Hewitt Leah D (38 results)

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Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. 1St Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. Condition: Very Good. reprint. 216 pages. Clean, unmarked copy with only minor wear to wrappers.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Soft cover. Condition: Good. Creases to the bottom edge of cover and corners. Gentle rubbing to cover. Crease along bottom edge continues through first few pages. Pages are otherwise crisp, clean and free from markings or creases. Binding is tight and also crease-free. Lit crit.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback or Softback. Condition: New. Autobiographical Tightropes: Simone de Beauvoir, Nathalie Sarraute, Marguerite Duras, Monique Wittig, and Maryse Conde. Book.

Condition: New.

Hardcover. Condition: Good. Dust Jacket Condition: Issued without a dust jacket. Writing to two pages, else pages clean; binding tight; minor wear to covers. 254 pages. Illustrated. Size: 5 1/2" x 8 1/2".

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. Examines the lives and selected writings of five major contemporary French women writers: Simone de Beauvoir, Nathalie Sarraute, Marguerite Duras, Monique Wittig, and Maryse Conde. Part literary criticism and part biography, this book seeks mainly to shed light on how these writers' works illustrate the fine line that separates fact from fiction. Num Pages: 259 pages, black & white illustrations. BIC Classification: DSB; JFSJ1. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 14. Weight in Grams: 341. . 1992. Paperback. . . . . …

Hard cover Fine in fine dust jacket. Sewn binding. Paper over boards. 259 p. Audience: General/trade.

Condition: New. Examines the lives and selected writings of five major contemporary French women writers: Simone de Beauvoir, Nathalie Sarraute, Marguerite Duras, Monique Wittig, and Maryse Conde. Part literary criticism and part biography, this book seeks mainly to shed light on how these writers' works illustrate the fine line that separates fact from fiction. Num Pages: 259 pages, black & white illustrations. BIC Classification: DSB; JFSJ1. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 14. Weight in Grams: 341. . 1992. Paperback. . . . . Books ship from the US and Ireland. …

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Publisher: University of Nebraska Press, 1990, Good, Soft Cover, ISBN: 0-8032-7258-8. Book.

Paperback. Condition: Brand New. reprint edition. 259 pages. 9.25x5.75x0.50 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Fine paperback (minimal edgewear, clean and unmarked). 259 pp Paperback. The image on this page is of the actual book for sale.

Hardcover. Condition: New condition. Dust Jacket Condition: No dust jacket, as issued. First Printing of the First Edition. Palgrave Macmillan, 2008. NEW and unread in PERFECT condition. Square and tight. NO chips, tears, creases, rubbing or fading. Bright and shiny. Sharp corners. Pages are fresh, crisp, clean and unmarked - obviously never read. A volume from the Studies in European Culture and History series. Only a few illustrations. List of chapter notes. Bibliography. Index. Bound in the original laminated boards. From the publisher: "When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation.". First Printing of the First Edition. Hardcover. New condition/No dust jacket, as issued. Illus. by NOT a library discard. viii, 254pp. Great Packaging, Fast Shipping. NOT a library discard (illustrator). …

Hardback. Condition: Good. In order to write said Simone de Beauvoir, the first essential condition is that reality can no longer be taken for granted. She and four other French women writers of the second half of the twentieth century-Nathalie Sarraute, Marguerite Duras, Monique Wittig, and Maryse Cond -illustrate that producing autobiography is like performing a tightrope act on the slippery line between fact and fiction. Autobiographical Tightropes emphasizes the tension in the works of these major writers as they move in and out of experience and literature, violating the neat boundaries between genres and confusing the distinctions between remembering and creating. Focusing on selected works, Leah D. Hewitt for the first time anywhere explores the connections among the authors. In doing so she shows how contemporary women's autobiography in France links with feminist issues, literary tradition and trends, and postmodern theories of writing. In light of these theories Hewitt offers a new reading of de Beauvoir's memoirs and reveals how her attempt to represent the past faithfully is undone by irony, by literary and feminine detours. Other analysts of Nathalie Sarraute's writing have dwelt mainly on formal considerations of the New Novel, but Hewitt exposes a repressed, forbidden feminine aspect in her literary innovations. Unlike Sarraute, Duras cannot be connected with just one literary movement, political stance, style, or kind of feminism because her writing, largely autobiographical, is marked by chameleon like transformations. The chapters on Wittig and Cond show how, within the bounds of feminism, lesbians and women of color challenge the individualistic premises of autobiography. Hewitt demonstrates that, despite vast differences among these five writers, all of them reveal in their autobiographical works the self's need of a fictive other. Leah D. Hewitt is an associate professor of French at Amherst College.…

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardback. Condition: Good. In order to write said Simone de Beauvoir, the first essential condition is that reality can no longer be taken for granted. She and four other French women writers of the second half of the twentieth century-Nathalie Sarraute, Marguerite Duras, Monique Wittig, and Maryse Cond -illustrate that producing autobiography is like performing a tightrope act on the slippery line between fact and fiction. Autobiographical Tightropes emphasizes the tension in the works of these major writers as they move in and out of experience and literature, violating the neat boundaries between genres and confusing the distinctions between remembering and creating. Focusing on selected works, Leah D. Hewitt for the first time anywhere explores the connections among the authors. In doing so she shows how contemporary women's autobiography in France links with feminist issues, literary tradition and trends, and postmodern theories of writing. In light of these theories Hewitt offers a new reading of de Beauvoir's memoirs and reveals how her attempt to represent the past faithfully is undone by irony, by literary and feminine detours. Other analysts of Nathalie Sarraute's writing have dwelt mainly on formal considerations of the New Novel, but Hewitt exposes a repressed, forbidden feminine aspect in her literary innovations. Unlike Sarraute, Duras cannot be connected with just one literary movement, political stance, style, or kind of feminism because her writing, largely autobiographical, is marked by chameleon like transformations. The chapters on Wittig and Cond show how, within the bounds of feminism, lesbians and women of color challenge the individualistic premises of autobiography. Hewitt demonstrates that, despite vast differences among these five writers, all of them reveal in their autobiographical works the self's need of a fictive other. Leah D. Hewitt is an associate professor of French at Amherst College.…

Taschenbuch. Condition: Neu. Neuware - 'In order to write' said Simone de Beauvoir, 'the first essential condition is that reality can no longer be taken for granted.' She and four other French women writers of the second half of the twentieth century-Nathalie Sarraute, Marguerite Duras, Monique Wittig, and Maryse Condé-illustrate that producing autobiographyis like performing a tightrope act on the slippery line between fact and fiction. Autobiographical Tightropes emphasizes the tension in the works of these major writers as they move in and out of 'experience' and 'literature,' violating the neat boundaries between genres and confusing the distinctions between remembering and creating. Focusing on selected works, Leah D. Hewitt for the first time anywhere explores the connections among the authors. In doing so she shows how contemporary women's autobiography in France links with feminist issues, literary tradition and trends, and postmodern theories of writing.In light of these theories Hewitt offers a new reading of de Beauvoir's memoirs and reveals how her attempt to represent the past faithfully is undone by irony, by literary and 'feminine' detours. Other analysts of Nathalie Sarraute's writing have dwelt mainly on formal considerations of the New Novel, but Hewitt exposes a repressed, forbidden feminine aspect in her literary innovations. Unlike Sarraute, Duras cannot be connected with just one literary movement, political stance, style, or kind of feminism because her writing, largely autobiographical, is marked by chameleon like transformations. The chapters on Wittig and Condé show how, within the bounds of feminism, lesbians and women of color challenge the individualistic premises of autobiography. Hewitt demonstrates that, despite vast differences among these five writers, all of them reveal in their autobiographical works the self's need of a fictive other.…