Hubert Judd D (25 results)

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition.

Condition: Acceptable. hardcover 100% of proceeds go to charity! Acceptable reading copy with obvious signs of use, wear, and/or cosmetic issues. Item is complete and remains readable despite notable condition issues.

Hardcover. Condition: Clean & Unmarked. Dust Jacket Condition: Missing. Rear board bumped and creased. Otherwise straight, with clean text and a strong binding. Missing dust jacket. 161 pp.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. No Jacket. No dust jacket, as issued. Book is gently used with only minor wear. Tightly bound copy with clean interior having no markings, writing, underlining, or highlighting in margins or text block. Inv. # 12544.

hardcover. Condition: Very Good. Granary Books; New York City, 1999. Hardcover. Signed and inscribed by both authors directly on title page. A Very Good, black binding with silver lettering on spine, binding sturdy and intact, bit cocked, mild crimping to spine edges, couple of small soiled spots on text block edges, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, Mylar protected, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 265pp., photo credits, bibliography, indexed, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book. Signed by Author.

(En français et en anglais) . Broché. 237 pages.

Condition: as new. Pbk stapled card covers with French-fold wraps 58pp an unread copy excellent clean tight unmarked as new.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. As New. The dust jacket is protected by a Brodart mylar cover and is not clipped. Not an ex-library copy. No remainder marks. No names or marks in the text. Most books shipped within 24 hours. All books mailed with Delivery Confirmation in a heavy cardboard box. Unread. Fine condition in fine dust jacket. Selling Used and Rare books on line since April 1998 and from our bookstore in the heart of the Bluegrass since 1984. ; 8vo.; 161 pages.

hardcover, Condition: Very Good, Granary Books, NY, 1999, 8-1/2"x10-3/4", hardcover, 265pp., VG/VG $.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 265 pages, 8 unnumbered pages of plates : illustrations (some color). Publisher's binding fresh, corner sharp; contents as new. Light wear to edges of dust jacket. 1080 grams.

8 1/2 x 10 1/2 in., 280 pp., smyth-sewn hardcover with printed dust jacket. This splendid volume expands upon and extends the work initiated by Renée Riese Hubert in Surrealism and the Book (University of California Press, 1987) by focusing acute critical attention on recent and contemporary artists' books. In The Cutting Edge of Reading, the Huberts develop a discourse which starts where discussion of the livre d'artiste leaves off. The study begins with a chapter on "Transitions" which examines the work of Pierre Alechinsky and Paolo Boni, among others, before developing and discussing, through close readings, such themes as "Visual Deviants and Typographical Departures" (Telfer Stokes & Helen Douglas, Sixtus, Walter Hamady); "Various Ways of Frustrating our Reading Habits" (Susan King, Janet Zweig and Dieter Roth among others); "Altering Books-The Cutting Edge of Editing" (Tom Phillips, Harry Reese, Buzz Spector, Jean Le Gac, Scott McCarney among others); "Variations on the Accordion" (Bertrand Dorny, Julie Cheng, Clifton Meador, and Philip Zimmermann, among others); "The Book, The Museum, and Public Art" (Jochen Gerz, Margot Lovejoy, Joan Lyons, Christian Boltanski, and Annette Messager, among others); "Satire" (Marcel Broodthaers, Terry Braunstein, Warren Lehrer & Dennis Bernstein, and Ruth Laxson); "Concretions of Memory" (Ligorano/Reese, Ed Epping, among others); "Narratives and Verbal Manipulations" (Johanna Drucker, Paul Zelevansky, Henri Chopin, Keith Smith, John Crombie, and Barbara Fahrner, among others); "Metamorphosis of Childish Games" (Erica Van Horn and Clarissa Sligh, among others); and "Fashioners of Books" (John Eric Broaddus and Timothy C. Ely). The Cutting Edge of Reading is a welcome addition to the growing body of serious critical work now being done on artists' books. Providing in-depth readings and analysis of many individual artists' books while establishing a useful international twentieth-century overview, it complements Johanna Drucker's The Century of Artists' Books (Granary Books, 1995) and is a necessary reference tool for scholars, critics, collectors, and librarians. Illustrated throughout in color and black and white. Designed by Philip Gallo. Printed offset. Bound in cloth over boards with printed dust jacket. This is from an edition of 1500 copies. Out-of-print. Quarter-inch tear to dust jacket at top of spine, with scuffs to rear corner of dust jacket; near fine.

Hardcover. Condition: fine/fine. First edition. Quarto. (27cm x 21cm) 265pp. A fine copy in dust jacket.

265 pp.; 27 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Critical theory publication on artists' books by Renee Riese Hubert and Judd D. Hubert. Includes a bibliography of writings on artists' books and an index. Artists include Telfer Stokes, Helen Douglas, Dieter Roth, Buzz Spector, Scott McCarney, Clifton Meador, Christian Boltanski, Annette Messager and others. Reference : No. 175 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 95. Very Good / Fine. Light bumping and rubbing along top edge of dust-jacket with 5.5 cm. and 3.1 cm. of soiling to verso, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First Edition, 1999. 265 pages. Book measures 8.5 x 10.5". Book measures 8.5" x 10.5". Essays covering the work of many artists working within the medium of artists books, including Walter Hamady, Dieter Roth, Tom Philips, Christian Boltanski, Marcel Broodthaers, Henri Chopin, Susan King among many others. The text is generously illustrated through out with B&W plates of examples of works discussed, and a 4 page color spread of images. Fine in Near Fine dust jacket. Binding is square and tight.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0803223552.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780803223554.

leatherette, dust jacket. small 4to. leatherette, dust jacket. (vi), 266 pages. First edition. Fine in near fine jacket. This volume extends the work initiated by Renee Hubert in "Surrealism and the Book," (University of California Press, 1987), by focusing critical attention on recent and contemporary artists' books. The study begins with a chapter on "Transitions," which discusses the work of Pierre Alechinsky and Paolo Boni and others. It is illustrated throughout in black-and-white and includes a bibliography and index.

Hardcover. Condition: New.

[13609].

265 S., 23 farb. & 111 Textabb. Bibliographie, Reg. 4° Kart.mS. *Wissenschaftliche Annäherung an das Phänomen des Künsterlbücher, verfaßt von der Autorin des Standardwerks "Surrealism and the Book". Der besondere Reiz dieses faktenreichen Buches liegt in der Auswahl der Künstlerbücher: es werden viele Arbeiten besprochen, die in der bisher erschienenen Literatur nicht referiert wurden. *neuwertig*. Sprache: Englisch 1200 gr.

Condition: Sehr gut. 1st ed. 265 pp., ill. in b/w. 27 cm x 22 cm. Hardcover with dust jacket. Dust jacket slightly rubbed, otherwise very fine copy. Unzugeordnet Altersfreigabe FSK ab 0 Jahre Sprache: Englisch Gewicht in Gramm: 1100.

Condition: New. Satisfaction Guaranteed or your money back.

First Edition. Pp. [vi]+266(last blank), 8 coloured plates, black & white text illustrations, bibliography, index; post 4to; black art. leather, spine lettered in silver, fore-corners of boards slightly bruised; dust wrapper, a trifle scuffed, edges lightly rubbed and split; book label of David Levine, Sydney, on upper pastedown, edges of leaves slightly foxed; Granary Books, New York, 1999. First edition.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1916. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 188, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 188 188.