Horak Jan Christopher (144 results)

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardback. Condition: Good. Iconic graphic designer and Academy Award--winning filmmaker Saul Bass (1920--1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. This long-overdue book sheds light on the creative process of the undisputed master of film title design -- a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.…

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

softcover. Condition: Fine copy. 1st. Tall 8vo, 158 pp. Illus. with photos (illustrator).

softcover. Condition: Fine copy. 1st. Tall 8vo, 169 pp. Illus. with photos (illustrator).

Hardback. Condition: Good. Iconic graphic designer and Academy Award--winning filmmaker Saul Bass (1920--1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. This long-overdue book sheds light on the creative process of the undisputed master of film title design -- a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.…

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New. Brand New.

First Edition. Softcover, good with some wear and slight curl. Illustrated.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Large Paper. 1st Edition. Catalog pub. in conj. with a traveling exhibit on the make believe & the marvelous of Hollywood's golden years of moviemaking. The exhibit consisted of material from the Warner Bros. archive at Eastman House. Well illus. w. many wonderful photos & candids. Crease to the cover, small corner bump to the bottom of the back cover which is lightly mirrored to the bottom corner of the pages. Insides are vg. Book.…

Jun 01, 1989. Condition: Used: Very Good. Softcover with no marks or writing in book. Light signs of prior handling, a little light rubbing, Very Good condition overall.

Condition: New.

Condition: NEAR FINE. 1989 SC. Some light shelfwear on wraps. Nice - flat - clean w/excellent binding.

Hardcover. Condition: New. Dust Jacket Condition: New. 8vo; 512 pp; Excellent book.

Hardcover. Condition: As New. Dust Jacket Condition: As New.

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. L.A. Rebellion: Creating a New Black Cinema. Field, Horak and Stewart (eds.) Published by University of California Press, 2015. 454p. trade paperback, covers clean/square, binding tight, text clean/unmarked, one dogeared page flattened out, near fine condition--ISBN 10: 0520284682ISBN 13: 9780520284685--30.00. …

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Hardback or Cased Book. Condition: New. Saul Bass: Anatomy of Film Design. Book.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Marshalling his cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled this group of articles on the cinematic period from 1919 to 1945. Many of the articles comprehensively treat such early film-makers as Mary Ellen Bute, Theodore Huff and Douglass Crockwell. Also included in the book is a listing of all American avant-garde films produced in the years before World War II as well as a bibliography of relevant criticism, literature and news accounts.…

Condition: As New. Unread book in perfect condition.

Softcover. Condition: Fine. First Edition. Fine blue pictorial paperback. 80 pages, unmarked. ; TURN OVR54; 80 pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. very good condition hard cover in a very good dust jacket gently read clean pages.