Hansen Kenneth O (10 results)

Softcover. Condition: Near Fine. First edition. Cover by Lee Vecchiola. Small quarto. 76pp. Paper wraps. Some bumping to the yapped edges, near fine. A magazine of poetry and prose founded by Banks and Matthews in 1964 while they were students at the University of North Carolina. Contributors include from Robert Creeley, W.S. Merwin, Dabney Stuart, Floyce Alexander, Doug Collins, Howard McCord, Banks, Greg Kuzma, George Hitchcock, Robert Morgan, Kathy Quick, Stanley Cooperman, Dave Kelley, Matthews, Kenneth O. Hansen, James Tate, Robert Bonazzi, William Witherup, Dennis Trudell, Peter Wild, and Jean Follain.…

Paperback. Condition: Gut. 432 p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT). - Minimale Gebrauchsspuren, sehr guter Allgemeinzustand. / Minimally worn, overall in very good condition - Romantic Revolutions brings together some of the major critics who have shaped our view of English and American Romanticism over the past generation, as well as younger scholars who have begun to challenge these interpretations. The volume is distinguished by the range and diversity of positions represented and by the vigor of the controversy among them. Beginning with essays that endorse or take issue with the centrality of Wordsworth in Romantic studies, the collection includes discussions of Shelley, Emerson, Hazlitt, and Scott, as well as authors such as Austen, Bryant, and Crane who enlarge our notion of the Romantic canon. The methodological debate bears on the theoretical writings of Walter Benjamin, Geoffrey Hartman, Paul de Man, and Jerome McGann, among other scholars and critics of the Romantic self-reflection that continues to animate literary studies. / Contents Romantic Revolutions: An Introduction I. The Spell of Wordsworth Introduction Kenneth R. Johnston Was it for this. ?: Wordsworth and the Birth of the Gods Geoffrey Hartman Facing Language: Wordsworths First Poetic Spirits Andrzej Warminski Monument and Inscription: Wordsworths Rude Embryo and the Remaining of History Cynthia Chase Secondary Literature: Geoffrey Hartman, Wordsworth, and the Interpretation of Modernity Donald G. Marshall II. Romanticism without Wordsworth Introduction Karen Hanson Representative Men, Spirits of the Age, and Other Romantic Types James K. Chandler Plotting the Revolution: The Political Narratives of Romantic Poetry and Criticism Marilyn Butler The Limits of Genre and the Institution of Literature: Romanticism between Fact and Fiction Gary Kelly The Landscape of Labor: Transformations of the Georgie John Murdoch III. American Counterpoints Introduction Herbert Marks From Wordsworth to Emerson David Bromwich Emersons Aversive Thinking Stanley Cavell Man Hath No Part in All This Glorious Work: American Romantic Landscapes Barbara L. Packer Back Home Again in Indiana: Hart Cranes The Bridge John T. Irwin IV. Critical Reflections Introduction Gilbert Chaitin Criticism Underway: Walter Benjamins Romantic Concept of Criticism Samuel Weber On Political Readings of Lyrical Ballads M. H. Abrams The Erasure of Narrative in Post-Structuralist Representations of Wordsworth Tilotiama Rajan Wordsworths Poetics of Eloquence: A Challenge to Contemporary Theory Charles Altieri Wordsworth, New Literary Histories, and the Constitution of Literature Don H. Bialostosky. ISBN 9780253205629 Sprache: Englisch Gewicht in Gramm: 834.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Fahrenheit, København 2018. 4to. 112 sider. Illustreret i farver. Heftet. Pæn med få brugsspor.

Wraps. Condition: Very Good. First Edition. Uniformly printed, single sheets 10-1/2 x 17', folded three times making four panels per side, or, eight panels altogether. Each 'pamphlet' reproducing a work of art on the 'cover'; the rest of the panels on this side are uniformly designed and offer a description of the art with a biography of the artists; a bibliography for the poet; and a biography of the poet, with the colophon at the bottom. The recto contains poetry only, from five to eight poems depending on the poet. Each pamphlet with a little bit of age-toning, but altogether a better than Very Good set; lacking the publishers manila envelope. Rare thus. // Published by the Portland Art Museum for the Northwest Poetry Meetings held at the Museum July 9, 10, 11, and 12 in connection with the invitational exhibition, 'Paintings and Sculptures of the Pacific Northwest', which ran June 13 through August 9, 1959. Really quite a remarkable collection of Northwest poets; this group of 8 represents a full collection of those published, and includes the first separate publication of Richard Hugo, Carolyn Kizer, Carol Hall, John Haislip, and William Stafford (poetry). Artists include: Sally Haley; Margaret Tomkins; James McGarrell; Milton Wilson; Tony Mellara; Louis Bunce; Hilda Morris; and William Ivey.…

[1] pp.; 78.2 x 17.7 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Sixth Annual New York Festival of the Avant Garde which took the form of a parade down Central Park West in New York City on September 14, 1968, from 7pm to 10pm. Organized by Charlotte Moorman. Artists include Ay-o, Jacque Bekaert, Robert Breer, Robert Burridge, Luis Camnitzer, Philip Corner, Douglas Davis, Ken Dewey, John Giorno, Don Heckman, Al Hansen, Dick Hogle, Takehiko Iimura, Joe Jones, Allan Kaprow, Robin Kenyatta, Kenneth Knowlton, Gilles Larrain, Les Levine, Jackson Mac Low, Max V. Mathews, Tom Molholm, Preston McClanahan, Jim McWilliams, Max Neuhaus, Peter Neumann, Michael Noll, Ralph Ortiz, John Pierce, Dick Preston, Ely Ramen, Steve Rettew, Jean Claude Risset, Carolee Schneemann, Willoughby Sharp, Bob Schuller, Ed Summerlin, Jean Toche, John Van Saun, Joyce Wieland, Kenneth Werner, Emmett Williams and Jud Yalkut. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. Light bumping of corners. Two small thumb tack holes to poster: one near the center of the upper edge and one near center of the bottom edge.…

[1] pp.; 74 x 18.5 cm.; accordion; duotone; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 7th Annual New York Avant Garde Festival presented by Charlotte Moorman held September 28 - October 4, 1969. Performers included Charlotte Moorman, Jon Aldefer, Billy Apple, Ay-o, Norman Bauman, David Behrman, Lois Bernard, Robert Breer, Darlene Butsch, Luis Camnitzer, Jackie Cassen, Jaropolk Cigash, Michael Cooper, Philip Corner, Arthur Corwin, Ian Crofts, Douglas Davis, Lindsay Decker, Ken Dewey, Juan Downey, Sean Emmett, Jeni Engel, Charles Frazier, Frank Gillette, Jimmy Giuffre, Michael Gurian, Al Hansen, Gary Harris, Don Heckman, Piero Heliczer, Bici Hendricks, Geoffrey Hendricks, Jon Hendricks, Dick Hogle, Richard Hyatt, Yukihisa Isobe, Ken jacobs, Poppy Johnson, Ray Johnson, Joe Jones, Kenneth Knowlton, Gilles Larrain, Fred Lieberman, Ernst Lurker, Jackson Mac Low, Max V. Mathews, Preston McClanahan, Jim McWilliams, Peter Neumann, Henry Niese, Andrew Noren, Ralph Ortiz, Nam June Paik, Benjamin Patterson, Lil Picard, John Pierce, Dick Preston, Ely Raman, Jim Raridon, Earl Reiback, Jean Claude Risset, Sal Romano, Paul Ryan, Ira Schneider, Michael Snow, Rudi Stern, Tal Streeter, Sandra Sutton, Aldo Tambellini, Jean Toche, Jerry Tublin, John van Alstine, John Van Saun, Frank Lincoln Viner, Gerald Vis, Laurence Warshaw, Todd Watts, Joyce Wieland, Kenneth Werner, Pat Willard, David Wise, Ted Wolf, Jud Yalkut, and Gary Zeller performing works by Les Levine, Allan Kaprow, Philip Corner, Stan Brakhage, Jean Toche and many others. Very Good. Hand addressed mailed copy with mailing marks and wear including two 7 mm. tears to bottom edge along closure on either side of 1.6 cm. stain from removed tape. 1 cm. glue staining on verso from closure. Otherwise clean and unmarked.…