Farrell Laurie Ann (37 results)

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. Condition: Fair. Small holes on cover edge, some pages underlined; 4to - over 9¾ - 12" tall.

Paperback. Condition: Very good. Paperback. Unpaginated. Lightly edgeworn, else very good.

Paperback. Condition: Very good. Paperback. Very good in publisher's wraps.

Trade Paperback. Condition: Very Good. First Edition. 8 7/8 x 11 in. 176pp., with many color photos throughout. Essays and interviews by Okwui Enwezor, Tracy Murinik, and Liese van der Watt. A Very Good copy, bottom corner bumped, remainder dot along the bottom.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condition: Fine. 1st. 175 pages, colour illustrations; 28 cm. Catalogue of an exhibition held at the Museum for African Art and the Cathedral of St. John the Divine, New York, September 21, 2004 to January 3, 2005. Firm binding, clean inside copy. *** "Season South Africa is a major program of contemporary visual and performing arts that runs from September 2004 through January 2005. Launched by the Museum for African Art and The Cathedral of St. John the Divine during the year that South Africa is commemorating its first decade of democracy, Season South Africa showcases some of that country's most gifted and acclaimed contemporary visual and performing artists chosen by an international team of curators. The visual arts exhibition, Personal Affects: Power and Poetics in Contemporary South African Art, presents newly commissioned and recently produced works in various media by 17 South African artists. The common thread throughout the exhibition is the higly personal point of departure of the artists' working methods that are informed by their varied experiences as South Africans. Volume I also features an introduction by the exhibition curators, as well as various exploratory and insightful texts." - Publisher. *** CONTENTS: The enigma of the rainbow nation: contemporary South African at the crossroads of history, by Okwui Enwezor; Towards an 'adversarial aesthetics': a personal response to personal affects, by Liese van der Watt; The artists, interviewed by Tracy Murinik: Jane Alexander - Wim Botha - Steven Cohen - Churchill Madikida - Mustafa Maluka - Thando Mama - Samson Mudzunga - Jay Pather - Johannes Phokela - Robin Rhode - Claudette Schreuders - Berni Searle - Doreen Southwood - Clive van den Berg - Minnette Vari - Diane Victor - Sandile Zulu. Size: 4to. Collectible.…

paperback. Condition: Very Good. New York, 2004; illustrated paper covers; mild corner wear; Folio, 12"- 15" tall; interior is clean and unmarked; 184 pages; Additional shipping charges may need to be requested due to size or weight of book.

Softcover, 176 pages; very good condition, light rubbing to covers; small stain to last page at bottom; no internal marks. Foreign shipping may be extra.

17 artists whose work deals with South Africa ten years after the country's first democratic elections, 175 pages, illustrated. Fine paperback book in decorative wrappers (soft cover book).

Hardcover. Condition: Used-Very Good. 1st. Cloth, no dj. Minor shelf wear; light scuffing to boards. Else a bright, clean copy.

Paperback. Condition: Good. No Dust Jacket. Paperback. Good condition. Slight edge-wear and a few marks on covers. Minor wear on spine ends and leading corners. Upper leading corners of pages are a little bumped. Slight sunning around page edges. Contents are clear throughout. AF. Used.

Softcover, 72 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Good.

Hardcover. Condition: Very good. Hardcover. 112pp. Pages slightly tanned, else a very good hardback bound in publisher's illustrated boards and issued without a jacket.

hardcover. Condition: Sehr gut. 112 p. Very good. ISBN: 9780620371452 Sprache: Englisch Gewicht in Gramm: 1150.

Softcover, unpaginated; as new condition; clean and crisp; no internal marks. (No text on spine) Foreign shipping may be extra.

Hardback. Condition: New. Over the past 20 years, Ghada Amer's quest to forge an aesthetic language for the oppression of women has established her as one of the most important and widely exhibited contemporary artists. Born in Cairo in 1963, and moving to France at age 11, from early on in life Amer was witness to the cross-cultural subjugation of women, whether from increasing religious conservatism in Egypt, or via the subtler machinations of Western commodity culture. In Amer's hand-embroidered paintings, delicate abstract tracings of sewn thread are counterposed with often quiet but sometimes confrontational erotic imagery. Trawling all manner of materials from fashion magazines, children's fairy tales, pornography, dictionaries, the Koran and medieval Arabic manuscripts, Amer challenges their authority, highlighting their exclusions and countering with a powerfully asserted female subject. This handsome monograph is the first publication to document the full breadth of her art, with numerous images of and detailed commentary on her paintings, sculptures, drawings, prints, videos, performances and garden works. Art historian Maura Reilly contributes a substantial scholarly text that chronicles the trajectory of Amer's career, and art historian Laurie Farrell focuses on the artist's collaborative works with Reza Farkondeh. Also included is a conversation between the artist and scholar Martine Antle, plus a complete chronology, exhibition list and bibliography, all of which affirm this volume as the definitive resource on the artist.…

Hardcover. Condition: Very Good. Dust Jacket Included. Published on the occasion of an exhibition at Kukje Gallery, December 15, 2007 - January 13, 2008. Some marks and slight wear on dust jacket. One small tear on back of dust jacket.

Condition: New. Print on Demand.

Softcover, unpaginated, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardback. Condition: New. Over the past 20 years, Ghada Amer's quest to forge an aesthetic language for the oppression of women has established her as one of the most important and widely exhibited contemporary artists. Born in Cairo in 1963, and moving to France at age 11, from early on in life Amer was witness to the cross-cultural subjugation of women, whether from increasing religious conservatism in Egypt, or via the subtler machinations of Western commodity culture. In Amer's hand-embroidered paintings, delicate abstract tracings of sewn thread are counterposed with often quiet but sometimes confrontational erotic imagery. Trawling all manner of materials from fashion magazines, children's fairy tales, pornography, dictionaries, the Koran and medieval Arabic manuscripts, Amer challenges their authority, highlighting their exclusions and countering with a powerfully asserted female subject. This handsome monograph is the first publication to document the full breadth of her art, with numerous images of and detailed commentary on her paintings, sculptures, drawings, prints, videos, performances and garden works. Art historian Maura Reilly contributes a substantial scholarly text that chronicles the trajectory of Amer's career, and art historian Laurie Farrell focuses on the artist's collaborative works with Reza Farkondeh. Also included is a conversation between the artist and scholar Martine Antle, plus a complete chronology, exhibition list and bibliography, all of which affirm this volume as the definitive resource on the artist.…

Softcover, 24 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

paperback. Condition: very good(+). With color and b/w images throughout. 184 pages. 4to, pictorial wrappers. New York: Museum for African Art, (2003). A near fine copy but for slight bumping to upper corner of front cover and pages, minor wear to head, toning to page edges. Scarce.

Hardcover. Condition: Very Good. No Dust Jacket. Hardcover with printed boards, no dust jacket, in very good condition. Featuring Kader Attia: History of a Myth, The Small Dome of the Rock; Hala Elkoussy: Myths and Legends Room, The Mural and Marwan Sahmarani: The Feast of the Damned. Some marks to the boards, and corners and spine ends are bumped and rubbed. Spine is slightly cocked. Binding is sound and pages are clear. LW. Used.…

staple bound. Condition: Good. Savannah College of Art and Design, Savanna, Ga. [Published Date: 2009]. Paper covers, 36 pp. Catalogue of an exhibition held at Pinnacle Gallery from Jan. 7 - March 15, 2009 and Trois Gallery from March 23 - May 31, 2009. In good+ condition with bumping and creasing to edges and corners of covers and light overall scuffing. Binding tight (staple bound). Pages clean and unmarked. NOT Ex-Library. NO remainder marks. Biography, Exhibition list, bibliography. Color illustrations [From Introduction] This catalog is published on the occasion of the Mortality's Alchemist solo exhibition by artist Angelo Filomeno at SCAD. Mortality's Alchemist features a selection of embroidered and hand-blown glass works made between 2006 and 2008. This beautiful and barbed collection of work provides insight into Filomeno's poetic creative vision where hints of life and overtones of death coexist.Filomeno is an artist par excellence of the 21st century. His oeuvre communicates an emotional awareness, intimacy and immediacy that rarely comes together so effectively in art. He creates works that transport us to another realm. His choice of delicate materials (hand-blown glass and embroidery in this exhibition) further accentuates overtures to the ephemeral gifts of life. Additionally, his deft blending of fractured body parts shown alongside ominous sparkling landscapes provides viewers with a melancholy space for contemplation of larger human issues. Mortality's Alchemist premiered at the Pinnacle Gallery (Jan. 7-March 15,2009) in Savannah and subsequently traveled to the Trois Gallery in Atlanta (March 23-May 31, 2009) as part of SCAD's 30-year anniversary season. Filomeno's work complements and expands SCAD's exhibitions program that is committed to artistic diversity, innovation and originality, and it provides an educational forum for current trends in contemporary art.…

Hardcover. Condition: Good. Dust Jacket Condition: Good. Dust jacket protected in a mylar cover. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Good. Secure packaging for safe delivery.

Condition: very good. Le livre peut montrer des signes d'usure dus a une utilisation constante, etre marque, porter des marques d'identification ou presenter plusieurs dommAGEs esthetiques mineurs. vendeur professionnel; envoi soigne dans les 24/48h.

Hardback. Condition: New. Over the past 20 years, Ghada Amer's quest to forge an aesthetic language for the oppression of women has established her as one of the most important and widely exhibited contemporary artists. Born in Cairo in 1963, and moving to France at age 11, from early on in life Amer was witness to the cross-cultural subjugation of women, whether from increasing religious conservatism in Egypt, or via the subtler machinations of Western commodity culture. In Amer's hand-embroidered paintings, delicate abstract tracings of sewn thread are counterposed with often quiet but sometimes confrontational erotic imagery. Trawling all manner of materials from fashion magazines, children's fairy tales, pornography, dictionaries, the Koran and medieval Arabic manuscripts, Amer challenges their authority, highlighting their exclusions and countering with a powerfully asserted female subject. This handsome monograph is the first publication to document the full breadth of her art, with numerous images of and detailed commentary on her paintings, sculptures, drawings, prints, videos, performances and garden works. Art historian Maura Reilly contributes a substantial scholarly text that chronicles the trajectory of Amer's career, and art historian Laurie Farrell focuses on the artist's collaborative works with Reza Farkondeh. Also included is a conversation between the artist and scholar Martine Antle, plus a complete chronology, exhibition list and bibliography, all of which affirm this volume as the definitive resource on the artist.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Nice copy with dust jacket. Just minor shelfwear. Pages of text are clean, bright and free of markings. Binding is tight and secure. ***Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes, not envelopes.***. Book. …