Erdmann Robert G (20 results)

Condition: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.

Hardback. Condition: New. 2024 ed. Frans Hals is hailed as one of the three greatest painters of the Dutch seventeenth century along with Rembrandt and Vermeer. Of all seventeenth-century Dutch painters, Frans Hals is also the most controversial in as far as the exact scope of his oeuvre is concerned. Hals's popularity, the lack of technical reference material as well as the differing views among experts as to the exact scope of his oeuvre make works in his style prone to doubts and misattributions. It has led to fierce debates and legal battles about the attribution of paintings done in his style.In this Open Access book, experts from Ghent University, Leiden University, Amsterdam University, Delft University of Technology, the Frans Hals Museum (Haarlem), the Rijksmuseum (Amsterdam), the Gemäldegalerie (Berlin) and the Metropolitan Museum of Art (New York) give surprising new insights into some of Hals's most well-known paintings as well as into some of the most fiercely contested pictures in his style. Their insights result from in-depth study of a wealth of reference material: seventeenth-century sources, advanced technical analyses and newly developed digital visualisation tools."Tummers and Erdmann have produced a work of ground-breaking new scholarship. They combine in-depth art historical study with new technical analyses and data visualisation tools in order to solve current issues in the attribution of paintings by Frans Hals. This book significantly sharpens our understanding of Hals's virtuoso work process, his characteristic workshop practice, and his notion of authenticity. The rich data gathered for the case studies will be useful for a next generation of art historians and connoisseurs: digital tools enhance the human eye in matters of attribution."Prof. Thijs Weststeijn, Professor of Art History before 1800, Utrecht University"Tummers bravely interrogates the history of connoisseurship and the seemingly never-ending search for attributions of paintings associated with Frans Hals. A series of well-chosen case studies of paintings rigorously subjected to the most current means of examination and scientific imaging by leading experts in the field extends our understanding of Hals, his manner of painting, and the possibilities for aligning traditional connoisseurship with technical studies and techniques. In the process, this book thoughtfully probes the merits, challenges, and potential of 21st-century digital tools alongside the role of visual analysis."Christopher D.M. Atkins, Van Otterloo-Weatherbie Director of the Center for Netherlandish Art at the Museum of Fine Arts, Boston.

Condition: New. In.

Hardcover. Condition: Brand New. 200 pages. 9.25x6.10x0.83 inches. In Stock.

Hardcover. Condition: Brand New. 200 pages. 9.25x6.10x0.83 inches. In Stock.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First edition / First Print. Large hardback copy in grey cloth boards with blind stamped lettering to front and spine. Unclipped dustjacket in new removable protective clear sleeve. 463pp. Colour frontispiece, colour and b/w art throughout. Not library copy, no inscriptions, small indentation to rear dustjacket. Heavy book, weighs 3.200Kg. (3/2).

Mercatorfonds, 2016. 33,4 x 25,4 cm. Hardcover with dustjacket. Illustrated in color and b/w throughout. 463 pages. NEW COPY Still shrink wrapped. [Art Art / Dutch artist [Nederlandse Kunstenaars] Art / technique ].

Hardback. Condition: New. 2024 ed. Frans Hals is hailed as one of the three greatest painters of the Dutch seventeenth century along with Rembrandt and Vermeer. Of all seventeenth-century Dutch painters, Frans Hals is also the most controversial in as far as the exact scope of his oeuvre is concerned. Hals's popularity, the lack of technical reference material as well as the differing views among experts as to the exact scope of his oeuvre make works in his style prone to doubts and misattributions. It has led to fierce debates and legal battles about the attribution of paintings done in his style.In this Open Access book, experts from Ghent University, Leiden University, Amsterdam University, Delft University of Technology, the Frans Hals Museum (Haarlem), the Rijksmuseum (Amsterdam), the Gemäldegalerie (Berlin) and the Metropolitan Museum of Art (New York) give surprising new insights into some of Hals's most well-known paintings as well as into some of the most fiercely contested pictures in his style. Their insights result from in-depth study of a wealth of reference material: seventeenth-century sources, advanced technical analyses and newly developed digital visualisation tools."Tummers and Erdmann have produced a work of ground-breaking new scholarship. They combine in-depth art historical study with new technical analyses and data visualisation tools in order to solve current issues in the attribution of paintings by Frans Hals. This book significantly sharpens our understanding of Hals's virtuoso work process, his characteristic workshop practice, and his notion of authenticity. The rich data gathered for the case studies will be useful for a next generation of art historians and connoisseurs: digital tools enhance the human eye in matters of attribution."Prof. Thijs Weststeijn, Professor of Art History before 1800, Utrecht University"Tummers bravely interrogates the history of connoisseurship and the seemingly never-ending search for attributions of paintings associated with Frans Hals. A series of well-chosen case studies of paintings rigorously subjected to the most current means of examination and scientific imaging by leading experts in the field extends our understanding of Hals, his manner of painting, and the possibilities for aligning traditional connoisseurship with technical studies and techniques. In the process, this book thoughtfully probes the merits, challenges, and potential of 21st-century digital tools alongside the role of visual analysis."Christopher D.M. Atkins, Van Otterloo-Weatherbie Director of the Center for Netherlandish Art at the Museum of Fine Arts, Boston.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Qto., 608 pages, colour illustrated. A Fine copy in a Fine dust jacket.Comes with matching slipcase which is also Fine.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New. Dust Jacket Condition: New. Qto., 608 pages, colour illustrated. A New copy, slipcased, in the shrink wrap as issued.

Hardcover. Condition: Brand New. 496 pages. 12.00x10.00x1.50 inches. In Stock.

Hardcover, 464 pages, ENG , 330 x 255 x 35 mm, NEW, dustjacket, 300 bw and col. illustrations ISBN 9789462301153. Based on six years of study done by the Bosch Research and Conservation Project, this book represents the most comprehensive study ever done of the materiality of Hieronymus Bosch's paintings. In het verleden hebben de kunsthistorici zich vooral toegespitst op de onderwerpen en betekenissen van Bosch' werken, terwijl aan aspecten als schildertechniek, de medewerking van een atelier en de bewaringstoestand van de nog bestaande schilderijen aanzienlijk minder aandacht werd besteed. Sinds 2010 bestudeert het Bosch Research and Conservation Project de werken aan de hand van moderne onderzoeksmethoden. Het team heeft Bosch' bewaard gebleven schilderijen zo grondig mogelijk gedocumenteerd met infraroodreflectografie en digitale macrofotografie in ultrahoge resolutie, zowel bij infrarood als bij zichtbaar licht. Rontgenfoto's werden gedigitaliseerd en de volledige fotografische documentatie werd in een coregistratieproces verwerkt. Dat alles, samen met de microscopische studie van de schilderijen, verschafte het team de mogelijkheid om uitvoerige en kritische onderzoeksrapporten te schrijven over de techniek en de conditie van de werken. Hun bevindingen, die in dit buitengewone boek voor het eerst worden gepubliceerd, zullen bijdragen tot een beter inzicht in het oeuvre van Bosch. In the past, scholars have traditionally focused on the subjects and meanings of Hieronymus Bosch's works, whereas issues of painting technique, workshop participation, and condition of extant pictures has received considerably less attention. Since 2010, the Bosch Research and Conservation Project has been studying these works using modern methods. The team has documented as thoroughly as possible Bosch's extant paintings with infraredreflectography and ultra high-resolution digtal macro photography, both in infrared and visible light. X-radiographs have been digitized, and the complete photographic documentation processed via co-registration. Together with microscopic study of the paintings, all of this has enabled the team to write extensive and critical research reports describing the techniques and condition of the works, published in this extraordinary volume for the first time, all of which can further inform our understanding of Bosch's oeuvre. Luuk Hoogstede is a paintings conservator at SRAL, Maastricht. Ron Spronk is professor in art history at Queen's University, Kingston, Ontario, Canada and Radboud University Nijmegen, The Netherlands. Matthijs Ilsink is the project coordinator of the Bosch Research and Conservation Project and teaches art history at Radboud University Nijmegen, The Netherlands. Jos Koldeweij is professor in art history of the Middle Ages at Radboud University Nijmegen, the Netherlands Authors: Bosch Research and Conservation Project: Luuk Hoogstede, Ron Spronk, Robert G. Erdmann, Rik Klein Gotink, Matthijs Ilsink, Jos Koldeweij, Hanneke Nap, Daan Veldhuizen 3250 g.

Hardcover. Condition: Wie neu. 594 S., gebunden mit Schutzumschlag, 25.4 x 4.8 x 33.3 cm, Bildband, nahezu neuwertig. Dreingabe: ganzseitiger Zeitungsartikel aus der SZ vom 28./29.5.2016: "Meister der Hirngespinste. Der niederländische Maler Hieronymus Bosch schuf eine Welt des besonderen Horrors, die bis heute fasziniert und verstört. Nun zeigt der Prado seine Werke". . Hieronymus Bosch (niederländisch auch Jheronimus Bosch; * um 1450 in 's-Hertogenbosch als Jheronimus van Aken; ? August 1516 ebenda) war ein niederländischer Maler der Spätgotik bzw. der Renaissance. Bosch stammte aus einer Malerfamilie. Er hatte seine Auftraggeber vielfach im höheren Adel und Klerus. Seine Gemälde, meist in Öl auf Eichenholz, zeigen in der Regel religiöse Motive und Themen. Sie sind reich an Figuren, Fabelwesen und ungewöhnlichen Bildelementen, deren Deutungszusammenhang und Interpretation oft nicht gesichert sind. Boschs Werk findet bis heute regelmäßige Aufmerksamkeit und wurde in der Kunst vielfach rezipiert. Über sein Leben gibt es nur wenige gesicherte Anhaltspunkte. Buch.

Hardcover. Condition: New.

Softcover. Condition: gut. 2010. Die in den letzten Jahren sich verstärkende Migration setzte auch die Vorstellung darüber, was Weiblichkeit ist / sein soll, zunehmend in Bewegung. Im Zuge allgemein wachsender Mobilität wurden nationale Identitäten gegen neue und sich immer neu bildende Rollen und Masken, die andere Kulturräume und -erfahrungen assimilieren, ausgetauscht. Die Veränderung der Erfahrungsräume richtet daher die Fragestellung neu aus: Mit welchen performativen Strategien wird Weiblichkeit in Szene gesetzt? Versuchen weibliche Figuren repressive Gegenfiguren oder Organisationen zu irritieren und eine herrschende Ordnung zu unterlaufen? Wie handeln diese Figuren ihre soziale Rolle aus? Dabei erweist auch die Rolle des Körpers bei der Konstituierung der Geschlechtsidentität sowie die geschlechtsspezifischen textuelIen Kodierungen als besonders relevant. Die Diskussionen schließen an die Körperdebatten in den Kulturwissenschaften an. Wie werden weibliche und männliche Körper konstruiert und vielleicht normiert? Dabei geht es implizit nicht nur um Beziehungen zwischen den Geschlechtern (männlich vs. weiblich), sondern auch um innergeschlechtliche Verhältnisse (wie zum Beispiel Beziehungen zwischen unterschiedlichen Generationen desselben Geschlechts, oder kulturelle und räumliche Differenzen). Dazu wird sowohl die Literatur von Frauen, die also von Frauen verfasst werden kann, als auch Literatur über Frauen, die nicht nur aus der weiblichen, sondern auch aus der männlichen Perspektive geschrieben werden kann, analysiert, wobei der Unterschied Mann - Frau nicht immer der Opposition zwischen Männlichkeit und Weiblichkeit zugrunde liegen muss. In anderen Worten: "Weiblich" kann auch ein "Mann" sein, ebenso wie "Männlichkeit" nicht allein dem "Mann" eignen muss. Detailangaben zum Buch - Die fiktive Frau: Konstruktionen von Weiblichkeit in der deutschsprachigen Literatur EAN (ISBN-13): 9783866282834 ISBN (ISBN-10): 3866282834 Erscheinungsjahr: 2008 Herausgeber: Hartung-Gorre ISBN/EAN: 3866282834 ISBN: 3-86628-283-4, 978-3-86628-283-4 Autor des Buches: martin dragos, martin hainz, corbea hoisie, reif hülser monika, metzger lucia, robert becker, tanja becker, eva berger, spinei, martin erdmann, elisabeth alexander, alexander rubel, ioan lazarescu, ioana cracium, petrescu, nistor Titel des Buches: konstruktionen weiblichkeit, die fiktive frau, konstruktion Autor/in: Ana M Palimariu; Elisabeth Berger Titel: Jassyer Beiträge zur Germanistik; Die fiktive Frau - Konstruktionen von Weiblichkeit in der deutschsprachigen Literatur Verlag: Hartung-Gorre 502 Seiten Erscheinungsjahr: 2010 Sprache: Deutsch Sprachwissenschaft, Literaturwissenschaft/Deutsche Sprachwissenschaft, Deutschsprachige Literaturwissenschaft; Literaturwissenschaft, allgemein; Deutsche Literatur; Weiblichkeit; Rose Ausländer; Wolf, Christa; Handke, Peter; Bachmann, Ingeborg; Kiefer, Anselm; Sprachkompetenz In deutscher Sprache. 502 pages. 20,4 x 13,2 x 2,2 cm.