Edgar Varese (32 results)

sheet_music. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Audio CD Mint.

Condition: Good. Good condition. (scores, chamber music, octets ) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Good. Good condition. (scores, art music, instrumental ensembles) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Magazine. 40p. includes covers, 8.25x10.5 inches, texts in French, illustrated with production stills and photos of Hitler, Mussolini and Nazis from WWII, performance dates, etc., very good theatre magazine in stapled pictorial wraps with very expressive Adolph photo on cover. TNP was founded in Paris in 1920 by Firmin Gémier as a theatre for the masses. This issue focuses on the Brecht play which was being performed that year and invites comparisons to the Fascists of WWII. Also coverage of the music programs that season with an article on Pia Colombo performing Brecht-Weill tunes. One holding located in OCLC as of 8/2022.…

Condition: NEW.

Condition: Very good. - Octavo, 9-1/4 inches high by 6-1/4 inches wide. Light orange cloth, titled in white and black on the spine, in a pictorial white and black dust wrapper. The dust jacket's spine and rear panel are slightly darkened with some foxing to that rear cover. [xiv], 270 & [1] pages, with several pages of photographic illustrations. There is minor foxing to the top, bottom and fore edges of the book. Very good. First edition in English. …

Audio CD. Condition: Neu. Neu 0 pp. Englisch.

206 S. Sprache: Französisch Gewicht in Gramm: 400 8°. Hardcover. Viele Fotos, Faksimiles, Texte in holl., englisch, französisch.

Condition: new. Expédition le jour même. Libraire depuis 28 ans. Envoi soigné avec suivi.

Condition: New.

Couverture souple. Condition: bon. R100056278: 1983. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Intérieur frais. 215 pages - quelques illustrations en noir et blanc hors texte - couverture jaunie - coins frottés. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.…

LP 30 cm. Farbig illustriertes OCover. Cover sehr gut. Platte tadellos. Deutsche Erstpressung dieser Einspielungen. Sprache: de.

Noten. Condition: Neu. Neuware.

Noten. Condition: Neu. Neuware.

Studienpartitur. [4], 47 S. Gr. 8°. OKart. Geheftet. Mit handschriftlichen Einzeichnungen eines holländischen Dirigenten in Bunt- und Bleistift. 0 Gewicht in Gramm: 400.

Soft cover. Condition: Very Good. 1st Edition. Well bound, clean, unmarked catalogue in excellent condition with black and white illustrations of painter Michel Cadoret's works as well as reproductions of his handwritten notes. Text in English and French by both Cadoret and composer Edgar Varese, who contributes notes on rhythm and form. Comes with tenuously attached title slip consisting of glossy white paper, which has some minor creases to its front and back - the title slip - is bound in at the top staple, with a slight tear to the paper around the staple but still secure for now . Scarce. Well bound, clean, unmarked catalogue in excellent condition with black and white illustrations of painter Michel Cadoret's works as well as reproductions of his handwritten notes. Text in English and French by both Cadoret and composer Edgar Varese, who contributes notes on rhythm and form. Small stain to back of half-title page. Comes with tenuously attached title slip consisting of glossy white paper, which has some minor creases to its front and back - the title slip - is bound in at the top staple, with a slight tear to the paper around the staple but still secure for now . Scarce. …

Condition: New.

Condition: new. Expédition le jour même. Libraire depuis 28 ans. Envoi soigné avec suivi.

Condition: new. Expédition le jour même. Libraire depuis 23 ans. Envoi soigné avec suivi.

Couverture souple. Condition: Bon. Quelques traces sur la couverture. Intérieur propre. Envoi rapide et protégé.

Condition: New.

Stuttgart, Klett-Cotta, 2005. Heft 35. 8°. OKarton. Mit Beiträgen von Sebastian Leikert (James Joyce, Musiker des Buchstabens), Klaus Lippe (Alban Bergs Streichquartett), Bernhard Wulff (Edgar Varèses Orchesterstücke), Richard Klein (Encore: Bob Dylan). - Verlagsfrisch. Originalverpackt. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***. …

Paris. Directeur: Richard Masse. Un volume 26,2x19cm broché de 226 pages sur papier vélin fort. Exemplaire en bon état (feuilles non coupées). Livres.

Condition: new. Expédition le jour même. Libraire depuis 23 ans. Envoi soigné avec suivi.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.

Folio. (277 x 212 mm). [Single sheet of cream paper]. Drop-head title and printed text recto and verso in French with typical dada typography, manicules and type variation, imprint and list of signatories at foot of verso. A very fine example, never folded, of this scarce, iconoclastic and blasphemous dada manifesto, an excellent specimen of dada typography. Tzara's 1921 restatement of dada had a very serious purpose: to reinvigorate and revitalise dada. Tzara was to some extent successful and dada continued albeit with the same troubles that prompted the issue of this manifesto. The document is an outstanding example of the typographical caprice and linguistic inventiveness that made dada so intriguing and appealing. The use of various other schools of art (Cubism, Expressionism, Simultaneism, Futurism, Unanism, Neo-Claissicism, Ultraism, Creationism, Vorticism and Imagism) to underline dada's point, or rather its lack thereof, is classic. Tzara's most iconoclastic and blasphemous slogans, were taken up by Van Doesburg for his own later dada poster produced in conjunction with Schwitters, 'kleine dada soirée': 'DADA EXISTE DEPUIS TOUJOURS / LA SAINTE VUERGE DÉJÀ FUT DADAÎSTE!' This manifesto was truly international, as noted at the head of the sheet: '(Les Signataires de ce manifeste habitent la France, l'Amérique, l'Espagne, l'Allemagne, l'Italie, la Suisse, la Belgique, etc., mais n'ont aucune nationalité).' The signatories, as listed, were: 'E. Varèse, Tr. Tzara, Ph. Soupault, Soubeyran, J. Rigaut, G. Ribemont-Dessaignes, M. Ray [sic], F. Picabia, B. Péret, C. Pansaers, R. Huelsenbeck, J. Evola, M. Ernst, P. Eluard, Suz. Duchamp, M. Duchamp, Crotti, G. Cantarelli, Marg. Buffet, Gab. Buffet, A. Breton, Baargeld, Arp, W. C. Aresnberg, L. Aragon.' 'In 1921, Tristan Tzara found himself battling to sustain Dada's declining popularity. Aesthetic, political, and social differences among the movement's most prominenet members shook Dada at the doundation. In line with Dada's emphasis on easy distribution, Tzara created this one-page flyer presenting a condensed, more direct iteration of the Dada Manifesto . The text's inconsistent typefaces, orientation, and size embody the disorientation and randomness at the heart of the Dadaist philosophy.' (From the catalogue of the Art Institute of Chicago). 'Dada fait ici le choix d'une composition graphique et d'une typographie affranchies des traditions, use de termes saugrenus n'ayant aucun lien logique entre eux, recourt aux antonymes («oui = non»), aux répétitions («jamais jamais jamais»), s'autointerroge («Que fait DADA?»), affirme et se contredit dans le même temps . La mise en page, les différentes tailles de caractères et les polices d'écriture confèrent à l'ensemble un rythme singulier, fait d'accélérations, de ralentissements, de pauses, autant d'éléments qui construisent un parcours de lecture heurté, discontinu, à l'issue duquel renaîtra peut-être un «homme nouveau», purgé de tout espèce de culture.' (Anne Delebaree writing in 'Petits Papiers des Avant-Gardes: La Collection Paul Desrtribats'). [Destribats Tracts 132 / 133; Ades 8.45; Pompidou 326 / 327].…

1 S. 8vo. Mit eh. Adresse (Luftpostbrief). An den französischen Musikkritiker Jean Roy mit der Mitteilung, seine Adresse Mlle. Vivier [d. i. seine Biographin Odile Vivier] gegeben zu haben: "J'ai envoyé -à sa demande - votre adresse à Mlle Vivier qui [?] à vous remercier pour l'avoir fait figurer sur la pochette - Qui est Silva? [.]".…

New York, N. Y., 2. V. 1955, Fol. 1 Seite. Aerogramm-Brief. An den Musikwissenschaftler und Musikjournalisten Jean Roy (1916-2011) in Saint-Ouen: "Sans nouvelles de vous je me demande si vous avez reçu: .) Imprimés que je vous ai envoyés recommandés le 17 Mars. 2.) Le disque micro-sillon qui vous a été expédié par avion il y a plus d'un mois - ce qui m'aété confirmé ce matin encore - Vous seriez aimable de me renseigner, et aussi si possible: Pourriez me renseigner au sujet de livre de GHIKA sur le nombre d'or. Section d'or - c.a.d. ce qu'ils valent comme documentation et qui en est l'éditeur. Inconnus et introuvables ici. J'éspère que cela ne vous deragere pas [.] Au Festival de Bennington le 17 courant on donnera 'Déserts' exécutants importés de N.Y. ainsi que système stéréophonique. Waldam dirigera. 1st american performance. Ainsi que plusieurs amis nous avon lu avec vif plaisir et non moins vif intérêt votre Berlioz [.]" - Varèse war bereits 1915 in die USA emigriert. Um 1950 begann er mit der Komposition von 'Déserts', die das damals neuartige Magnettonband als Klangquelle einsetzt. Bei der Uraufführung 1954 in Paris, die live auch im Rundfunk stereophon ausgestrahlt wurde, kam es zu einem großen Eklat, dennoch folgten rasch und mit Erfolg weitere Aufführungen in Europa und nach seiner Rückkehr 1955 auch in den USA. - Selten.…