Egoyan (138 results)

Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

hardcover. Condition: Good. Crease/bruise to cover and pages.

hardcover. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine Dust Jacket. 544 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. The dust jacket is a clear, see through plastic cover. NOTE: Book still in original publisher shrink wrap.

Condition: New.

Paperback. Condition: New.

Soft cover. Condition: Very Good. Dust Jacket Condition: No Jacket as Issued. American First. Complete number line from 1 to 6; some edge wear to card covers; otherwise a solid, clean copy with no marking or underlining; collectible condition. Book.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Good. no dj, some wear, still nice! - may have remainder mark or previous owner's name Standard-sized.

Paperback. Condition: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. Dust Jacket Condition: Plastic Jacket. clean, unmarked copy.

Paperback. Condition: Very Good. Publisher: Coach House Press, Toronto, 1995. First Softcover Edition, First Printing. NEAR FINE+ softcover book in black wraps, as issued. NOT remainder marked. NOT faded. NOT a book club edition. NOT an ex-library copy.

Condition: New. 158 8 of lates Illus. (Col.).

Paperback. Condition: Brand New. 158 pages. 9.00x6.25x0.50 inches. In Stock.

Condition: New. 1995. First Edition. paperback. . . . . .

hardcover. Condition: As New. First Edition. Publisher: Irish MoMA, Dublin, 1998.FINE hardcover pictorial, illustrated boards, as issued. First Edition. First Printing.

Condition: New.

Hardcover. Condition: new. Hardcover. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time.""Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experience of film-which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the "foreign film" category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages-"Somehow, I'd like to think it's harder to kill people when you hear their voices," she writes. And Slavoj Zizek considers the "foreign gaze" (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much. Designed by Egoyan and award-winning graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66:1. Subtitles gives us not only a new way to think about film but also a singular design object.Subtitles is being copublished by The MIT Press and Alphabet City Media (John Knechtel, Director). Subtitles has been funded in part by grants from The Canada Council for the Arts, The Henry N.R. Jackman Foundation, and the Toronto Arts Council, and the Ontario Arts Council. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time." Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: New. 158 8 of lates.

Condition: New. 1995. First Edition. paperback. . . . . . Books ship from the US and Ireland.

Condition: New. 158 8 of lates.

Inclds. a critical intro., interview, the screenplay & 8 pgs. of color stills. Fine. Book.

Hardcover without dustjacket as issued; 128 pages, in English and French; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition, 1st printing. Attractive & unread hardcover in Fine+ condition, w/slight nick on printed clear acetate jacket front & slight bowing to binding due to unique oblong presentation, o/w good as new. "'Every film is a foreign film,' Atom Egoyan and Ian Balfour tell us in their introduction to SUBTITLES. How, then, to translate the experience of film---which, as Egoyan says, makes us 'feel outside and inside at the same time'? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation, to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the 'foreign film' category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages---'Somehow, I'd like to think it's harder to kill people when you hear their voices,' she writes. And Slavoj Zizek considers the 'foreign gaze' (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much." [jacket copy] "Designed by Egoyan and graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66:1. SUBTITLES gives us not only a new way to think about film but also a singular design object." Hardcover w/brilliant corners & crisp edges; 532pp; looks perfectly Fine w/o the printed acetate jacket, quite presentable & collectible.…

Hardcover. Condition: Very Good.

Condition: New.

Hardback. Condition: New.