Friedman Mildred Ed (31 results)

Hardcover missing dustjacket, 256 pages; POOR condition; bound pages almost detached from covers; ex-museum library copy with stamps to inside covers and a couple pages; no other internal marks. As is; reading copy. Foreign shipping may be extra.

Hardcover with dustjacket, 256 pages; good condition: dj has moderate wear/creases and abrasion at bottom of spine from partially removed tape; previous owner's stamp to first page; no other internal marks. Foreign shipping may be extra for this book.

Softcover, 256 pages; good condition; light crease to spine; scattered pencil marks and notations in margins of text. Foreign shipping may be extra.

Softcover, staple-bound, 32 pages, very good condition; light rubbing to covers; no internal marks.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

hardcover. Condition: Good. Satisfaction 100% guaranteed.

Wraps. Condition: Near Fine. B&W & Color photographs; 4to 11" - 13" tall; 48 pages; Oversize paperback in patterned, title-lettered wraps. Bound with grommets; upper cover closed at the front edge with the fold-out opening adjacent to the spine. Just a whisper of shelf evidence to covers. Appears and feels unread; about as new. Illustrated with B/W and color photographs. NF.

paperback. Condition: near fine. Profusely illustrated; some in color. 256 pages. 4to, glossy pictorial wrappers. Minneapolis: Walker Art Center, (1986). Very minor reading creasing to spine, else near fine.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Good. Dust Jacket Condition: Good.

Hardcover. BW matte boards. Glassine glossy dust jacket. 300 pp. Color and bw illustrations. Documents new work of the 1990s, with Gehry offerng commentary on his processes and designs, including his influences, clients, use of materials, and new technologies. VG+/Good+ (dust jacket wrinkled/puckered on rear).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 3rd imp. (1988). 255pp. VG+/VG+ copy, now preserved in mylar jacket protector.

Original publisher's sewn paperback, pictorial front- and backcover, 2nd edition, square 8vo: frontispiece, 228pp., 6 contributions with illustrations - notes & references, CATALOGUE with over 200 couloured plates & illustrations with references, biographical notes artists, acknowledgements, index. Very fine copy.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. Reprint. Reprint, 4to, 255pp, foreword Mildred Friedman, introduction Hans L C Jaffe, essays from, amongst others, Robert Welsh, Ger harmsen, Joop Joosten, Kenneth FramptonMartin Friedman, Manfred Bock; a definitive study of the magazine synonomous with Modernism; published on the occasion of the exhibition at the Walker Art Centre; mild insect specking to top edge o/w VG+ Copy in VG+ DJ Size: 4to - over 9¾" - 12" tall.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. In-4, relié, jaquette, Très Bon Etat, dj has a small tear on the back.

Condition: Very Good. 31 pp., Paperback, hand stamp to cover, title page and two pages of text, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Softcover. Condition: Gut. 2. Auflage. Z : 256 pages, 92 color illustrations/farbige Abbildungen - Contents: Foreward - Mildred Friedman - Introduction - Hans L. C. Jaffe - De Stijl: A Reintroduction - Robert P. Welsh - De Stijl and the Russian Revolution - Ger Harmsen - Painting and Sculpture in the Context of De Stijl - Joop Joosten - Van der Leck and De Stijl 1916-1920 - Rudolf W. D. Oxenaar - Mondrians Paris Atelier 1926-1931 - De Stijl-Architecture - Nieuwe Beelding - Sergio Polano - Neoplasticism and Architecture: Formationa dn Transformation - Kenneth Frampton - The Furniture of Gerrit Rietveld: Manifestoes for a New Revolution - Martin Filler - The Rietveld - Schröder House - From De Stijl to a New Typography - Kees Broos - The Abstract environmenet of De Stijl - Nancy J. Troy - Cafe Aubette - De Stijl and the City - Manfred Bock - Echoes of De Stijl - Martin Friedman - De Stijl Chronology - Biographies - Bibliographies.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. Fourth printing. White cloth, lettering stamped in black on spine; dust jacket; 4to; pp. 255, illustrated throughout in b/w and full-color. Spine tips a little tanned, otherwise book is fine, in faintly scratched dust jacket. Published on the occasion of an exhibition organized by Walker Art Center and shown internationally, and featuring essays by numerous contributors, a chronology, biographies, bibliography, and index.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Published on the occasion of the exhibition "Tokyo: Form and Spirit," organized by Walter Art Center in collaboration with Japan House Gallery. With essays by James R. Brandon, Ian Buruma, Rand Castile, William H. Coaldrake, Liza Dalby, Chris Fawcett, Kenneth Frampton, Martin Friedman, Yüchiro K jiro, Donald Richie, J hei Sasaki, Henry D. Smith II, and Marc Treib. Commentaries by Richard Danziger, Mark Holborn, Amy Reigle Newland, Gail Y. Okawa, Emily Sano. Bound in publisher's original black cloth with spine stamped in gilt. Illustrated throughout with 160 photographs and drawings, with 120 plates in full color. 9 x 12 inches. 256 pages.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Fine in fine d.j. 160 illustrations, including 120 plates in color. 1st edition. Binding is Cloth.

Condition: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Condition: Like New. Gehry inscribed (personalized) and signed and he also wrote "Too much" under the "talks" on the front of the jacket. Large hardcover in jacket. Other than the Gehry editiorializing as new clean tight and bright. oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Signed by Author.

Condition: New. Satisfaction Guaranteed or your money back.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Hardcover. First Edition (first printing). Fine copy in fine dust jacket. Catalog to an important exhibit held at the Guggenheim Museum in New York in 2001 and the Guggenheim Museum Bilbao in 2002. Signed by Frank Gehry on the title page and scarce thus. Provenance of signature included. A heavy book that requires an extra charge for international and priority shipping. Signed by Author(s).

Softcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition; First Printing. Near fine in tall pictorial printed wrappers. (Mild crease at bottom righthand corner tip of front cover. ) Illustrated. ; 8 1/2" X 11" tall; 32 pages 00119415.

Staplebound. Condition: Very Good. First Edition. 4to. 31 pp., illus. Some wear and scuffing to covers.

Quarto hardcover; black cloth boards with upper board blind stamped black titling, illustrated endpapers; 390pp., colour & b&w illustrations, plans and diagrams. Minimal wear; near fine in like dustwrapper. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. In 1962, when Frank Gehry began his own architectural practice in Santa Monica, California, he was still coming to terms with the Modernist tradition in which he had been trained and the character of the metropolitan Los Angeles area where he was based. Yet by the next decade, his inimitable aesthetic had begun to emerge in projects that involved a complete rethinking of the architectural box and were marked by a striking approach to the enclosure of space. The synergy between Gehry's architecture and the urban vernacular of Los Angeles would take longer to develop, but it eventually flourished in designs that were animated by the urban complexity on which they drew. From the beginning, the architect's use of unorthodox materials, such as chain link and corrugated metal, earned him a reputation as an iconoclast. Stemming from his interest in both the expressive potential of materials and the work of the many contemporary artists who are his friends and collaborators, Gehry's unique architectural vocabulary lends his buildings a pronounced sense of power and movement. His humble aesthetic, together with an idiosyncratic approach to form, exemplifies a sensibility that melds architecture and sculpture in exuberant buildings. With each successive commission, he has succeeded in forging new ground in his ongoing negotiation of functional architecture and sculptural form. This exhibition catalogue provides a career-long perspective on the architect's work through the presentation of 40 projects, and it reveals a unique design process that begins with fluid sketches and simple building blocks. Rarely content with the initial solution, Gehry approaches architecture as an evolving and collaborative process using models as three-dimensional sketches to explore the myriad design possibilities inherent to a given building program. In recent years, the computer technologies used for design and manufacturing applications by his firm have facilitated the realization 'on an ambitious new scale' of the gestural quality he has long prized. His continued penchant for reinventing materials has likewise reached new heights of achievement in his use of glass, steel, and titanium. The remarkable successes of Gehry's latest projects have catapulted him to a level of prominence enjoyed by few architects, and today he is recognized as one of the most inventive and pioneering architects of our time.

Minneapolis, 1986. 255 pp. Ills. Cloth,d/j.