Edited James Osborn (8 results)

Softcover. Condition: Fine. Magazine. Small quarto. 92pp. Wrappers. Black and white illustrations. Fine. Contributors include Charles Carlton, Eugene P. McCreary, Albert C. Labriola, James M. Osborn, Michael West, Claude M. Simpson, Jr., and Carey S. Bliss.

Condition: Very Good. 1962. Hardback. Good clean copy with minor age & shelf wear. DJ has some minor nicks and tears, remains very good. . . . .

Condition: Very Good. 1962. Hardback. Good clean copy with minor age & shelf wear. DJ has some minor nicks and tears, remains very good. . . . . Books ship from the US and Ireland.

Hardcover. Dust Jacket Condition: Good. xiii, 241 pp. Good condition; moderate yellowing on pages.

Hardcover. Condition: Good. Dust Jacket Condition: None. This is an ex-library copy. Covers & Spine: both front and back boards are undamaged with only light wear at the edges and corners, spine is intact with minor bumping at ends. Binding: firm throughout, both hinges strong. Pages & Markings: unstained, usual library stickers & stamps, borrower's slip & pocket in back. Dust Jacket is missing. All items are protectively packaged, and a postal tracking number will be sent to all customers whose current email address is registered with AbeBooks.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very good. First of this edition. 2 volumes. Very good in very good dust jackets. Edges lightly foxed.

Hardcover. Condition: Very Good. II ed. della raccolta (I ed.: 1965 (?). A Theory of Pictorial Perception by James J. Gibson is reprinted from Audio-visual Communication Review, I:1, Winter, 1954 - The Painter's Handwriting by J. P. Hodin is reprinted from The Journal of Aesthetiscs and Art Criticism, VII:3, March, 1949). Vision + Value Series. Testo in inglese. VIII grande/ (6)+282/ crat./ sovraccoperta in carta liscia con grafica in b/malva/salvia/n e con titoli in nero. Illustrazioni in b/n nel testo e f.t. Stato buono (usura della sovraccoperta, in particolare ai margini - sovraccoperta, fogli di guardia e pagine brunite e con qualche piccola fioritura). Contents: Lawrence K. Frank: The World as a Communication Network-Signs, Images and Symbols - Heinz Von Foerster; From Stimulus to Symbol: The Economy of Biological Computation - Rudolf Arnheim; Image and Thought - S. Giedion; Symbolic Expression in Prehistory and in the First High Civilizations - James J. Gibson; A Theory of Pictorial Perception - Rudolf Modley; Graphic Symbols for World-Wide Communication - Henry Dreyfuss; Case Study: Symbols for Industrial Use - Abraham H. Maslow; Isomorphic Interrelationships between Knower and Known - Charles Morris and Frank Sciadini; Paintings, Ways to Live, and Values - J. P. Hodin; The Painter's Handwriting - Werner Schmalenbach; The Problem of Reality in Mid-Century Painting - Ad Reinhardt; Art in Art is Art as Art - Robert Osborn; The Hangover - Saul Bass; Movement, Film, Communication - Edmund Carpenter; Image Making in Arctic Art - Paul Riesman; The Eskimo Discovery of Man's Place in the Universe - John E. Burchard; The City as Symbol - Ernesto N. Rogers; The Image: The Architect's Inalienable Vision - P. A. Michelis; Form in Architecture: Imitation and Abstraction - Ludwig von Bertalanffy; The Tree of Knowledge - Biographical Notes on the Autors.

First edition, 8vo., pp.xxviii,480, hard covers, gilt; very good indeed, in very good unclipped dust-jacket.