Language: English
Published by Duke University Press (edition ), 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Scissortail, Oklahoma City, OK, U.S.A.
Condition: like_new. This is a used book in pristine condition. It has not yet been read. May or may not come in original packaging. May not contain codes CDs Inserts that is included with the book. Box sets will include original box in tact.Sourced from donation centers; authenticity not verified with publisher. Cover and interior may vary slightly from retail edition.*Your satisfaction is our 1 priority so please feel free to contact us if you have any questions or concerns about your purchase. Thank you for choosing to shop with us and happy reading!
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Scissortail, Oklahoma City, OK, U.S.A.
Condition: very_good. This is a well-cared-for used book with light signs of previous use. There may be minor cover wear, a faint crease, or slight spine wear, but overall it's in great shape and fully readable.Please note:-May contain library or rental stickers.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not include original exterior box.-Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Scissortail, Oklahoma City, OK, U.S.A.
Condition: like_new. This is a used book in pristine condition. It has not yet been read. May or may not come in original packaging. May not contain codes CDs Inserts that is included with the book. Box sets will include original box in tact.Sourced from donation centers; authenticity not verified with publisher. Cover and interior may vary slightly from retail edition.*Your satisfaction is our 1 priority so please feel free to contact us if you have any questions or concerns about your purchase. Thank you for choosing to shop with us and happy reading!
Language: English
Published by Duke University Press September 2016, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: A Cappella Books, Inc., Atlanta, GA, U.S.A.
Paper Back. Condition: Very Good. Mild coverwear. Laminate beginning to bubble on cover. Textblock clean adn bright.
Language: English
Published by Duke University Press, US, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Duke University Press 9/9/2016, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Film Blackness: American Cinema and the Idea of Black Film. Book.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Condition: New.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
Language: English
Published by MD - Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Duke University Press, US, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 272.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
£ 20.34
Quantity: Over 20 available
Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Michael Boyce Gillespie shifts the ways we think about black film, seeing it not as the representation of the black experience, but as the visual negotiation between film as art and the social construction of race, as well as an interdisciplinary form that enacts black visual and expressive culture. Num Pages: 248 pages, 50 illustrations. BIC Classification: 1KBB; APFA; JFC; JFSL3. Category: (G) General (US: Trade). Dimension: 153 x 269 x 15. Weight in Grams: 370. . 2016. Reprint. Paperback. . . . .
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 232 pages. 9.00x6.00x0.75 inches. In Stock.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 272.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. Michael Boyce Gillespie shifts the ways we think about black film, seeing it not as the representation of the black experience, but as the visual negotiation between film as art and the social construction of race, as well as an interdisciplinary form that enacts black visual and expressive culture. Num Pages: 248 pages, 50 illustrations. BIC Classification: 1KBB; APFA; JFC; JFSL3. Category: (G) General (US: Trade). Dimension: 153 x 269 x 15. Weight in Grams: 370. . 2016. Reprint. Paperback. . . . . Books ship from the US and Ireland.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. reprint edition. 248 pages. 9.00x6.00x0.50 inches. In Stock.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by DelMonico Books/D.A.P. 2022-12-17, 2022
ISBN 10: 1636810519 ISBN 13: 9781636810515
Seller: Chiron Media, Wallingford, United Kingdom
Hardcover. Condition: New.
Language: English
Published by Rutgers University Press, 2023
ISBN 10: 1978830033 ISBN 13: 9781978830035
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Duke University Press, US, 2016
ISBN 10: 0822362260 ISBN 13: 9780822362265
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condition: New. In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.
Language: English
Published by Rutgers University Press, 2023
ISBN 10: 1978830033 ISBN 13: 9781978830035
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Rutgers University Press, 2023
ISBN 10: 1978830033 ISBN 13: 9781978830035
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Duke University Press, 2016
ISBN 10: 0822362058 ISBN 13: 9780822362050
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.