Frontier Model Bibliophile (77 results)

Condition: New.

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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Frontier Model Bibliophile Facsimile ed.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. By 1911 the editor of Amateur Gardening was the most-read horticultural voice in Britain. T. W. Sanders had been at the magazine since 1887 and had built a list of practical handbooks - the Encyclopaedia of Gardening, the Alphabet of Gardening, Vegetables and Their Cultivation - that defined what an educated British amateur was expected to know. Window and Indoor Gardening is his book for the reader who has no garden at all: the city clerk, the suburban tenant, the invalid, the bay-windowed householder of Edwardian London. It is a complete manual for growing plants in window-boxes through all four seasons, in balcony and roof gardens, on house walls, in Wardian and window cases, and indoors in pots - covering foliage plants, flowering plants, bulbs, ferns, fruiting plants, Japanese dwarf trees, cacti, orchids, insectivorous plants, and roses, with full chapters on watering, potting, feeding, propagation, and pests. The book stands as the British counterpart to Henry T. Williams's 1872 American Window Gardening, and the line of inheritance from it runs forward through Constance Spry, Tovah Martin, and the modern houseplant revival. Window and Indoor Gardening is a complete Edwardian manual on the cultivation of plants in spaces other than the open garden. It runs to roughly two hundred pages in five named parts - window and balcony gardening, indoor plants, management, wall gardening, and floral decoration - with subsidiary chapters on every contemporary technique a British amateur of 1911 was expected to know: the construction and seasonal planting of window-boxes; the use of balconies, verandahs, and roofs as horticultural surfaces; the management of Wardian and window cases; the cultivation indoors of bulbs, ferns, palms, Japanese dwarf trees, cacti and succulents, orchids, insectivorous plants, fruiting plants, and roses; the watering, potting, feeding, propagation, and disease management of pot-grown plants; the training of climbers on house walls; and the cutting and arrangement of flowers for the table and the room. The illustrations - half-tone photographs of real London window-boxes and balconies - were the technological centrepiece of the book and were intended to be read as evidence, not decoration. The book emerged from the centre of British popular horticulture. Sanders had been editor of Amateur Gardening since 1887, and by 1910, when the present volume's foreword is dated, that magazine was the dominant weekly for the British middle-class gardener. The publisher, W. H. and L. Collingridge of Aldersgate Street, was the proprietor of the magazine and the issuing house of Sanders's reference works. The book is therefore not a single-author exercise but a piece of editorial infrastructure: it consolidates, into one practical handbook, what Amateur Gardening had been telling its readership through twenty years of weekly columns. Sanders writes from inside a system of reader correspondence, exhibition prizes, and seedsman's advertisements - the institutional world of Edwardian popular horticulture - and the book is shaped by it. The present-day interest is twofold. First, the manual is a remarkably complete photographic and textual record of how a London Edwardian housewife or amateur actually grew plants in 1911: the cultivar names, the soil mixtures, the pot sizes, the seasonal rotations, the heated and unheated window cases that were the period's substitute for a conservatory. Second, the book sits at a specific point in the long history of indoor gardening as a genre. Henry T. Williams had published the standard American treatment, Window Gardening, in New York in 1872. Sanders's volume is the British counterpart, written nearly forty years later, and it documents the British amateur's slow domestication of techniques - the Wardian case, the dwarf bulb in a glass, the fern in a closed terrarium Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condition: new. Paperback. Five years after William Hamilton Gibson's death in 1896, his publishers gathered his magazine essays on flower fertilization into a single posthumous volume. The result, issued by Newson & Company in 1901, is the founding popular literature of pollination ecology in English. Gibson - illustrator for Harper's, Scribner's, and Century, and a friend of John Burroughs - was among the first Americans to translate the discoveries of Sprengel, Darwin, and Hermann Mueller into prose a general reader could follow into the field. Twenty-five wildflower portraits trace the choreography by which the heaths, bluets, figworts, milkweeds, irises, lilies, and orchids enlist bees, wasps, flies, and moths in their reproductive work. Gibson drew every figure himself. This Frontier Model Bibliophile facsimile reprint preserves the 1901 Newson edition without alteration; the apparatus added at front and back situates Gibson's text in the live conversation of late-Victorian botany and traces its forward influence into the modern academic literature on pollination. Blossom Hosts and Insect Guests is a popular natural-history exposition of how flowering plants are cross-pollinated by insects. It is organized around twenty-five concrete wildflower portraits - the barberry, the honeyed clover, the evening primrose, the bluets, the mountain laurel, the andromeda, the figwort, the wood-betony, the sage and horse-balm, the milkweed, the arum and skunk-cabbage, the iris, the blazing-star, the Canada lily, the dog-tooth violet, the showy orchid, the purple-fringed and ragged orchids, the great green orchis, the rattlesnake-plantain, the arethusa and pogonia, and the moccasin-flower - each treated as a case study in floral mechanism. Anchoring the case studies is an opening historical chapter that traces the discovery of cross-fertilization from Nehemiah Grew's 1682 announcement, through Linnaeus, Christian Konrad Sprengel, and Charles Darwin, into the popular American present of the 1890s. The book is generously illustrated with the author's own drawings: a frontispiece portrait, eleven full-page plates, decorative head- and tail-pieces for every chapter, and dozens of analytical figures dissecting the working parts of each flower. The illustrations are not ornaments. They are the argument. Gibson's drawings of stamen positions, pollen masses, anther rings, and the column structures of the orchids are doing the same explanatory work the modern field guide reserves for photographs and exploded diagrams. A tabular supplement at the back of the volume catalogues some two hundred and sixty additional flowers by family, common and botanical name, recorded insect visitors, and observed mechanism for limiting self-fertilization, extending the book's reach well past its twenty-five worked examples. The world the book came from was a confident, eclectic one. American natural-history publishing in the 1880s and 1890s ran as a kind of public conversation among magazine essayists, illustrators, and Sunday botanizers. Gibson, a regular contributor to Harper's Monthly, Scribner's, and Century, was one of its central figures. The pieces collected here were drawn from his magazine articles of the previous two decades, all originally copyrighted by Harper & Brothers between 1880 and 1897 and reassembled in book form by his editor Eleanor E. Davie after his death in 1896. Gibson's stance throughout is that of an enthusiast who has done the dissecting himself, the field walking himself, the drawing himself. He treats the European discovery tradition - Sprengel, Darwin, Hermann Mueller - as a relay he has been handed. The American contribution, in his telling, is to take that relay into the local woods and meadows of New England and the Hudson Valley and report back in prose intelligible to a reader who would never open a monograph. This item is printed on Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condition: new. Paperback. First published in London in 1785 by Alexander Hogg of Paternoster Row, The New Complete Sportsman is a late-Georgian compendium of English country diversions, attributed to one "Thomas Fairfax, Esq." and revised by "George Morgan, Esq." - both almost certainly trade pseudonyms used by Hogg's house. Within its 210 pages a country gentleman could learn to dress an artificial fly for the May rise, match a game cock by girth and length of stride, judge a hart's age by his slot and fewmets, manage a hunter on the morning of a race, breed pigeons in a south-facing dove-house, and net pheasants in October. The book preserves a working vocabulary - fewmets, dub, hackle, walk, form - that has since narrowed or vanished from the language. This Frontier Model Bibliophile edition reissues the 1785 text as a clean facsimile and frames it with a Note on the Edition, historical context, an editor's source-note on cock-fighting and the period's sporting vocabulary, and an annotated bibliography of works that inherit from this lineage of English sporting manuals. The New Complete Sportsman is a 210-page octavo compendium of English country sports, printed in London in 1785 for the bookseller Alexander Hogg of Paternoster Row, attributed on its title page to "Thomas Fairfax, Esq." and "Revised, Corrected and Improved, by George Morgan, Esq. Assisted by many Experienced Gentlemen." Its subject matter is the full register of late-Georgian field amusement: angling in all its branches, the breeding and fighting of game cocks, the rearing and backing of colts, the management of race-horses and hunters, fox-hunting, hare-hunting, hart and buck hunting, otter-hunting, coursing, the breeding of dogs for gun or chase, the breeding of pigeons and rabbits, the finding and shooting of partridges and pheasants, shooting flying - "together with many other equally curious articles, too numerous to mention." It is, in the editor's claim, "absolutely the Newest and most Complete Book on the Subject." The book belongs to a recognisable genre of late-18th-century English sporting manual: a borrowed-and-rebound compilation issued by a commercial London bookseller, attributed to a gentleman of plausible name, and pitched to a buyer who wanted a single three-shilling volume that would cover every diversion a country gentleman might pursue between Michaelmas and the close of trout season. The trade was crowded with such books, and the buyer was rarely a connoisseur of sources; he wanted the rod-and-reel material in one place, the kennel notes in another, the recipe for a game-cock's scouring diet next door, and a creditable frontispiece to justify the binding. Hogg, the publisher named on the imprint, was one of the most aggressive issuers of cheap practical compilations in the 1780s and 1790s, and his house style is visible here: a confident preface on the antiquity and dignity of manly exercises, a chatty editorial voice, the recurring rhetorical gesture of distinguishing the present "complete" treatment from the supposed inadequacy of all earlier books, and a borrowed body of technical instruction that draws - silently and without citation - on the standing literature of English sport stretching back to the Tudor manuals of George Turbervile and the early-Stuart Country Contentments of Gervase Markham, with Izaak Walton and Charles Cotton's tackle and fly-dressing tradition layered over the angling sections. The advertised price of three shillings, neatly bound, places the book firmly in the middle-buyer market: well below the gentleman-author treatises of Peter Beckford (whose Thoughts on Hunting had appeared in 1781 at a substantially higher price), but well above the sixpenny part-numbers in which Hogg also did a brisk trade. For a present-day reader the book matters chiefly as a document of vocabulary and stance. This item is printed on de Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condition: new. Paperback. In 1892 the leading champion of the English natural garden took up a pen against the architects who would have him clip his yews and align his trees. William Robinson - Irish-born horticultural journalist, founder of The Garden, author of The Wild Garden (1870) and The English Flower Garden (1883) - had spent two decades teaching Britain to plant in drifts, in cottage borders, in unforced naturalistic groupings. Then John Sedding's Garden-Craft Old and New (1891) and Reginald Blomfield's The Formal Garden in England (1892) declared the natural school an aesthetic failure. Garden Design and Architects' Gardens is Robinson's reply: two long reviews, lavishly illustrated with photographs of real British country seats, demonstrating that the case against the natural garden cannot survive contact with actual gardens. The book is short, furious, evidence-based, and unmistakably the work of a man who knew every great garden in the kingdom. Its influence runs forward through Gertrude Jekyll, Vita Sackville-West, Christopher Lloyd, and the entire modern English planting tradition. Garden Design and Architects' Gardens is a slim polemical book - under one hundred and fifty pages, lavishly illustrated with half-tone photographs of British country-house gardens - in which the most prolific English garden writer of his generation answers two recently published architect-authored attacks on the naturalistic style he had spent twenty years promoting. The subtitle states the argument with unusual directness, almost combatively: the book is intended to show, "by actual examples from British gardens, that clipping and aligning trees to make them `harmonise' with architecture is barbarous, needless, and inartistic." It is not a treatise on horticulture, not a manual on planting, not a survey of gardens. It is a sustained rebuttal, structured as two book reviews, in which Robinson quotes his opponents at length, paragraph by paragraph, and answers them with photographs of real gardens that, in his view, simply do not look like the formal-style writers say English gardens should look. The form is unusual - review-as-book - and gives the volume an unusually concentrated energy. The book emerged from a sharp public controversy that had its first round in 1891-1892. John Dando Sedding, an Arts-and-Crafts ecclesiastical architect, published Garden-Craft Old and New in 1891, defending the architectural garden against what he saw as the formless naturalism of the landscape school. Reginald Blomfield, with the illustrator F. Inigo Thomas, followed in 1892 with The Formal Garden in England, a more historically argued case for the geometric Italianate tradition that had dominated seventeenth-century English garden-making. Robinson - by then editor of The Garden and one of the best-known horticultural voices in the English-speaking world, with the wide-circulation English Flower Garden (1883) already in its second edition - answered both books in the same year and from the same publisher who had carried his major works, John Murray of Albemarle Street. He used the methodological move that had defined his career: rather than argue style against style in the abstract, he opened the discussion to the evidence of existing gardens. The illustrations are the argument. The photographs of Crowsley Park, Drakelowe, Brockenhurst, Shrubland, and a dozen other late-Victorian gardens are not decoration; they are the exhibits in a brief. For the present-day reader the interest is not chiefly polemical. It is documentary. Robinson knew the great gardens of late-Victorian Britain at first hand - he had walked through them, advised on many of them, and recorded their planting in his journals - and he wrote about plant communities, about scale, about the relation of house to ground, with a degree of practical authority that no other writer of his generati Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Paperback. Condition: new. Paperback. In June 1613 the Clove dropped anchor off Hirado, in the Japanese archipelago, and Captain John Saris stepped ashore as the first English commander to negotiate trade directly with a Tokugawa shogun. The factory he opened survived only a decade, but the journal he kept survives whole: weather, latitudes, daily allowances of biscuit and sack, gifts laid before Ieyasu at Sumpu, the bond with the marooned English pilot Will Adams, and the dawning realization that English broadcloth would not warm a tropical sea. Sir Ernest Satow, the great Victorian Japanologist and diplomat, edited Saris's manuscript log from the India Office Records for the Hakluyt Society in 1900, supplying it from Samuel Purchas where the manuscript breaks off. The result is the founding document of Anglo-Japanese contact, presented with the seriousness it deserves. This facsimile reprint preserves Satow's text and apparatus; Frontier Model Bibliophile adds a contemporary frame, an annotated bibliography of influence, and a present-day editor's note. This is a sea captain's working logbook, transcribed and framed by one of the most accomplished European Japanologists of his generation. Saris's manuscript journal, preserved in the India Office Marine Records as volume xiv and running to one hundred and thirty-five folios in his own hand, recorded the daily business of commanding the Clove from Bantam through the Moluccas to Hirado in 1613, his three months ashore in Japan, and the return passage. It is not a memoir, not a polished narrative for publication, and not a contribution to ethnography in any organized sense. It is a working record: latitudes, winds, allowances of beer and biscuit, the death of seamen, the prices of cloves, the disposition of gifts to magistrates and to the Shogun himself, the gradual coalescence of a commercial judgment about whether English goods could be sold profitably in Japan. Its distinction is that it is the original captain's record of the first English commercial voyage to reach the country, and that the captain in question was a careful, literate, financially competent observer. As a genre object it sits between the public-facing voyage narrative of Hakluyt's late-Tudor compilation and the bureaucratic correspondence of the mature Company; it has the rhythm of the former and the contents of the latter. The world the journal came from was the early Jacobean East India Company, a joint-stock enterprise still finding its operational footing after its founding charter of 1600. The Dutch were ahead in the eastern seas under the consolidated Verenigde Oost-Indische Compagnie of 1602, the Portuguese were entrenched at Macao and Nagasaki, and the English were trying to identify markets where they might compete without head-on collision with either. Saris had served as a factor at Bantam between 1605 and 1609 under Edmund Scot and brought to the Japan voyage a real grasp of the regional trade in cloves, pepper, and Indian textiles, as well as a feel for the Dutch counterpart factors with whom he would have to coexist. The voyage was authorized by the Company in early 1611 and dispatched with detailed instructions to plant a factory if conditions warranted, especially in the wake of intelligence from Will Adams that the Tokugawa court welcomed European traders willing to come without missionary entanglements. The 1613 arrival at Hirado, the audience with Tokugawa Ieyasu at Sumpu in September of that year, and the privileges granted under the Shogun's seal are documented in this journal as they happened, with no retrospective varnish. For a present-day reader the experience this edition transmits is unlike a polished travel narrative. It is the granular weight of a long-distance commercial voyage: a sentence on the wind, a sentence on the cargo, a sentence on a dead crewman, a sentence on a Dutch competitor's behav Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…