Gonzalez Odonnell Luis (3 results)

Soft cover. Condition: Good. First Edition. 185 pages; Ejemplar numero uno de una revista representante de la decada de los 60. Con experimientacion desde los textos hasta el material con que fue realizada, tapa plastica, interior con una hoja de papel tipo finlandes, tra con simil espejo, otra con arpillera. Con una historieta ilustrada por Jorge de la Vega, cuento indedito de Pratolini, etc. Conserva el indice por separado, tal como fue concebido. 184 paginas. In Spanish.

Encuadernación de tapa blanda. Condition: Muy Bien. Jorge de la Vega, Carlos del Peral , Guillrermo Thiemer, Le Parc (illustrator). 1? Edición. Cuadernos de MR. CRUSOE pretendió ser una revista bimensual y terminó en este único número, tan lujoso que fundió a la editorial. La concepción es la del divertimento y los actos performánticos a la moda en la época del Arte Pop, y los happenings. Impresa en diferentes materiales, texturas, y tamaños de páginas, tela, papel metalizado, papel pulpa, encuadernación cosida, y tapa plásticas simil madera con letras doradas. Importantes artistas colaboraron como Jorge de la Vega, que aportó una historieta o comic, y Le Parc el artista conceptual que agregó una interesante obra que utiliza un espejo para incorporar al lector. Además, viene con un poster/tablero , aparte, de 37 X 38,5 cms. (muy raro de encontrar con el ejemplar) para jugar a un juego de estrategia inventado para la revista. Cuadernos de MR. CRUSOE pretended to be a bi-monthly magazine but it ended up in this unique number, so luxurious that it fused the publisher. The conception is an amusing performance on the way of these years of Pop Art, and happenings. Printed with different materials, textures, and sizes of pages, metallized paper, pulp paper, stitched binding, and plastic cover similar to wood with gold letters. Important artists collaborated as Jorge de la Vega, who contributed with a comic strip, and Le Parc the conceptual artist who added an interesting work that uses a mirror to incorporate the reader to the art piece. In addition, it comes with a poster / board, apart, of 37 X 38.5 cms. (very rare to find with the copy) to play a strategy game invented for the magazine.

Encuadernación de tapa blanda. Condition: Muy bien. In-4. #1 Jul 1966 - #21 Apr 1968. (Complete set). Wrappers. Adán was the light version of the North American Playboy, although the climate of censorship generated by the establishment of the dictatorship headed by General Juan Carlos Onganía conspired against its success. In its more than one hundred pages, it publishes delicate female nudes along with cultural articles. , science, uses of free time, sports, politics, finances or men's fashion; Excellent quality photographs, and illustrations by artists such as Xul Solar, Antonio Berni or Joaquín Torres García. It is a very careful magazine in its design, in its photographs, in its titles, in its way of presenting information, which found in humor, an ironic touch and elegance, the ways of transmitting the modernity of modern man. Like a compendium of the 60s, the gentleman knew, reading Adam, how to dress, what pipes to use, where to meet friends, when to travel and where, how to play golf, what records to listen to or what show to attend. The ads advertised it by saying: Adult reading, intelligent and bold photographic lens, humor that rises like bubbles. Places, uses and customs that make a difference. Know what and know how. And etc. that are worth it. Adam is worth it; you deserve it. Adán is now for sale (La Prensa, April 2, 1967). At the end of each issue, there is a fixed section, printed on differently colored pages, dedicated to fiction. Each literary text was preceded by a News that presented the author, and an illustration by national artists. Adán published stories by Jorge Luis Borges, Adolfo Bioy Casares, Leopoldo Marechal, Antonio Di Benedetto, Rodolfo Walsh, Silvina Ocampo, Sara Gallardo, Beatriz Guido, Juan Carlos Onetti, among others. The story by Borges and Bioy Casares signed as Bustos Domeq The Monster's Party was written in 1947, but it circulated for a long time only in private readings addressed to friends or family of Borges and Bioy Casares, perhaps for fear of Perón's reaction. faced with a text of that nature, or because Borges did not feel inclined to thematize his political position so explicitly in his literary texts, its appearance did not occur until September 1955 in the Uruguayan weekly Marcha, a political information newspaper with Wide circulation in the River Plate area and aligned at that time with a clear anti-Peronist line and the first publication in Argentina was in #10 of this magazine. CodZ.,.