Gutwirth Madelyn (28 results)

Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Good. May have heavy foxing to page edges. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condition: Good.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Burgundy boards with gold gilt title on spine. Clean interior. 324 pages with index. 15 illustrations. Light fading to borders of jacket.

Oversized Paperback. Condition: Good.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Condition: Near Fine. A cultural history of women and societal views and issues during the revolutionary period in France. Hundreds of images and extensive bibliography and notes. In great shape.

Condition: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Hardcover. Condition: Very Good. First Edition. First Edition, First Printing. Published by University of Illinois Press, 1978. Octavo. Hardcover. Book is very good. Dust jacket is very good.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardback. Condition: Fine. Dust Jacket Condition: No Dust Jacket. clean, unmarked copy.

Condition: Very good. First edition. Hardcover. Very good condition in worn dust jacket. Internally clean and tight.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0252006763.

Hardcover. Condition: Very Good. Dust Jacket Included. 1st Edition. 1st edition, hardback, large 8vo, xii,324pp, illustrated, owner's name on endpaper corner, text clean and sound, Very Good / Good dustwrapper. wrapper unevenly faded, edges scuffed. ISBN 0252006763.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good+. First Edition. First edition, hardcover, has very light bumps to spine ends and corners, faint staining to boards at upper corners and top of spine, and a few dings to bottom edge of front board with light soiling to base of both boards, otherwise a solid VG copy in VG+ dustjacket which has slight bumps to spine ends and corners, touch of edgewear, and some slight sunning to spine.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. B/w Illus (illustrator). 1st. 1st printing; dj in mylar; beige c w/gilt spine titles; 440 clean, unmarked pages/index.

Paperback. Condition: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. DJ in archival cover.

Paperback. Condition: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good minor crease. *.

Condition: Very good.

26 x 18,5 cm. XXIV, 440 pp. Illustrated. Publisher's cloth, dust-jacket with some small tears.

Condition: New. Satisfaction Guaranteed or your money back.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book views Jacques-Louis David's pre-Revolutionary Oath of the Horatii as the realization of political and cultural gender struggle and goes back to antiquity and to Pierre Corneille's seventeenth-century play Horace to trace major antecedents of David's work. The play begins with Livy's account of gender strife in the Roman family of the Horatians. As Horace returns from battle against Alba, he is bitterly reproached by his sister Camille for slaying her Alban fiancé. Outraged, Horace kills her and is subsequently tried by the Roman state and freed. Corneille's 1640 version of the tale, Horace, appeared during the regency of Queen Anne of Austria, a time that favored the emergence of proto-feminist literature. Written in this atmosphere, Camille plays a powerful role: she thunderously denounces war and state power. Alas, this pro-woman ambiance did not last. As eighteenth-century France's sense of moral crisis rose, gender relations became more embattled. The greater presence of women in society evoked a reaction toward gender separation, as medical theorists circumscribed women's «nature» within sexual and maternal roles. As hysteria and the vapors became common female afflictions, Enlightenment philosophes puzzled over the paradox of women's condition. The conflict over «effeminate» rococo and «masculine» neo-classical art illustrates these tensions. David's milieu embraced a severer Roman, less feminocentric aesthetic. His preparatory sketches for The Oath exhibit hesitation as to how to frame his version of the story, but his final work diminishes women's stature, not only in the myth, but for the revolutionary generation's conceptualization of the republic. The work's huge impact reinforced a gender history in which women's place in the modern state was decisively relegated to its margins.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book views Jacques-Louis David's pre-Revolutionary Oath of the Horatii as the realization of political and cultural gender struggle and goes back to antiquity and to Pierre Corneille's seventeenth-century play Horace to trace major antecedents of David's work. The play begins with Livy's account of gender strife in the Roman family of the Horatians. As Horace returns from battle against Alba, he is bitterly reproached by his sister Camille for slaying her Alban fiancé. Outraged, Horace kills her and is subsequently tried by the Roman state and freed. Corneille's 1640 version of the tale, Horace, appeared during the regency of Queen Anne of Austria, a time that favored the emergence of proto-feminist literature. Written in this atmosphere, Camille plays a powerful role: she thunderously denounces war and state power. Alas, this pro-woman ambiance did not last. As eighteenth-century France's sense of moral crisis rose, gender relations became more embattled. The greater presence of women in society evoked a reaction toward gender separation, as medical theorists circumscribed women's «nature» within sexual and maternal roles. As hysteria and the vapors became common female afflictions, Enlightenment philosophes puzzled over the paradox of women's condition. The conflict over «effeminate» rococo and «masculine» neo-classical art illustrates these tensions. David's milieu embraced a severer Roman, less feminocentric aesthetic. His preparatory sketches for The Oath exhibit hesitation as to how to frame his version of the story, but his final work diminishes women's stature, not only in the myth, but for the revolutionary generation's conceptualization of the republic. The work's huge impact reinforced a gender history in which women's place in the modern state was decisively relegated to its margins. 102 pp. Englisch.