Guard Harold (17 results)

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. First Edition. Used - Very Good.

Hardcover. Condition: Very Good.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Very good/very good, used, 1st printing, black paper over boards, 236pp. Interior clean, no marks pages near bright, binding tight. Slight rubbing to dj, no chips or tears, corners square.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Printing. Hardcover, 236 pp., photos, unclipped illustrated jacket. Excellent condition. The frank, unfiltered views of a reporter in the thick of Pacific War combat on land, sea, and air.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Philadelphia: Casemate, c2011. first printing. 236pp., index, black and white photographs. 8vo. As new unread hardcover, as new d/j.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. 236pp; illus.

Super octavo hardcover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

Hardcover. Condition: Very Good. First edition. A very presentable copy with minimal wear. Dust jacket is fully intact. All pages clean, crisp and fresh. Publisher's note: "This book describes the Pacific War as seen firsthand by one of the Allies' top war correspondents, who observed and often participated in actions on land, sea and air."--Jacket. Size: 24.1 x 15.9 x 2.5 cm. 288 pp. Shipped Weight: Under 1 kilo. Category: History; Guard, Harold, -1986; World War, 1939-1945 -- Personal narratives, American; World War, 1939-1945 -- Campaigns -- Pacific Ocean; World War, 1939-1945 -- Journalists; ISBN: 1612000649. ISBN/EAN: 9781612000640. Add. Inventory No: 260205RSH005120.

Hardcover. Condition: Brand New. 288 pages. 9.50x6.25x1.00 inches. In Stock.

Vintage studio still photograph from the 1971 film, showing Julie Christie in costume. Provenance stamp on the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 8 x 10 inches. Near Fine. Vogel, Film as a Subversive Art.

Vintage reference photograph from the 1971 film, showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 8 x 10 inches. Near Fine. Vogel, Film as a Subversive Art.

Vintage borderless double weight photograph of director Joseph Losey, actor Michael Redgrave, and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso, along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. Near Fine. Vogel, Film as a Subversive Art.

Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard, with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 7 inches. Near Fine. Vogel, Film as a Subversive Art.

Vintage borderless reference photograph of director Joseph Losey, actor Dominic Guard, and crew members on the set of the 1971 film. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. About Near Fine, slightly wavy on the bottom edge. Vogel, Film as a Subversive Art.