Hadrian Pigott (5 results)

New hardback. With accompanying DVD inside front cover. Landscape format blue cloth. Illustrated. The picture on this listing page is of the actual book for sale.

Condition: New. New, unused box-set. Has a little shop-wear to the outer box (a couple wrinkles, light bends), but all parts are intact.

104 pp.; 26.4 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 6 of the periodical Neue Bildende Kunst, published in 1995. Contents include "Editorial;" "In Bewegung," by András Zwickl; "Zsigmond Károly, György Jovánovics, Imre Bukta, Csaba Nemes, Róza El-Hassan;" "Berlin-Moskau/Moskau-Berlin," by Hiltrud Ebert; "Erhard Monden," by Eugen Blume; "Jana Milev," by Bernd Rosner; "Wolfram Adalbert Scheffler," Künstlerseiten; "Jürgen Schön," by Ralph Lindner; "Maria Eichhorn," by Annelie Lütgens; "Paul Thek," by Friedrich Meschede; "Hadrian Pigott," by Michael Freitag; "John Latham," by Hans-Ulrich Obrist; "Cy Twombly," by Peter Herbstreuth; "Verdorrt die ostdeutsche Museumslandschaft?," by Anke Petermann; "Wovon lebt der Künsterler?," by Olaf Zimmermann; "Der Österreich-Schwerpunkt auf der Frankfurter Buchmesse," by Verena Kuni; "Subrealismus: Eine neue Kunstgattung aus dem Osten," by Viola Michely; "Open House 1995 in Marfa," by Sabine Russ; "Herbstsaison in New York," by Paul Dickerson/Bettina Munk; "Sehnsucht nach dem Paradies," by Peter Nesweda, Sandra Crawford; "Jana Sterbak in Saint-Etienne," by Anna Mohal; "Grenzenlos - Polnische Kunst in Berlin," by Andreas Quappe; "Fragen an die Malerei in der Galerie Wohnmaschine, Berlin," by Nikola Henze; "Martin Rosz im 'Museum," by Karin Bettina Müller; "Clownpower im Haus der Kunst, München," by Michael Glasmeier; "James Lee Byars in Bremen," by Katrin Wittneven; "Pina/Via Lewandowsky: Die Krise als Material in Leipzig," by Meinhard Michael; "Eine Sculptur von Magdalena Jetelová," by Pavel Liska; "Kunst und Gedächtnis: Sarkis in der Bundeskunsthalle," by Thomas Fechner-Smarsly; "Beate Terfloth," by Peter Herbstreuth; "Geschichte en détail. Der Fotograf Stefan Hunstein; "All Work and No Play: Eine Gruppenausstellung im Festspielhaus Hellerau," by Gerrit Gohlke; "Bildsturz und Sequenz: Fotografie im Kunstverein Elsterpark," by Peter Herbstreuth; "Max Matter im Aargauer Kunsthaus," by Annelise Zwez; "Verkehrte Welt: Peter von Wattenwyl in Burgdorf," by Christoph Doswald; "Der Intime Blick: Frauenporträts von Katrin Freisager," by Annelise Zwez; "Schluß mit.," by Marius Babias; Rezensionen; Impressum; Nachrichten and Galerienkalender. Text in German. Good. Rubbing of cover edges, light scratching of covers, 2.5 cm. mark from removed sticker on recto, and 2 mm. tear to top edge of spine. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

SOFTCOVER. Condition: Fine. 1st Edition. Large 4to. in stiff glossy card covers, 31pp, colour plates, etc. Gallery presentation slip loosely inserted . [CONDITION: A well preserved FINE very clean and tight copy (mild spine creasing)) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Loose_leaf in card box. Condition: Good. First Edition. 420 x 315mm. Boxed with titled pastedown. Privately published by Robert Violette in a boxed edition of 60 signed and numbered copies (of which this is number 38). Includes a sheet of text on the artist by Pernilla Holmes. Published on the occasion of dinner at the Tigerpalast, Frankfurt, on Thursday 9th October 2003. Described as a triptych, this contains three minimal landscape colour photographs by the artist on Kodak branded photopaper, together with a large fold-out print on yellow paper. Includes original glassine envelopes for each photo. Not in OCLC. A very rare publication by Hadrian Pigott, geologist turned artist (a graduate of the Royal College of Art), known for his works involving soaps, basins, and concepts of hygiene. Pigott had notable London exhibitions at Victoria Miro and the Saatchi Gallery's 'Young British Artists V' show. 'Silver Howe' dates from a pivotal moment in Pigott's career when he was relocating from London to set up a studio in Penzance, Cornwall.