H Ruhemann (30 results)

Soft Cover. Condition: Good. Wraps rubbed on edges, lightly chipped on front hinge, chipped at tail. Prior owner name stamped on front and fep. Pages are clean with no markings in text. Size: 4to - over 9¾" - 12" tall. Ex Libris.

Paperback. First Edition, First printing. Stated First Published 1951. VERY GOOD+ SOFTCOVER. SLIGHT WEAR TO SPINE FOLDS AND COVERS. BINDING TIGHT. INTERIOR CLEAN. OWNER NAME.

Paperback. Condition: Fair. ***please read*** Well worn with corner bumps, nicks, tears, creases and discoloration of covers - a number in light pencil on flyleaf - no marks on text - 72 pages - my shelf location - 28-f-33*.

Soft cover. Condition: Very Good. Dust Jacket Condition: Good. Various (illustrator). 1st Edition. 1st. Edition, 1st. Printing 1951 . Soft cover with dust wrapper ,71 page book. Illustrated with black & white images of various artist. Condition : Very Good. Size: 12mo - over 6¾ - 7¾" tall. Book.

Soft cover. Condition: Good. Dust Jacket Included. 1951. Art. Penguin. Good+ stiff cardboard with dust jacket 71p. Some rippling/handling of dustjacket over cradboard covers (mixed crate 9/24).

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:

Soft cover. Condition: Very Good. Dust Jacket Condition: VG. 1st Edition. Type: Book Fine. Dust Jacket Condition: Very Good. First Edition. original card covers,illustrated throughout,72 pages,fine in very good unclipped dustwrapper in a frsh myslar cover. Slight bump to top right corner. All else VG+. Photo scan available. Shipments to USA, USPS via Canada Post Express; FREE OF CUSTOMS OR DUTY CHARGE.

paper wrappers. Condition: Fine. 1st Edition. 72pp. Grey card covers. 175 illus. The Exhibition 'Artists at Work' of 1944 represented in book form.

Paperback. Condition: Good. No Jacket. First Edition. Good Copy in original card wraps with Good clipped D/J. Small portion of jacket missing at bottom corner of lower jacket. Previous owners inscription on inside card cover. Clean text and b/w and colour plates.

Paperback. Condition: Good. No Jacket. First Edition. Copy in card wraps. Wraps lightly chipped around edges. Wraps a little grubby. Previous owners inscription on FFE. Clean text with colour and b/w plates.

Condition: Very Good. Penguin Books 1951.

Soft cover. Condition: Good. Penguin Books; 1951. Paperback- no dust cover. Illustrations. Appendix, index of artists and acknowledgements to rear. Some chipping to spine. Binding slightly loose. Previous owners name to front cover.

Paperback. Condition: Good. No jacket. Penguin Books, 1951. Paperback, ob8vo, 72pp, illust. No d/j, slightly spotted, covers a little worn. A fair copy. /0.3uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).

Softcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Penguin, Harmondsworth, 1951. First. Softcover with tight binding. Condition: Very Good. Clean and bright text. Includes a dust jacket, unclipped, in fine condition. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Softcover. First Edition, First Printing. Book condition is Very Good-; with a Very Good- price-clipped dust jacket. Some foxing, rubbing and edge wear to jacket. Toning and foxing throughout interior. Text is clean and unmarked. Illustrated with photographs, some in color. ; Small oblong 4to. 7 1/2"h x 9"w.

First edition, first printing. Very good oblong format paperback in a very good dustjacket with a couple of tears.

First published 1948; Approach to Art. 68 reproductions in colour and monochrome printed in photogravure, ca. 25,2 x 19,1cm ohne Schutzumschlag, Ecken/Kanten bestossen, Einband berieben, vergilbt und sehr fleckig (dürfte einmal einen Wasserschaden erlitten haben), Buchschnitt mit Lagerspuren, Seiten gebräunt, Schmutzblatt beschriftet, locker in der Bindung, eher mittelmässiger bis mässiger Zustand für das Alter Sprache: Englisch gebundene Ausgabe, Leinen, Hardcover/Pappeinband.

Gr.-8° OBrosch. 72 Seiten mit 175 Illustrationen. Widmungsexemplar an den Verleger Peter Diederichs von Helmut Ruhemann signiert.Kleine Druckstelle unterhalb des Rückens.Einband an Kanten berieben,sonst gut. Sprache: Englisch Gewicht in Gramm: 250.

Paperback, landscape 23.5x18.5cm, 72pp. Good condition in fair dustwrapper (general wear, missing most of front flap, bumped, creased, several small tears- now in protective cover). Foxed, bumped, edge wear. Contents clear and bright. B&w and colour illustrations. Pictures available on request.

Soft cover. Condition: Fine. Dust Jacket Condition: Good. 1st Edition. Contents: Influences: Environment and task - Artistic tradition - Personality: Creative impulse - Training - The work of art: Inspiration -- Planning -- Style -- Optical principles - Preliminary studies - Tricks of the trade - Sketch -- Finished picture -- The work in progress -- Watercolour -- Pastel -- Texture -- Main types of painting techniques -- Milestones -- Decline -- Recovery -- The French impressionists -- The neo-impressionists -- The post-impressionists -- Ce'zanne and eclectics -- Contemporary British painters -- Contemporary continental painters -- Some misconceptions.

Card Covers. Condition: Good. Card covers 1951. END PAPERS ARE FOXED. Clean & tight. No inscriptions. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref MM5589.

Hardcover. Condition: Good. 79 pages. Dj worn. Text foxed.

First edition 1951. Lacks dustjacket. Paperback. Very good.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:

Condition: Good. 8vo. 72 pp., Soft Covers, Very Good with minor scuffs at head and tail of spine, edge wear, rubbing, creasing. Illustrated plates (color + b&w), photographs.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition, Illustrated Edition. 1947 Penguin Paperback 1st Edition 1st Impression . Very good+ clean tight binding in very good+ unclipped dustjacket.

184 S. ausges. Ex., gestempelt, Seiten ohne Textmarkierungen mit leichten Verfärbungen an den Rändern, Abstos. an den Ecken, Aufkleber am Buchrücken Sprache: Deutsch Gewicht in Gramm: 400 8° (18,5-22,5 cm), Softcover/Paperback.

Harmondsworth, Penguin 1951. 71 S. mit 175 teils farb. Abb. OKart. mit farb. illustr. Schutzumschlag.

Hardcover. Condition: Very good. 5 colour and 95 black and white illus., appendices, index; 508pp. orig. cloth, slight wear, As Herrmann notes in the preface to his new edition, Ruhemann's views and techniques have now become widely accepted.

19 cm x 25.3 cm. 80 pages. 8 colour plates and 56 monochrome plates. Hardcover [publisher's original tanned cloth] with gilt lettering on spine and front board. Very good condition with only minor signs of external wear. Fading to spine and boards. Minor fraying to cloth at head and tail of spine. Leaf edges show minor browing but interior otherwise bright and clean. Includes, for example, the following: Forgeries were made at all times / The Counterfeiter's Weapons / The Expert's Counter-measures / The Forger's Triumph / The Forger's Unmasking and Condemnation / Conclusion etc. Hans Tietze (May 1, 1880 in Prague April 4, 1954 in New York City) was an Austrian art historian and member of the Vienna School of Art History. In 1909, Tietze was appointed lecturer in art history at the University of Vienna. After World War I he became assistant professor and began editing the art journal, Die bildenden Künste. In 1913, he published his Methode der Kunstgeschichte, which "attempted to summarize the basic principles of the evolutionist methodological project developed by Franz Wickhoff and Alois Riegl and articulated explicitly by Max Dvorák." From 1923 to 1925, Tietze helped reorganizing Vienna's traditional art museum system into a more popular and pedagogical one. For instance, he combined the print collection of the Hofbibliothek into the Albertina collection and created the Belvedere galleries, consisting of the baroque museum, the 19th-century museum and the 20th-century art museum. He also wrote radio broadcasts on art. In 1932 and 1935, Tietze was a visiting lecturer in the USA. After the annexation of Austria by the Nazis in 1938, he and his wife went to London and then to the United States, where he was appointed visiting professor at the Toledo Museum of Art in 193839. In 1940, he settled as a private scholar in New York City, where he wrote introductions to some museum catalogs and "great art" surveys for the general public. Among his students in Vienna were Ernst Gombrich, Otto Kurz and Fritz Grossmann. (Wikipedia) Sprache: english.