Edith Harwood (50 results)

Paperback. Condition: Near Fine. First Edition. Normal, IL: State University. Very Good. 1966. First Edition Magazine. Pictorial wrappers [about 6" x 9"], saddle-stapled, 47 pages, illustrated. William A. Holt (editor) with works by Alan Harris, Ron Miazga, Karen M. Beswick, Dale Allard, Frances Vaitekunas, Percival Roberts, Marilynn Thomas, Grace Harwood, Edith Kenyon, Gayle Novak, Jim Bennett. A near fine copy with light dust soiling to the covers. See Photos whb12E. cover by Carolyn C. Lauing (illustrator).…

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Soft cover. Condition: Near Fine. First Edition. Near fine in wrappers with light soiling.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

gebundene Ausgabe. Condition: Gut. 312 Seiten; In ENGLISCHER Sprache. Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); leichte altersbedingte Anbräunung des Papiers; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Die Seiten haben einen unsauberen Schnitt. Sprache: Englisch Gewicht in Gramm: 575.…

Condition: New. pp. 15.

Condition: New. pp. 15.

Condition: New. pp. 15.

Hardcover. Condition: Good. No Jacket. With many illustrations. Previous owner's greetings on fep.

Paperback. Condition: New. Print on Demand. This book guides you through the iconic masterpieces of Florence, Italy, through an exploration of Biblical narratives and events that inspired the paintings and frescoes across the city. The author draws connections between the themes, stories, and techniques used in these works to the broader Italian Renaissance movement, offering a deeper understanding of the historical and artistic context in which they were created. The book provides valuable insights into the minds of the period's master artists, including Botticelli, Leonardo da Vinci, and Michelangelo, and offers a fresh perspective on the stories depicted in their work. Whether you're an art enthusiast or simply curious about the captivating world of Renaissance art, this book will ignite your imagination and leave you with a profound appreciation for the beauty and depth of these timeless masterpieces. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Condition: New.

Cartonato in tela. Condition: fine. First edition.English Text.London, 1905; hardbound, pp. 312, b/w ill., cm 13x19. Libro.

1st ed. - With handwritten dedication by the author (1913). - Hardcover.

Hardcover. Condition: Near Fine. 1st Edition. One of 165 copies on the original blind-stamped vellum (Soul is Form), gilt title to spine. Internally, hand coloured frontis, 45 pp, [1] limitation, 3 illustrations (full page) & 82 initials designed & hand-coloured by Edith Harwood + 1 B&W at limitation, light spotting to tissue-guards loosely inserted between leaves only, small amount of natural mottling to upper vellum cover, printed at the Essex House Press of Chipping Campden. (190*123 mm) (Ransom p266; Tomkinson p73; Franklin p199). Number six in the Essex House Press's Great Poems Series, described by Colin Franklin as 'The most skillful and original of them all, a charming small work of art.' (The Private Presses p77). The Flower and the Leaf is not just a text but a luxury, handcrafted book, presenting a medieval allegory about enduring virtue versus fleeting beauty, produced in a style inspired by medieval manuscripts and the Arts and Crafts movement. HARWOOD Edith (illustrator).…

Hardcover. Condition: Good. Limired Edition 248 of 300. A masque of the Edwards of England written by C.R.Ashbee as a pageant for the time of the Coronation of Edward VII, 1902. Printed under Ashbees care at the press of The Guild of Handicraft at Essex House. The drawings by Edith Harwood are printed in six colours from stones by Sprague & Co. Ex library with discreet stamps. Damp stain to the covers top edge but barely discernable to the pages. Edith Harwood (illustrator).…

Hardcover. Condition: Good. No Jacket. 1st Edition. This valuable and rare book is missing a few plates, but we do not have a copy to compare to tell you which ones. Print dealers would probably LOVE to harvest these plates and sell them as framable art. If you will contact me, I can send you photos of each page to show you which ones we DO have. This book includes 11 full page color plates. There are 18 full pages of text, two which have b/w illustrations. Nearly all the pages have separated from the spine. Original linen cloth hardback covers are present. By Essex House Press. Published in England by Edward Arnold, 37 Bedford Street, Strand; and in America by Samuel Buckley & Co., 100 William St. New York. This is copy # 20 of only 300 paper copies, 20 on vellum. This one is paper. Rare and valuable. (BR) Box 228.…

Cloth. Condition: Good Only. A limited edition copy of this courtly masque written in the early twentieth century to honour King Edward VII. This masque follows the history of the 'Edwards' of England. It features Edward the Confessor, the Lawgiver, The Second, The King of Chivalry, The Fourth, The Child King, The Founder and the King (VII). This pageant was written especially for the coronation of King Edward VII and was finished in the week of the ceremony. Printed at the Guild of Handicraft Press at Essex House. Illustrated throughout by Edith Harwood. Limited edition, number 55 of 300. Charles Robert Ashbee was an English architect and designer. He was a prime mover of the Arts and Crafts movement. In a full cloth binding with pictorial boards. Externally, generally smart. Tidemarks to the bottom of the front and rear boards, resulting in a small amount of cockling to the tail of several pages but no permanent tidemarks. Bumping to the extremities. Internally, firmly bound. Pages are bright with the occasional spots. Good Only. Edith Harwood (illustrator). book.…

First Edition. Good copy in the original title-printed raw linen over boards. Some wear to spine, with panel edges slightly dulled and rubbed as with age. Some stainging also evident to boards. Tissue guards to plates. Corners sharp with an overall tight, bright and clean impression. Limited edition: No. 172/300.; 8vo 8" - 9" tall; 45 pages; Description: 45, [3] p : incl. col. illus., col. plates ; 29 x 41 cm. Subjects: English drama - Masques and mystery plays - Works. From the colophon: 'Written by C.R.Ashbee as a pageant for the time of the crowning of the king [Edward VII], and printed.at the Press of the Guild of Handicraft at Essex House. The drawings.are by Edith Harwood.in part .touched by hand'. 2 Kg.…

CLOTH. Condition: VERY GOOD+++. FIRST EDITION (LIMITED, NUMBERED). #115 OF 300 PAPER COPIES. ALL TISSUE GUARDS ARE PRESENT. THERE IS A 3" STAIN ON THE FRONT COVER BOTTOM RIGHT CORNER THAT IS VERY FAINT AND ALMOST THE SAME COLOR AS THE CLOTH. A BIT OF CORNER WEAR. THERE IS SOME RIPPLE TO THE PAGES. DESPITE THE FLAWS AN ATTRACTIVE AND PRESENTABLE COPY INSIDE AND OUT. DOMESTIC SHIPPING AT THE STANDARD SINGLE VOLUME RATE. INTERNATIONAL SHIPPING TO BE DETERMINED. Size: OBLONG FOLIO. HARWOOD, EDITH (illustrator). …

First Edition. Good copy in the original title-printed raw linen over boards. Some wear to spine, with panel edges slightly dulled and rubbed as with age. Some stainging also evident to boards. Tissue guards to plates. Corners sharp with an overall tight, bright and clean impression. Limited edition: No. 172/300.; 8vo 8" - 9" tall; 45 pages; Description: 45, [3] p : incl. col. illus., col. plates ; 29 x 41 cm. Subjects: English drama - Masques and mystery plays - Works. From the colophon: 'Written by C.R.Ashbee as a pageant for the time of the crowning of the king [Edward VII], and printed.at the Press of the Guild of Handicraft at Essex House. The drawings.are by Edith Harwood.in part .touched by hand'. 2 Kg.…

Hardcover. Condition: Fine. First edition. Illustrated by Edith Harwood. Oblong folio. Original cloth with stamped design. Two small glue marks on the front pastedown, where a bookplate was presumably affixed, else fine. One of 300 numbered copies on paper. Laid in is a single leaf folded announcing the Essex House Bindery. A beautiful book.…

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 336. A perfect gift for your loved ones. Reprinted from 1907 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 336.…