Jacques Post (26 results)

Trade Paperback. Condition: Very Good. No Jacket. First Edition. Vol 14 # 72 of Ellery Queen's Mystery Magazine, November 1949. Contains stories by Edgar A Poe (The Black Cat), Roy Vickers (The Million-to-One Chance), Wilbur Daniel Steele (Dust to Dust), Jacques Futrelle (?), Barry Perowne (Forget-Me-Knot), Hugh Walpole (The Etching), Melville Davisson Post (The Forgotten Witness), Richard Sherman (He Will Never Know), Oliver La Farge (Haunted Ground), I J Jay (The Gewgaw Murder), Maurice Leblanc (The Twelve Little Pickaninnies, and others. Light wear at the edges. Light browning to the pages. A very good copy. Bill Stone (cover photo) (illustrator).…

SingleIssueMagazine. Condition: Very Good. Vol. 14, no. 72. Photo cover. Includes "The Black Cat" by Edgar Allan Poe; "The Million-to-One Chance" by Roy Vickers; "Dust to Dust" by Wilbur Daniel Steele; "?" by Jacques Futurelle; "The Gewgaw Murder" by I. J. Jay; "The Twelve Little Pickaninies" by Maurice Leblanc; "The Forgotten Witness" by Melville Davisson Post; "Forget-Me-Knot" by Barry Perowne; "The Etching" by Hugh Walpole; "The Two Householders" by Arthur Quiller-Couch; "The Mystery of Mary Rogers" by Edwin D. Radin; "He Will never Know" by Richard Sherman; "haunted Ground" by Oliver La Farge; "In the Wheat' by Maurice Level; "Queen's Quorum: Part Five" by Ellery Queen. Less than 1" tears at spine ends; tanning; stray pencil mark and minor scar to front. Book.…

Softcover. Condition: Fine. Abnutzung / Risse - leicht.

Paperback. Condition: Brand New. 01 edition. 130 pages. 11.65x8.98x0.32 inches. In Stock.

Condition: New.

Hardcover. Condition: As New. No Jacket. Hbk 451pp illustr no dj as issued decorated cloth boards an unread copy excellent clean tight unmarked as new.

Soft cover. Condition: Very Good. 1st Edition. 58 pages with short stories serials and articles and lots of adverts front & rear, inc short story by Melville Davisson Post "The Locked Bag" + An Interview with Edison by Roger W. Babson + An article on Germany and their character + Pt serial by Jacques Futrelle "The High Hand" + other stories and articles, lost of adverts. some spotting near spine and at edges, light though, cover art by Harrison Fisher. Harrison Fisher. (illustrator).…

Paperback. Condition: Good. 479 p. ; 20 cm. / In een park in Moskou worden drie onherkenbaar verminkte lijken gevonden; de koppige commissaris van de moordbrigade - die in zijn onderzoek gehinderd wordt door de geheime dienst - heeft dan ook veel moeite om achter de ware toedracht te komen. Dutch.

Erste druk.. eine wunderbare Zusammenstellung von Citroen-Mobilen in internationalen Comics, 57 Seiten, Sprache: Niederländisch; Zustand: erstklassiges, neuwertiges Exemplar. Sprache: Niederländisch Gewicht in Gramm: 750 32,0 x 24,0 cm, gebundene Ausgabe, Hardcover/Pappeinband.

Paperback. 191 Seiten. Very Good.

Tapa dura. Condition: Bien. Texto en neerlandés. Esta edición ofrece una descripción detallada de los automóviles de la marca de automóviles francesa Citroën en palabras e imágenes en la medida en que aparecen en las historietas europeas, y eso es, como es evidente, muy a menudo. Aunque esta edición surgió como parte del 75 aniversario de Citroën, este libro se ha convertido en absoluto en material publicitario. Generosamente ejecutados en formato grande (24.5 x 33 cm) y con numerosas ilustraciones a todo color, los diferentes tipos son revisados acompañados de un texto experto, que brinda una visión clara de la historia del material y especialmente del papel gráfico y desarrollo de esta marca de automóviles en la franja. Una circunstancia adicional y feliz es que Citroëns se encuentra en muchos cómics clásicos, que produce bellas ilustraciones de, entre otros, Hergé, Jacobs, Franquin y De Moor, pero también de artistas como Van den Boogaard, Lodewijk, Kuijpers, Swarte y Moebius. Profusamente ilustrado. 32 x 25. Tapa dura de editorial ilustrada. Sin subrayados ni anotaciones. Buen estado de conservación. Deze uitgave geeft in woord en beeld een uitvoerig overzicht van auto's van het Franse automerk Citroën voorzover deze voorkomen in Europese stripverhalen en dat is, zoals blijkt, opmerkelijk vaak. Hoewel deze uitgave tot stand kwam in het kader van het 75-jarige jubileum van Citroën, is dit boek absoluut geen reklamedrukwerk geworden. Royaal uitgevoerd op groot formaat (24,5 x 33 cm) en met talrijke illustraties in full-color passeren de verschillende types de revue begeleid door een deskundige tekst, die een helder overzicht geeft van de materiële geschiedenis en vooral ook van de grafische rol en ontwikkeling van dit automerk in de strip. Een bijkomende, gelukkige omstandigheid is dat Citroëns juist in veel klassieke strips voorkomen, wat prachtige illustraties oplevert van o.a. Hergé, Jacobs, Franquin en De Moor, maar ook van tekenaars als Van den Boogaard, Lodewijk, Kuijpers, Swarte en Moebius. Libro.…

Softcover. 157 p. Very good condition. The reading pages are clean and without markings. Slight signs of storage and use. Book edges slightly stained. Otherwise a very good copy. Sprache: Niederländisch Gewicht in Gramm: 1000.

Condition: Very Good. Brugman, Carry (illustrator).

Condition: Very Good.

Condition: New. Rotterdam, Mai 1940. Die Stadt ist ein militaerischer Bienenstock, bevoelkert von Armeeeinheiten, die oft nichts von der Existenz der anderen wissen. In der Innenstadt, wo Prostituierte und illegale Spielhoellen die Atmosphaere bestimmen, wird ein halb betrunke.

En Feuilles. Condition: Très bon. Ed. originale. Paris, Scripta & Picta, 1953. 40 x 30 cm, in-folio, XX (II) pp. + 126 pp. + 5 ff. n. ch. + 2 ff. bl., 45 lithographies originales, dont 44 en couleurs, y compris le frontispice, et un culispice en noir, en feuilles sous couverture de papier bleu pâle portant au premier plat le titre et une vignette or en relief, chemise et étui de l'éditeur. Edition originale de la traduction et de la préface de Paul Valéry. L'un des 245 exemplaires sur vélin d'Arches, seul papier avec 24 sur Japon (n° 63), celui-ci enrichi d'une LITHOGRAPHIE ORIGINALE à pleine page SIGNEE ET NUMEROTEE de Jacques Villon, non annoncée au colophon (portrait de Paul Valéry, n° 69/80). Les images ont été dessinées sur pierre en couleurs par Jacques Villon qui a gravé de sa propre main chaque couleur sur une pierre différente. Edition établie par le collectionneur, bibliophile et néanmoins pédiatre Alexandre Roudinesco. Quelques légères ombres, très bel exemplaire. (MONOD, 11330 ; KARAISKAKIS, 446). Jacques Villon (illustrator). Signé par l'illustrateur.…

Taschenbuch. Condition: Neu. Die Maimorde | 1940-1948 | Eric/Post, Jacques Heuvel | Taschenbuch | 80 S. | Deutsch | 2021 | Kult Comics | EAN 9783964301369 | Verantwortliche Person für die EU: Kult Comics, Riemannstr. 31, 04107 Leipzig, s[dot]roepke[at]comiccombo[dot]de | Anbieter: preigu.

. 20 cm. [8], CLVII fol. (sign. a8, a-t8-v4). Texto con apostillas marginales. Marca de impresor en portada, capitulares. Enc. en pergamino, cierres. * Rara primera edición de In tertium sententiarum de Jaques Almain (1480-1515). Alumno del teólogo John Major, fue un destacado profesor de teología en la Universidad de París, de la que fue rector en 1507. Cultivó una gran variedad de géneros en el ámbito del saber académico, aunque sus primeras obras estaban dedicadas a la lógica y la física de Aristóteles. Además de la teología, Almain escribió también sobre política, en concreto acerca del poder papal a partir de la discusión de las opiniones de Guillermo de Ockham. Máximo exponente del conciliarismo, el autor hace una clara distinción entre el poder absoluto y el poder ordenado de Dios. De moral aristotélica, su pensamiento político sugería la necesidad de orden pero dejaba margen para frenar las ambiciones de cualquier gobernante cuya conducta pusiera en peligro la supervivencia de la comunidad. Almain dejó en sus Opuscula (obra póstuma editada en París en 1518) una clara crítica al tratado de Cajetan sobre el papado, pues sostenía que la Iglesia y el Estado son de naturaleza paralela, ambos capaces de actuar contra un líder errante, ya fuera el Papa o el rey. La edición que presentamos fue a cargo de Nicolas Maillard. Biblioteca Nacional de Francia FRBNF 30012484. Books published in France before 1601 in Latin and Languages other than French (ed. Andrew Pettegree y Malcolm Walsby), 52691. B. Moreau, Inventaire chronologique des éditions parisiennes du XVIe siècle, II, 1247.…

Association Lyon - sd - In-8 broché - 216 pages - Nombreuses reproductions photographiques Bon état.

242 x 168 mm. (9 1/2 x 6 1/2"). 4 p.l. C [100] leaves. HANDSOME MAROON CRUSHED MOROCCO DECORATED IN GILT AND BLIND BY SANGORSKI & SUTCLIFFE (stamp-signed on front turn-in), covers with central panel diapered in blind, the compartments with a gilt Maltese cross, this framed by gilt rules, a wide blind-tooled foliate border enclosed by gilt and blind rules, raised bands, spine compartments with gilt Maltese cross within a blind-tooled lozenge, gilt lettering, turn-ins with gilt and blind rules, all edges gilt. In matching morocco-lipped, felt-lined slipcase. Title page with full-page woodcut of the Virgin Mary being crowned Queen of Heaven, final page with Brinkmann's unusual full-page device featuring three scenes: the Virgin and Child enthroned, St. Ursula sheltering the 11,000 virgins under her cloak, and the Martyrdom of the seven Maccabee brothers and their mother (for their refusal to eat pork). Front pastedown with bookplate of the Paolino Gerli Collection at Manhattan College and with fabric library shelf label, verso of title page with library number stamped to tail margin in blue ink. USTC 144650; not in Adams or Mortimer. Text perhaps lightly washed, but still quite fresh, touch of rubbing to front joint, but A LOVELY COPY, with almost no signs of use. This is a rare edition of the French Augustinian's compilation of moral philosophy in elaborately decorated morocco by one of the great English binderies. Composed by Jacques Legrand (d. 1425) in the early 15th century, this work first appeared in print, in Strassburg, around 1468--a publication date sufficiently early to suggest the work's importance. Legrand drew on the writings of a wide variaty of ancient philosophers from Aristotle and Augustine to Avicenna and Averroes, with considerable amounts Scripture thrown in. Very popular in the 15th and 16th centuries, the work is divided into three parts--arts and sciences, vice and virtue, and good manners and personal conduct. Our edition incorporates the "rules for living" of the major theologian Jean Gerson (1363-1429), Chancellor of the University of Paris. It was printed in Paris by Wolfgang Hopyl, who operated a press there between 1489 and 1523. Hopyl was one of several Parisian printers who made books for Franz Birckmann (d. 1530; fl. 1504-30), a publisher and bookseller with offices in Cologne, Antwerp, and London, specializing in liturgical supplied to the English and Dutch. Our copy was bound in a retrospective style by one of the great English workshops to emerge from the Arts & Crafts Movement. After studying under, and then working for, Douglas Cockerell, Francis Sangorski and George Sutcliffe founded their own bindery in 1901 and continued in a successful partnership until 1912. During that year, the firm suffered three major blows: their famously splendid jewelled binding, dubbed the "Great Omar," was lost on the Titanic; a few weeks after this accident, Francis himself drowned; and Francis' brother, Alberto, who had been a central figure in producing the firm's vellum illuminated manuscripts, went over to Riviere. Despite these losses, the firm grew and prospered, employing a staff of 80 by the mid-1920s and becoming perhaps the most successful English bindery of the 20th century. Our copy was owned by American silk manufacturer Paolino Gerli (1890-1982) who donated a number of works from his library to Manhattan College, which had bestowed an honorary degree on him.…

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.