Harrison Barry a (19 results)

Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: good. Paperback Book.

Condition: Good. 2nd. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Stapled Wraps. Condition: Very Good. Thea Hardy (cover) (illustrator). For sci-fi/fantasy enthusiasts, this magazine can provide a revelatory window into the genre and the views of its practitioners. SFWA publishes a quarterly magazine, the Bulletin. SFWA Members receive the Bulletin as part of their membership, but anyone can subscribe to it. The Bulletin carries nonfiction articles of general interest to writers, especially genre writers: Features, Departments, Columns, and Markets. CONTENTS: See accompanying scan image of the Table of Contents for article topics. 48 pages. CONDITION: a bright, solid, unmarked Very Good copy with light shelf-wear, some minor wrinkling, and an recipient's address label on the back. This attractive copy is now in a clear, protective poltpropylene bag with archival backing board.

Hard Cover. Condition: Very Good. No Jacket. In plastic wraps. New?

Profusely Illustrated (illustrator). 188 pp.; 28 x 23 cm.; sewn bound; black-and-white & color; edition size 10000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Chicago, January 23 - April 5, 1987. Traveled to the San Francisco Museum of Modern Art, June 4 - July 26, 1987; Newport Harbor Art Museum, Newport Beach, CA; Hirschhorn Museum and Sculpture Garden, Washington, D.C., November 10, 1987 - January 10, 1988 and Albright-Knox Art Gallery, Buffalo, February 12 - April 10, 1988. Curated and with text by Mary Jane Jacob and Graham Beal. Additional texts by Lynne Cooke. Edited by Terry A. Neff. Artists include Tony Cragg, Richard Deacon, Barry Flanagan, Richard Long, David Nash, and Bill Woodrow. Includes exhibition checklist and artists' biographies by Dennis Alan Nawrocki. Very Good. Light rubbing of cover edges. Light yellowing of page edges. Contents clean and unmarked. Due to size and weight additional shipping charges will be required for international orders.

Soft cover. Condition: Fine. Fine and in lovely condition. Articles include: Suriname Surprises, Demise of the PNM, Does Trinidad Have a Drug Problem, Canal Treaties and much more. Upgraded to First Class. 0.0 0.0.

Hardcover. Condition: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condition: New.

Soft cover. Condition: Very Good. 1st Edition. First edition, first printing of this collection of horror stories by various authors. Featured are Devil Car by Roger Zelazny, Vampire Ltd. by Josef Nesvadba, A Plague of Cars by Leonard Tushnet, Auto-da-Fe by Roger Zelazny, Traffic Problem by William Earls, Station HR972 Kenneth Bulmer, A Day on Death Highway by Chandler Elliott, The Greatest Car in the World by Harry Harrison, The Roads, the Roads, the Beautiful Roads by Avram Davidson, The Exit to San Breta by George R. R. Martin, Car Sinister by Gene Wolfe, Interurban Queen by R.A. Lafferty, Waves of Ecology by Leonard Tushart, The Mary Celeste Move by Frank Herbert, X Marks the Pedwalk by Fritz Leiber, Wheels by Robert Thurston, Sedan Deville by Barry N. Malzberg, Romance in a Twenty-first Century Used Car Lot by Robert F. Young, East Wind, West Wind by Frank M. Robinson, Along the Scenic Route by Harlan Ellison, Slight edgewear. Light reading creases to the spine. Book is slightly warped due to improper storage. In very good condition.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

.- 2ª edición. Buenos Aires. 1979. Editorial Médica Panamericana, S.A. 4º mayor. 271 pgs. Con ilustraciones y fotografías. Rústica editorial . Etiqueta y pequeña falta base lomera. Firma anterior poseedor. Buen estado. . . Medicina.

Paperback / softback. Condition: New. Barry, Rich (illustrator). This item is printed on demand. New copy - Usually dispatched within 5-9 working days.