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  • £ 136.95

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    Hardcover. Condition: Very Good. II ed. della raccolta (I ed.: 1965 (?). A Theory of Pictorial Perception by James J. Gibson is reprinted from Audio-visual Communication Review, I:1, Winter, 1954 - The Painter's Handwriting by J. P. Hodin is reprinted from The Journal of Aesthetiscs and Art Criticism, VII:3, March, 1949). Vision + Value Series. Testo in inglese. VIII grande/ (6)+282/ crat./ sovraccoperta in carta liscia con grafica in b/malva/salvia/n e con titoli in nero. Illustrazioni in b/n nel testo e f.t. Stato buono (usura della sovraccoperta, in particolare ai margini - sovraccoperta, fogli di guardia e pagine brunite e con qualche piccola fioritura). Contents: Lawrence K. Frank: The World as a Communication Network-Signs, Images and Symbols - Heinz Von Foerster; From Stimulus to Symbol: The Economy of Biological Computation - Rudolf Arnheim; Image and Thought - S. Giedion; Symbolic Expression in Prehistory and in the First High Civilizations - James J. Gibson; A Theory of Pictorial Perception - Rudolf Modley; Graphic Symbols for World-Wide Communication - Henry Dreyfuss; Case Study: Symbols for Industrial Use - Abraham H. Maslow; Isomorphic Interrelationships between Knower and Known - Charles Morris and Frank Sciadini; Paintings, Ways to Live, and Values - J. P. Hodin; The Painter's Handwriting - Werner Schmalenbach; The Problem of Reality in Mid-Century Painting - Ad Reinhardt; Art in Art is Art as Art - Robert Osborn; The Hangover - Saul Bass; Movement, Film, Communication - Edmund Carpenter; Image Making in Arctic Art - Paul Riesman; The Eskimo Discovery of Man's Place in the Universe - John E. Burchard; The City as Symbol - Ernesto N. Rogers; The Image: The Architect's Inalienable Vision - P. A. Michelis; Form in Architecture: Imitation and Abstraction - Ludwig von Bertalanffy; The Tree of Knowledge - Biographical Notes on the Autors.