Parfrey Adam Editor (26 results)

Paperback. Condition: Very Good. First Edition. The front cover has some minor surface wear.

Soft cover. Condition: Very Good. No Jacket. 1st Edition.

Paperback. Condition: Brand New. illustrated edition. 328 pages. 8.50x5.50x0.87 inches. In Stock.

Hardcover. Condition: Fine. NoNE. FIRST. A BEAUTIFULLY PHOTOGRAPHED LOOK BACK ON THOSE MEN'S MAGAZINES THAT FILLED THE RACKS ATTHE CORNER DRUGSTORE EVERY SUBJECT MATTER FROM SCI FI TO EROCTICA TO WAR STORIES SOLID CLEAN BRIGHT AND UNMARKED SQUARE CORNERS THE FIRST PART IS HISTORY THE SECOND PART IARE GREAT NCOMO4S. PHOTOS (illustrator).…

Glossy Boards. Condition: Fine. First Edition. Immaculate and unread; Glossy boards, minimally edge-rubbed; 288p., including author pseudonyms. Size: 4to - 9 3/4" - 12" Tall. Color Illustrations (illustrator). Hardcover.

Paperback. Condition: Brand New. expanded edition. 334 pages. 10.00x7.00x1.06 inches. In Stock.

hardcover. Condition: Like New. First Edition. Publisher: Feral House, Los Angeles, 2003. FINE- Hardcover in cloth-covered, pictorial, illustrated boards, as issued. Bottom tips gently bumped, otherwise as new. First Edition.

Paperback. Condition: Brand New. 200 pages. 8.50x5.50x0.50 inches. In Stock.

hardcover. Condition: Like New. First Edition. Publisher: Feral House, Los Angeles, 2005. FINE hardcover in glossy illustrated boards, as issued. First Edition. First Printing. As new. Pristine.

Paperback. Condition: Brand New. revised edition. 320 pages. 11.00x8.75x0.75 inches. In Stock.

Soft cover. Condition: Very Good. First printing, full number line includes 1. Pages clean, unmarked, no writing. Binding tight. Light wear to edges, front tips worn, lower front corner lightly creased. Lamination slightly pulling at fore edge. Covers clean, unmarked, no stickers. Front cover illustrated with painting by Joe Coleman.…

Hardcover. Condition: Fine. 1st Edition. First edition. 8 3/4" x 11 1/4" hardcover bound in laminated pictorial boards. A Fine, as new copy without a dust jacket as issued. Illustrated through-out. Includes contributions from Bruce Jay Friedman, Josh Alan Friedman, Mort Kunstler, David Saunders, and Bill Devine. Shipping weight is four pounds. Additional shipping charges will apply.…

Paperback. Condition: Acceptable. 2nd Printing. Acceptable/good- paperback copy. From a private home collection. Spine is uncreased, binding tight and sturdy; text unmarked. Shelfwear and some water-staining to edges and some pages. Edges discolored but pages themselves have wrinkling but very little discoloration. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.…

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Soft cover. Condition: Good. No Jacket. First Thus. In Good Condition, Published By Amok Press In1987, This Bookis In Good Condition With Only Mild Aging To The Block Edges. The Card Cover, Painted By Coleman Depicts Imagined Images Of An Apocalypse. The Head Of The Spine Has A Small Clear Tape Repair But Otherwise The Book Has Only Gentle Usage. Hard To Find Book. Coleman, Joe. (illustrator).…

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback. Condition: Like New. First Edition. First edition. (1st printing with full number line, paperback original.) Near Fine. A very nice copy of the popular 1980s counterculture/fringe book, with content that would be cut from subsequent editions.

Paperback. Condition: Brand New. 304 pages. 10.25x6.75x0.75 inches. In Stock.

Paperback. Condition: Brand New. 277 pages. 8.25x5.25x0.50 inches. In Stock.

Soft Cover. Condition: Very Good. First Edition. First and likely only printing of this tale filled with conspiracy. The original Feral House printing; not a facsimile. Full number-line beginning with 1. Copyight 2006 by James Shelby Downard. Rare material. Glossy pictorial wraps, light cover, corner, edge wear. Pages near fine, light corner crease to first few; no writing. Small stamp at half-title page: "From the Library of Chad Brian." Bind fine, square. Several highly intriguing rare photographs and imagery throughout. Near fine delicacy of - may be true - historical terror. Features an introduction by Adam Parfrey of Feral House and edited by Elana Freeland. This work tells and shows one man's unnerving encounter with Freemasonry and the Ku Klux Klan in the 1920's deep South. James Shelby Downard, the star contributor to "Apocalypse Culture" with King-Kill 33, details the skullduggery and ritualism of the KKK and other secretive, rather nefarious groups. Downard is one of the most compelling realists of the twentieth century. Presented here is his thrilling life story, detailing the horrific mayhem he may have witnessed, claims to be a victim of, and how these figures imposed themselves on the young boy and his family. Verity and verifiability are debatable, but an ultra-entertaining read of jiggery-pokery, regardless. "The most absurd, the most incredible, ridiculous Illuminati theory of them all." - Robert Anton Wilson. One page pictorial advert at final page with three additional title descriptions from Feral House. 286 pages. Insured post. Size: 8vo - over 7¾ - 9¾" Tall. Danger [Cover Art] (illustrator). Book. …

Soft Cover. Condition: Fine. Fine facsimile printing matching original in size, design content, and feel. Full number-line beginning with 1. Copyight 2006 by James Shelby Downard. Scarce material. Matte pictorial wraps, slight shelf wear. Pages fine; no writing. Bind fine, square. Several highly intriguing rare photographs and imagery throughout. Tingling delicacy of - may be true - historical terror. Features an introduction by Adam Parfrey of Feral House and edited by Elana Freeland. This work tells and shows one man's unnerving encounter with Freemasonry and the Ku Klux Klan in the 1920's deep South. James Shelby Downard, the star contributor to "Apocalypse Culture" with King-Kill 33, details the skullduggery and ritualism of the KKK and other secretive, rather nefarious groups. Downard is one of the most compelling realists of the twentieth century. Presented here is his thrilling life story, detailing the horrific mayhem he may have witnessed, claims to be a victim of, and how these figures imposed themselves on the young boy and his family. Verity and verifiability are debatable, but an ultra-entertaining read of jiggery-pokery, regardless. "The most absurd, the most incredible, ridiculous Illuminati theory of them all." - Robert Anton Wilson. 286 pages. Insured post. Size: 8vo - over 7¾ - 9¾" Tall. Danger [Cover Art] (illustrator). Book.…

First edition. First edition. (Paperback original, first printing with full number line on copyright page.) xxiv, 286, [2] pp. Very light shelf wear, else Fine and unread. The rare, out-of-print autobiography by the author of the seminal conspiracy essay "King-Kill/33," which first appeared in Feral House chief Adam Parfrey's anthology Apocalypse Culture. In that essay Downard argued that the assassination was a sort of Masonic occult rite or "working" by pointing out a proliferation of symbols and seeming coincidences. This memoir only covers Downard's early years but contains enough hair-raising events and strange conjectures to keep devotees of The Downard Mystery (to take a page from Richard Shaver) entertained.…

Signed by Adam Parfrey, contributor and editor, on the title page in red ink. xii, 458 pp. Bound in publisher's wraps. Second printing of the first edition. Near Fine with bumping to top corner, some sticker schmutz on rear cover. Uncommon signed.The follow-up to Parfrey's original anthology Apocalpyse Culture, first published in 1987 by his initial publishing concern, Amok Press, and then heavily revised when reprinted by his imprint Feral House. The book had a huge cultural impact, acting as a gateway drug for many readers, introducing them to wild fringe ideas and obscure figures that, pre-internet, they probably never would have encountered otherwise. This sequel is in many ways a stiffer drink, attempting to encompass some of the profoundly disturbing weirdness the internet had begun to unleash on culture. It ends, fittingly enough, with a satirical short story by the Unabomber, Ted Kaczynski, about the foolhardiness of embracing identity politics in the face of technological apocalypse and human extinction. Signed.…