Goad Jim Editor (3 results)

Soft cover. Condition: Near Fine. First Edition. Wraps (PB) in near fine condition with small 1/2 inch fold bottom left corner of back cover. . Goad interviews Jack Kevorkian, Al Sharpton, NAMBLA, The Kids of Widney High, Boyd Rice, and Underdog Lady. Debbie's tirades include The Homeless Can Eat Shit, I Hate Being a Jew, and You Turn Me Off. 100 spectacular suicides, illustrated by Mike Diana. An article about Russian Serial Killer Andrei Chikatilo, with 52 confirmed kills, illustrated by Marcel Ruijters. Adam Parfrey pens Pederastic Park, about movies that feature gangs of unsupervised kids, comparing movies such as Hook to Kevin Esser's Dance of the Warriors. And Mexican deformity comics. And goad shares some of Nick Bougas' personal collection of serial killer artwork, with works by Kenneth Bianchi, Mark David Chapman, Gary Heidnik, Henry Lee Lucas, Ottis Toole, Charles Manson, John Wayne Gacy, Richard Ramirez. Closes with graphic wrist-cut suicide photos. Adults only. 132 pp. including covers.

Paperback. Condition: Very Good. Softcover magazine. Very Good with minor shelf/age wear only. Free of any markings and no writings inside. For any additional information or pictures, please inquire.

Signed by Adam Parfrey, contributor and editor, on the title page in red ink. xii, 458 pp. Bound in publisher's wraps. Second printing of the first edition. Near Fine with bumping to top corner, some sticker schmutz on rear cover. Uncommon signed.The follow-up to Parfrey's original anthology Apocalpyse Culture, first published in 1987 by his initial publishing concern, Amok Press, and then heavily revised when reprinted by his imprint Feral House. The book had a huge cultural impact, acting as a gateway drug for many readers, introducing them to wild fringe ideas and obscure figures that, pre-internet, they probably never would have encountered otherwise. This sequel is in many ways a stiffer drink, attempting to encompass some of the profoundly disturbing weirdness the internet had begun to unleash on culture. It ends, fittingly enough, with a satirical short story by the Unabomber, Ted Kaczynski, about the foolhardiness of embracing identity politics in the face of technological apocalypse and human extinction.