Edward a Quigley (21 results)

paperback. Condition: New. 2nd Edition. This is a new book. All orders ship by next business day! We are a small company and very thankful for your business.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Fine. First Edition. large 4to., ill., 96 pp. Break, sharp copy with no ownership markings. Well packaged in a box, ships with tracking.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 181 pages. 9.00x6.00x0.41 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 61 pages. 9.00x6.00x0.16 inches. In Stock.

Condition: New.

First Edition. First edition. Softcover. 96 pages. Exhibition catalog for a show that ran April 17 through June 1, 1991. Features a foreword and acknowledgements by Barry Friedman and text by Robert A. Sobieszek. Includes 116 black and white images and a checklist. A near fine copy in wrappers with some minor wear. Internally a clean copy.…

Softcover, 96 pages; very good condition; light wear to covers; owner's stamp on half-title page; no other internal marks. Foreign shipping may be extra.

Condition: New. Print on Demand.

Condition: New. Print on Demand pp. 60 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condition: New. Print on Demand pp. 60.

Condition: New. PRINT ON DEMAND pp. 60.

Condition: New. Dust Jacket Condition: New. Enviamos a todo el mundo. 100% garant'a. Libro nuevo.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1964 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 64 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 64.…

1st -- 8 silver gelatin photos, sized 8 x 10 in., some w/ photographer's stamp on verso, others w/ pencil and/or ink MS marking; 2nd -- 8vo. [12 pp (unpaginated).], illustrated, self-printed softcovers (pencil annotations back cover); 2 copies of [6 pp (unpaginated).] triptych, illustrated; [4 pp (unpaginated).], brochure, Rancheros logo by Joe de Yong on front cover (creased from fold); 3rd -- 4to. 5 leaves, broadsides, photo illustrated, 1 on stationery, 1 signed by Ed Quigley; 4th -- 12mo. 4 x 5 in. 3 illustrated Christmas Cards, [4 pp (unpaginated).], bifolium, illustrated by Quigley, 1 ALS on verso of front flap; 5th -- 4to. 1 leaf broadside of Quigley's cabin in Sandy, OR; 6th -- Oblong 8vo. to 4to. Approx. 100 pieces of illustrated & printed stationery, invoices & envelopes on laid paper; 7th -- 4to. 8.5 x 10.25 in. 142, [2] pp. Title printed in silver & black, w/ colour and black & white photo illustrations & plates throughout, 1 colour map, text illusts. by Joe de Yong. Half-burgundy cloth over printed boards, illustrated endpapers, w/ d.j. wraparound cover art photo by Karl Obert (1 closed tear back cover), NF/VG copy; 8th -- Small group of artifacts including 8 rawhide leather ribbons, personalized to Quigley, stamped w/ De Yong illust., including the Los Vigilantes badge for them to be attached to, as well as personalized badge for dam dedication, all from the library of Ed Quigley. This captivating archive offers a number of items documenting the storied career of noted Western artist, Ed Quigley (1895-1984), including photographs, catalogues, broadsides, and printed pieces, as well as souvenirs from his participation with Los Rancheros Visitadores riding club in Santa Barbara, CA. The photographs open with an image of him completing a painting of a cowboy working with mustangs in a corral, with Quigley holding his palette, and glimpses of Portland, OR through the studio window in the background; another two show him and his smartly dressed friends during the 1930's while he was painting for the Works Progress Administration Federal Artist's program; and five additional photos by Santa Barbara photographer Karl Obert depict him riding with others at the Los Rancheros Visitadores in 1958. The exhibit catalogues include his June-July, 1949 exhibition at the Maryhill Museum of Fine Arts, which also included a number of his original woodcarvings; the 1962 Western Art Exhibits sponsored by Los Rancheros Visitadores which featured works by Quigley, Charley Russell, Will James, Edward Borein, Joe De Yong, Olaf Wieghorst, Frank Tenney Johnson, and others; and the 1964 gallery showing of Oil Paintings and Wood Carvings at the Oregon Society of Artists Gallery in Portland, OR including a photo of the artist carving sculptures. The several sales broadsides include one signed by Quigley for his bronzes, with the verbiage that he had intended to cast 20, but there were only 10, and these include "Unloaded," "Indian Scout," and "Bronc Rider."Quigley expanded his career through the 1930's and 1940's by gaining inspiration from Yakama Indians in and around Toppenish while visiting horse trader Frank Green, and would often return there. He writes in one of the undated Christmas cards that he had just "spent 3 interesting weeks with a couple of mustangers and the Indians on wild horse round-ups on the Yakima Reservation. Got a lot of good material and have 2 - 30" x 40" paintings finished." The stationery included here all reproduce paintings by Quigley of mustangs on the Palouse, as well as pen & ink drawing of the cabin built by the artist on Cedar Creek near Mt. Hood and Sandy, Oregon. The prolific and popular Western artist focused on cowboys and Native Americans working in rugged landscapes, often with pastoral themes as a native of the Pacific Northwest, who also was an active member of many riding clubs including Los Rancheros Visitadores. Los Rancheros Visitadores was founded as an invitaiton-only riding club, which included such members as founder Ed Borein, along with Will James, Joe De Yong, Walt Disney, Gary Cooper, Montie Montana, Clark Gable, Philip Wrigley, Charlie Russell, Chuck Yeager, Max Baer, and Ronald Reagan. The rides usually center on the Los Prietos Ranch in the Santa Ynez Valley, often include a visit to Santa Ynez Mission, and for over four decades their rides, participants and activities were documented by famed Santa Barbara photographer, Karl Obert (1897-1976). No copies of the exhibition catalogues or broadsides are located in Worldcat; See: Phoebe Oelheim, Artist Edward Quigley's Romantic Vision of the West, Oregon Cultural Heritage Commission (2002); Graham Sharkey, Boots & Spurs, The Capital Journal, July 20, 1950, p. 10.…