testament to the painter's keen eye for detail and ability to capture the essence of the natural world. Through his masterful use of light and shadow, the artist breathes life into each scene, inviting viewers to immerse themselves in the tranquility and grandeur of the Lakes. This book is not merely a collection of beautiful images but also a valuable contribution to the understanding and appreciation of the Lake District. The accompanying text provides historical and cultural insights, while the engravings offer a timeless visual record of this extraordinary landscape. Together, they offer a captivating exploration of one of England's most cherished natural treasures and serve as a reminder of the profound connection between art and nature. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.
- Softcover
Seller: moluna, Greven, Germanymoluna
Contact seller5-star sellerCondition: New
£ 20.41
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Condition: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.
Language: English
- Hardcover
- Print on Demand
Seller: S N Books World, Delhi, IndiaS N Books World
Contact seller5-star sellerLeatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 124. A perfect gift… for your loved ones. Reprinted from 1859 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 124.
More imagesPublished by Leeds: D. Banks 1870
- Hardcover
Seller: Bruce Marshall Rare Books, Cheltenham, United KingdomBruce Marshall Rare Books
Contact seller5-star sellerCondition: Used - Near fine
£ 1,950.00
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Add to basketHardcover. Condition: Near Fine. Leeds: D. Banks, (1870) , DELUXE ISSUE, with 24 finely hand-coloured lithograph plates mounted on thick card, each plate with captioned tissue-guards, all edges gilt, original decorative green cloth gilt, folio This DeLuxe edition not in Abbey. A scarce set, rarer than the deluxe issue of Pyne's…The English Lake District. This title in the deluxe format was also published by Henry Sotheran in 1870. Landscape painter James Baker Pyne was born in Bristol, where he worked as a self-taught artist until the age of 35. He gave painting lessons to William James Müller, who later became an artist of repute. In 1835 Pyne moved to London, exhibiting his work at the Royal Academy, British Institution and New Watercolour Society over two decades. In his early period he painted views and scenery around Bristol but after 1835 he travelled to Italy and elsewhere on the Continent, gathering material to work up into finished pictures. Pyne was an admirer and imitator of Turner; his dramatic effects and use of pale yellow tones reflecting Turner's influence. Today, his records of works produced from 1840 to 1868 are in the Victoria and Albert Museum. Bookplate of William Park.
Language: English
- Art Print
Seller: Blacklock's Rare Books (est 1988), Egham, United KingdomBlacklock's Rare Books (est 1988)
Contact seller5-star sellerCondition: Used - Very good
£ 85.00
£ 28.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketNo Binding. Condition: Very Good. LITHOGRAPH. A quite large lithograph. Image size 16 inches by 11 inches approx. This an authentic antique print. Supplied rolled in tube. Formerly in a frame with a little edge discolouration where the mount was.This would disappear when reframed. Image clean with only the slightest overall agin…g. 25/- and 45/- in manuscript on reverse (possibly a very old price) along with four marks indicating it may have been affixed to an earlier backing board. None affecting the print in any way. A very attractive quite scarce print. James Baker Pyne (1800-1870) English landscape painter and a follower of Turner. James Baker Pyne (illustrator).
Published by London: Day & Son. 1859
- Art Print
Seller: Wittenborn Art Books, San Francisco, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mild toning, else VG.
Published by London: Day & Son. 1859
- Art Print
Seller: Wittenborn Art Books, San Francisco, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mild toning, else VG.
Published by London: Day & Son. 1859
- Art Print
Seller: Wittenborn Art Books, San Francisco, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mildly toned, marginal soiling lower left and left edge, minor crimping at edges, else VG.
More imagesSeller: R.G. Watkins Books and Prints, Ilminster, United KingdomR.G. Watkins Books and Prints
Contact seller5-star sellerCondition: Used
£ 35.00
£ 28.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basket'the picture you sent me is not my work, but a very respectable and carefull copy from a rather early one', offering for £12 to repaint, 'make it my own work' and sign and date it, but if not required he will just clean it. conjugate leaf pasted to album leaf, James Baker Pyne was a landscape painter and a member of the Bristol…School of Artists, before he moved to London. He complains of feeling unwell, he died later in the year. This letter provides an interesting insight into the role of the artist as restorer.
- Hardcover
- Print on Demand
Seller: True World of Books, Delhi, IndiaTrue World of Books
Contact seller5-star sellerLeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1859 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt band…s. A perfect gift for your loved ones. Pages: 169 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 169.
- Hardcover
- Print on Demand
Seller: True World of Books, Delhi, IndiaTrue World of Books
Contact seller5-star sellerLeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1859 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd repri…nt. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 179 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 179 Language: English.
Published by Thomas Agnew & Sons, Manchester 1853
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerLithograph by W. Gauci, printed in tints by M. & N. Hanhart, coloured by hand. Very good condition apart from some overall light soiling and minor foxing. An evocative image of the Lake District, an area renowned as the cradle of the Romantic Movement in Britain. The Lake District, an area of only some 700 square miles, contains… all the main English lakes and is found within the northwestern counties of Cumbria and Lancashire. 'The Lakes' (as the area is also known) first came to prominence with the rise of the cult of the Picturesque in the second half of the 18th century, but it was Wordsworth, a native of Cumbria, born in 1770 on the outskirts of the Lake District itself, who really made it a mecca for those in search of the romantic ideal of landscape. He was joined in the area, at one time or another, by Robert Southey, Samuel Taylor Coleridge, Percy Bysshe Shelley, John Keats, Lord Byron, Sir Walter Scott, Thomas de Quincey and many others. By the middle of the 19th century, when the present image was produced, the area was well established in the national consciousness as the area of outstanding natural beauty in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became vice president). He travelled widely throughout Britain and Europe, but he is perhaps best known for his series of views of the Lakes, painted between 1848 and 1851. Cf. Abbey Scenery 196 (1859 edition); cf. Tooley 387.
Published by Thomas Agnew & Sons, Manchester 1853
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerLithograph by W. Gauci, printed in tints by M. & N. Hanhart, coloured by hand. Very good condition apart from some minor foxing. An evocative image of the Lake District, an area renowned as the cradle of the Romantic Movement in Britain. The Lake District, an area of only some 700 square miles, contains all the main English lake…s and is found within the northwestern counties of Cumbria and Lancashire. 'The Lakes' (as the area is also known) first came to prominence with the rise of the cult of the Picturesque in the second half of the 18th century, but it was Wordsworth, a native of Cumbria, born in 1770 on the outskirts of the Lake District itself, who really made it a mecca for those in search of the romantic ideal of landscape. He was joined in the area, at one time or another, by Robert Southey, Samuel Taylor Coleridge, Percy Bysshe Shelley, John Keats, Lord Byron, Sir Walter Scott, Thomas de Quincey and many others. By the middle of the 19th century, when the present image was produced, the area was well established in the national consciousness as the area of outstanding natural beauty in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became vice president). He travelled widely throughout Britain and Europe, but he is perhaps best known for his series of views of the Lakes, painted between 1848 and 1851. Cf. Abbey Scenery 196 (1859 edition); cf. Tooley 387.
Published by Thomas Agnew & Sons, Manchester 1853
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerLithograph by W. Gauci, printed in tints by M. & N. Hanhart, coloured by hand. Very good condition apart from some overall light soiling and two skillfully repaired 3/4" tears. An evocative image of the Lake District, an area renowned as the cradle of the Romantic Movement in Britain. The Lake District, an area of only some 700…square miles, contains all the main English lakes and is found within the northwestern counties of Cumbria and Lancashire. 'The Lakes' (as the area is also known) first came to prominence with the rise of the cult of the Picturesque in the second half of the 18th century, but it was Wordsworth, a native of Cumbria, born in 1770 on the outskirts of the Lake District itself, who really made it a mecca for those in search of the romantic ideal of landscape. He was joined in the area, at one time or another, by Robert Southey, Samuel Taylor Coleridge, Percy Bysshe Shelley, John Keats, Lord Byron, Sir Walter Scott, Thomas de Quincey and many others. By the middle of the 19th century, when the present image was produced, the area was well established in the national consciousness as the area of outstanding natural beauty in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became vice president). He travelled widely throughout Britain and Europe, but he is perhaps best known for his series of views of the Lakes, painted between 1848 and 1851. Cf. Abbey Scenery 196 (1859 edition); cf. Tooley 387.
Published by Thomas Agnew & Sons, Manchester 1853
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerLithograph by W. Gauci, printed in tints by M. & N. Hanhart, coloured by hand. Very good condition apart from two small skillfully repaired tears. An evocative image of the Lake District, an area renowned as the cradle of the Romantic Movement in Britain. The Lake District, an area of only some 700 square miles, contains all the… main English lakes and is found within the northwestern counties of Cumbria and Lancashire. 'The Lakes' (as the area is also known) first came to prominence with the rise of the cult of the Picturesque in the second half of the 18th century, but it was Wordsworth, a native of Cumbria, born in 1770 on the outskirts of the Lake District itself, who really made it a mecca for those in search of the romantic ideal of landscape. He was joined in the area, at one time or another, by Robert Southey, Samuel Taylor Coleridge, Percy Bysshe Shelley, John Keats, Lord Byron, Sir Walter Scott, Thomas de Quincey and many others. By the middle of the 19th century, when the present image was produced, the area was well established in the national consciousness as the area of outstanding natural beauty in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became vice president). He travelled widely throughout Britain and Europe, but he is perhaps best known for his series of views of the Lakes, painted between 1848 and 1851. Cf. Abbey Scenery 196 (1859 edition); cf. Tooley 387.
Published by Thomas Agnew & Sons, Manchester 1853
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerLithograph by W. Gauci, printed in tints by M. & N. Hanhart, coloured by hand. Very good condition apart from some overall light soiling, minor foxing, and a light water stain in the bottom margin. An evocative image of the Lake District, an area renowned as the cradle of the Romantic Movement in Britain. The Lake District, an a…rea of only some 700 square miles, contains all the main English lakes and is found within the northwestern counties of Cumbria and Lancashire. 'The Lakes' (as the area is also known) first came to prominence with the rise of the cult of the Picturesque in the second half of the 18th century, but it was Wordsworth, a native of Cumbria, born in 1770 on the outskirts of the Lake District itself, who really made it a mecca for those in search of the romantic ideal of landscape. He was joined in the area, at one time or another, by Robert Southey, Samuel Taylor Coleridge, Percy Bysshe Shelley, John Keats, Lord Byron, Sir Walter Scott, Thomas de Quincey and many others. By the middle of the 19th century, when the present image was produced, the area was well established in the national consciousness as the area of outstanding natural beauty in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became vice president). He travelled widely throughout Britain and Europe, but he is perhaps best known for his series of views of the Lakes, painted between 1848 and 1851. Cf. Abbey Scenery 196 (1859 edition); cf. Tooley 387.
Published by Published by Thos. Agnew & Son, London 1853
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerTinted lithograph with rich publisher's colour. Printed on wove paper. Trimmed to image as issued. In excellent condition. A stunning view of the Lake District, from the deluxe portfolio edition of John Baker Pyne's magnificent work "The English Lake District." The Lake District first came to the fore with the rise of the Romant…ic Movement during the second half of the eighteenth century. The poet William Wordsworth, a native of the district, established the area as the epitome of the ideal landscape, and artists and tourists alike visited the regions natural beauties in search of the Romantic ideal. Poets such as Byron, Shelley, and Keats proclaimed the Lakes as the manifestation of the "Picturesque." By the middle of the nineteenth century, when Pyne visited the area, the Lakes were well established in the national consciousness as the most beautiful natural reserve in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became Vice President). He traveled widely throughout Britain and Europe, but he is best known for his series of views of the Lakes, painted between 1848 and 1851. This exquisite view comes from the deluxe portfolio edition of Pyne's celebrated text "The English Lake District." First published in 1853, the deluxe edition was issued in custom-made portfolios with the images superbly coloured and tipped onto thick wove cards. Examples of these images are difficult to find, making this striking print a true rarity. Pyne's seminal work was later reissued by Day & Son in 1859 with the title "Lake Scenery of England." Abbey, Scenery of Great Britain and Ireland, in Aquatint and Lithography 1770-1860, p. 123, no. 196; Tooley, English Plate Books with Coloured Plates 1790-1860, no. 387.
Published by Published by Thos. Agnew & Son, London 1853
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerTinted lithograph with rich publisher's colour. Printed on wove paper. Trimmed to image as issued. In excellent condition with the exception of some minor foxing in the image. A stunning view of Keswick Water, from the deluxe portfolio edition of John Baker Pyne's magnificent work "The English Lake District." The Lake District f…irst came to the fore with the rise of the Romantic Movement during the second half of the eighteenth century. The poet William Wordsworth, a native of the district, established the area as the epitome of the ideal landscape, and artists and tourists alike visited the regions natural beauties in search of the Romantic ideal. Poets such as Byron, Shelley, and Keats proclaimed the Lakes as the manifestation of the "Picturesque." By the middle of the nineteenth century, when Pyne visited the area, the Lakes were well established in the national consciousness as the most beautiful natural reserve in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became Vice President). He traveled widely throughout Britain and Europe, but he is best known for his series of views of the Lakes, painted between 1848 and 1851. This exquisite view comes from the deluxe portfolio edition of Pyne's celebrated text "The English Lake District." First published in 1853, the deluxe edition was issued in custom-made portfolios with the images superbly coloured and tipped onto thick wove cards. Examples of these images are difficult to find, making this striking print a true rarity. Pyne's seminal work was later reissued by Day & Son in 1859 with the title "Lake Scenery of England." Abbey, Scenery of Great Britain and Ireland, in Aquatint and Lithography 1770-1860, p. 123, no. 196, plate 23; Tooley, English Plate Books with Coloured Plates 1790-1860, no. 387, plate 7.
Published by Published by Thos. Agnew & Son, London 1853
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerTinted lithograph with rich publisher's colour. Printed on wove paper. Trimmed to image as issued. In excellent condition with the exception of some very minor foxing in the image. A stunning view of Wast Water, from the deluxe portfolio edition of John Baker Pyne's magnificent work "The English Lake District." The Lake District… first came to the fore with the rise of the Romantic Movement during the second half of the eighteenth century. The poet William Wordsworth, a native of the district, established the area as the epitome of the ideal landscape, and artists and tourists alike visited the regions natural beauties in search of the Romantic ideal. Poets such as Byron, Shelley, and Keats proclaimed the Lakes as the manifestation of the "Picturesque." By the middle of the nineteenth century, when Pyne visited the area, the Lakes were well established in the national consciousness as the most beautiful natural reserve in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became Vice President). He traveled widely throughout Britain and Europe, but he is best known for his series of views of the Lakes, painted between 1848 and 1851. This exquisite view comes from the deluxe portfolio edition of Pyne's celebrated text "The English Lake District." First published in 1853, the deluxe edition was issued in custom-made portfolios with the images superbly coloured and tipped onto thick wove cards. Examples of these images are difficult to find, making this striking print a true rarity. Pyne's seminal work was later reissued by Day & Son in 1859 with the title "Lake Scenery of England." Abbey, Scenery of Great Britain and Ireland, in Aquatint and Lithography 1770-1860 p. 123, no. 196, plate 13; Tooley, English Plate Books with Coloured Plates 1790-1860 no. 387, plate 12.
Published by Published by Thos. Agnew & Son, London 1853
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerTinted lithograph with rich publisher's colour. Printed on wove paper. Trimmed to image as issued. In excellent condition. A stunning view of Brother's Water, from the deluxe portfolio edition of John Baker Pyne's magnificent work "The English Lake District." The Lake District first came to the fore with the rise of the Romantic… Movement during the second half of the eighteenth century. The poet William Wordsworth, a native of the district, established the area as the epitome of the ideal landscape, and artists and tourists alike visited the regions natural beauties in search of the Romantic ideal. Poets such as Byron, Shelley, and Keats proclaimed the Lakes as the manifestation of the "Picturesque." By the middle of the nineteenth century, when Pyne visited the area, the Lakes were well established in the national consciousness as the most beautiful natural reserve in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became Vice President). He traveled widely throughout Britain and Europe, but he is best known for his series of views of the Lakes, painted between 1848 and 1851. This exquisite view comes from the deluxe portfolio edition of Pyne's celebrated text "The English Lake District." First published in 1853, the deluxe edition was issued in custom-made portfolios with the images superbly coloured and tipped onto thick wove cards. Examples of these images are difficult to find, making this striking print a true rarity. Pyne's seminal work was later reissued by Day & Son in 1859 with the title "Lake Scenery of England." Abbey, Scenery of Great Britain and Ireland, in Aquatint and Lithography 1770-1860, p. 123, no. 196, plate 8; Tooley, English Plate Books with Coloured Plates 1790-1860, no. 387, plate 15.
Published by Published by Thos. Agnew & Son, London 1853
- Art Print
Seller: Donald A. Heald Rare Books (ABAA), New York, U.S.A.Donald A. Heald Rare Books (ABAA)
Contact seller5-star sellerTinted lithograph with rich publisher's colour. Printed on wove paper. Trimmed to image as issued. In excellent condition. A stunning view of Grassmere, from the deluxe portfolio edition of John Baker Pyne's magnificent work "The English Lake District." The Lake District first came to the fore with the rise of the Romantic Movem…ent during the second half of the eighteenth century. The poet William Wordsworth, a native of the district, established the area as the epitome of the ideal landscape, and artists and tourists alike visited the regions natural beauties in search of the Romantic ideal. Poets such as Byron, Shelley, and Keats proclaimed the Lakes as the manifestation of the "Picturesque." By the middle of the nineteenth century, when Pyne visited the area, the Lakes were well established in the national consciousness as the most beautiful natural reserve in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became Vice President). He traveled widely throughout Britain and Europe, but he is best known for his series of views of the Lakes, painted between 1848 and 1851. This exquisite view comes from the deluxe portfolio edition of Pyne's celebrated text "The English Lake District." First published in 1853, the deluxe edition was issued in custom-made portfolios with the images superbly coloured and tipped onto thick wove cards. Examples of these images are difficult to find, making this striking print a true rarity. Pyne's seminal work was later reissued by Day & Son in 1859 with the title "Lake Scenery of England." Abbey, Scenery of Great Britain and Ireland, in Aquatint and Lithography 1770-1860, p. 123, no. 196, plate 7; Tooley, English Plate Books with Coloured Plates 1790-1860, no. 387, plate 14.
More imagesPublished by Manchester: Thos. Agnew & sons. 1853 1853
Seller: Charles Russell, ABA, ILAB, est 1978, cirencester, United KingdomCharles Russell, ABA, ILAB, est 1978
Contact seller5-star sellerCondition: Used
£ 750.00
£ 4.10 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketFolio paper size 17x24 inches- 24 large lithograph plates of the Lake District. The plates complete. They have been professionally washed as they were originally waterstained. One plate in unusable, 4 plates are repaired in the margin but usable - the remainder are good. Effectively all but one could be used as print stock. Sold… with some of the text- in poor condition and wanting, at least, the title. The unusable plate is Windermere Lake. Windermere as seen from Orrest Head is hand coloured as usual and in good condition. The bibliography Abbey Scenery does not contain this book but lists a smaller octavo book of a similar name. One of the rarest and largest of the Lake District view books. Sold as a collection of lithographs as described. James Baker Pyne 18001870 was an English landscape painter who became a successful follower of Turner, after having been in his earlier years a member of the Bristol School of artists and a follower of Francis Danby.
More images- Hardcover
Seller: Librairie L'Abac / Gimmic SRL, Bruxelles, BelgiumLibrairie L'Abac / Gimmic SRL
Contact seller5-star sellerCondition: Used
£ 1,289.73
£ 36.27 shippingShips from Belgium to U.S.A.Quantity: 1 available
Add to basketLondres. Henry Sotheran 1870. 36 x 27 cm, une page de titre sur carte avec une chromolithographie centrale colorée à la main contrecollée, vi pp. de liste des planches et 24 planches lithographiques sous serpente colorées à la main, toutes montées sur carte avec bordures dorées, une page de texte explicatif pour chaque gravure.…Relié pleine percaline verte, plat décoré et titre doré, dos lisse décoré et titre doré. Reliure usée, coiffes abimées, quatre planches déreliées. Sinon intérieur en bel état et planches très fraîches. Complet. James Baker Pyne (1800-1870) était un peintre paysagiste anglais devenu disciple de Turner. Livres.
More images- Art Print
Seller: April Star Books, Banstead, United KingdomApril Star Books
Contact seller5-star sellerCondition: Used - Very good
£ 65.00
£ 10.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketNo Binding. Condition: Very Good. Large pencil sketch and study of ruins at the Roman Forum in Rome, inscribed 'Nel Foro Romano . The sketch comes from a collection of others by James Baker Pyne, including further sketches of the Roman Forum dated 1854, consistent with a year he was in Italy. The sketch has been removed from a m…ount; fragment of another pencil sketch on verso. Remains of glue on borders of verso from its mounting. 47.5cm by 32cm. Rectangular. James Baker Pyne (1800-1870) was a well-known English landscaper painter who was heavily influenced by J.M.W. Turner.
More images- Art Print
Seller: April Star Books, Banstead, United KingdomApril Star Books
Contact seller5-star sellerCondition: Used - Near fine
£ 75.00
£ 10.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketNo Binding. Condition: Near Fine. Pencil drawing of an oak tree, called The Oak, attributed to James Baker Pyne; 1836. From a collection of sketches by the artist, several with his hand-writing upon them. 19.4cm x 12cm. Attached to a hinged card with a mount.
