Haskell Professor Francis (20 results)

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Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Condition: good. This book is in good condition, with minimal signs of wear and tear.

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Hardcover. Condition: Very Good. VG+ to near fine in every way showing almost no discernible wear. Solid and clean.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Light scratches on back of dust jacket.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Very Good. 560 pages. Heavy book may incur additional freight outside of NZ In this engrossing book, an eminent art historian surveys the ways that histo rians have made use of visual sources-sculptures, paintings, coins, and other re lics-in their attempts to understand and visualize the past. Francis Haskell exa mines the specific objects that were used and discusses a wide range of historia ns-from the sixteenth and seventeenth centuries to later writers such as Michele t, Burckhardt, and Huizinga who made inferences from the visual arts to indicate the whole mentality of an age.…

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paperback. Condition: As New.

Hardback. Condition: Fine. Dust Jacket Condition: Fine. Second Printing with Corrections. x, 558pp. White d.j. with colour illus. beneath the titles. 262 illus. Attractive colour illus. endpapers. No inscriptions, fading, wear or marks.

2nd corrected printing hardback with dust jacket As New large octavo x + 558pp., frontis., col. & b/w pls., text ills., notes, bibliog., index, Author begins by discussing the antiquarians of the 16th and 17th centuries who brought to light and interpreted as historical evidence coins, sculptures, paintings discovered in the catacombs beneath Rome and other relics surviving from earlier ages; explains that in the 18th century, historians gradually began to acknowledge the significance of such visual sources and to draw on them in order to validate and give colour to their narratives'. …