Hayes Eileen F (18 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: new.

Condition: New. Addresses black women's negotiation of race and gender in African American music. This work explores the ways African American women musicians of the twentieth century have negotiated feminisms, engaged in social activism, and worked within - or sometimes independent of - a male-dominated music industry. Editor(s): Hayes, Eileen M.; Williams, Linda F. Series: African Amer Music in Global Perspective. Num Pages: 280 pages, 12 photographs. BIC Classification: 1KBB; AVGH; JFSJ1; JFSL3. Category: (UU) Undergraduate. Dimension: 154 x 228 x 27. Weight in Grams: 404. . 2007. New Ed. Paperback. . . . .…

Condition: New.

Paperback. Condition: Brand New. 1st edition. 232 pages. 8.75x6.00x0.75 inches. In Stock.

Condition: New. pp. 280.

Condition: New. Addresses black women's negotiation of race and gender in African American music. This work explores the ways African American women musicians of the twentieth century have negotiated feminisms, engaged in social activism, and worked within - or sometimes independent of - a male-dominated music industry. Editor(s): Hayes, Eileen M.; Williams, Linda F. Series: African Amer Music in Global Perspective. Num Pages: 280 pages, 12 photographs. BIC Classification: 1KBB; AVGH; JFSJ1; JFSL3. Category: (UU) Undergraduate. Dimension: 154 x 228 x 27. Weight in Grams: 404. . 2007. New Ed. Paperback. . . . . Books ship from the US and Ireland.…

Condition: New. In English.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 280.

Hardcover. Condition: Good. No Jacket. First Edition. Ex-Library copy with typical library marks and stamps. First edition, first printing. Shelf and handling wear to cover and binding, with general signs of previous use. Boards show signs of shelf wear. All pages are intact, binding is sound. Secure packaging for safe delivery. …

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This collection is the first interdisciplinary volume to examine black women's negotiation of race and gender in African American music. Contributors address black women's activity in musical arenas that pre- and postdate the emergence of the vaudeville blues singers of the 1920s. Throughout, the authors illustrate black women's advocacy of themselves as blacks and as women in music. Feminist Black feminist The editors take care to stress that each term warrants interrogation: 'Black women can and have forged, often, but not always--and not everywhere the same across time--identities that are supple enough to accommodate a sense of female empowerment through 'musicking' in tandem with their sensitivities to black racial allegiances.' Individual essays concern the experiences of black women in classical music and in contemporary blues, the history of black female gospel-inflected voices in the Broadway musical, and 'hip-hop feminism' and its complications. Focusing on under-examined contexts, authors introduce readers to the work of a prominent gospel announcer, women's music festivals (predominantly lesbian), and to women's involvement in an early avant-garde black music collective. In contradistinction to a compilation of biographies, this volume critically illuminates themes of black authenticity, sexual politics, access, racial uplift through music, and the challenges of writing (black) feminist biography. Black Women and Music is a strong reminder that black women have been and are both social actors and artists contributing to African American thought. 280 pp. Englisch.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This collection is the first interdisciplinary volume to examine black women's negotiation of race and gender in African American music. Contributors address black women's activity in musical arenas that pre- and postdate the emergence of the vaudeville blues singers of the 1920s. Throughout, the authors illustrate black women's advocacy of themselves as blacks and as women in music. Feminist Black feminist The editors take care to stress that each term warrants interrogation: 'Black women can and have forged, often, but not always--and not everywhere the same across time--identities that are supple enough to accommodate a sense of female empowerment through 'musicking' in tandem with their sensitivities to black racial allegiances.' Individual essays concern the experiences of black women in classical music and in contemporary blues, the history of black female gospel-inflected voices in the Broadway musical, and 'hip-hop feminism' and its complications. Focusing on under-examined contexts, authors introduce readers to the work of a prominent gospel announcer, women's music festivals (predominantly lesbian), and to women's involvement in an early avant-garde black music collective. In contradistinction to a compilation of biographies, this volume critically illuminates themes of black authenticity, sexual politics, access, racial uplift through music, and the challenges of writing (black) feminist biography. Black Women and Music is a strong reminder that black women have been and are both social actors and artists contributing to African American thought.…