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Condition: New. This work offers a critical overview of the hymns of Ambrose of Milan (c.339-397) in the context of fourth-century doctrinal hymns and in relation to his own catechetical preaching. Brian P. Dunkle, SJ, argues that Ambrose employed sophisticated poetic techniques in his hymns in order to foster a pro-Nicene sensitivity in his congregation. Series: Oxford Early Christian Studies. Num Pages: 288 pages. BIC Classification: 3D; HRCC2; HRCL; LAFX. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 164 x 241 x 21. Weight in Grams: 546. . 2016. hardcover. . . . . Books ship from the US and Ireland.
Condition: New. This work offers a critical overview of the hymns of Ambrose of Milan (c.339-397) in the context of fourth-century doctrinal hymns and in relation to his own catechetical preaching. Brian P. Dunkle, SJ, argues that Ambrose employed sophisticated poetic techniques in his hymns in order to foster a pro-Nicene sensitivity in his congregation. Series: Oxford Early Christian Studies. Num Pages: 288 pages. BIC Classification: 3D; HRCC2; HRCL; LAFX. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 164 x 241 x 21. Weight in Grams: 546. . 2016. hardcover. . . . .
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Hardcover. Condition: new. Hardcover. Enchantment and Creed in the Hymns of Ambrose of Milan offers the first critical overview of the hymns of Ambrose of Milan in the context of fourth-century doctrinal song and Ambrose's own catechetical preaching. Brian P. Dunkle, SJ, argues that these settings inform the interpretation of Ambrose's hymnodic project. The hymns employ sophisticated poetic techniques to foster a pro-Nicene sensitivity in the bishop's embattled congregation. After a summarypresentation of early Christian hymnody, with special attention to Ambrose's Latin predecessors, Dunkle describes the mystagogical function of fourth-century songs. He examines Ambrose's sermons, especially hiscatechetical and mystagogical works, for preached parallels to this hymnodic effort. Close reading of Ambrose's hymnodic corpus constitutes the bulk of the study. Dunkle corroborates his findings through a treatment of early Ambrosian imitations, especially the poetry of Prudentius. These early readers amplify the hymnodic features that Dunkle identifies as "enchanting," that is, enlightening the "eyes of faith." This work offers a critical overview of the hymns of Ambrose of Milan (c.339-397) in the context of fourth-century doctrinal hymns and in relation to his own catechetical preaching. Brian P. Dunkle, SJ, argues that Ambrose employed sophisticated poetic techniques in his hymns in order to foster a pro-Nicene sensitivity in his congregation. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This work offers a critical overview of the hymns of Ambrose of Milan (c.339-397) in the context of fourth-century doctrinal hymns and in relation to his own catechetical preaching. Brian P. Dunkle, SJ, argues that Ambrose employed sophisticated poetic tech.
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Buch. Condition: Neu. Enchantment and Creed in the Hymns of Ambrose of Milan | Brian P. Dunkle | Buch | Gebunden | Englisch | 2016 | Oxford University Press (UK) | EAN 9780198788225 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.
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Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Enchantment and Creed in the Hymns of Ambrose of Milan offers the first critical overview of the hymns of Ambrose of Milan in the context of fourth-century doctrinal song and Ambrose's own catechetical preaching. Brian P. Dunkle, SJ, argues that these settings inform the interpretation of Ambrose's hymnodic project. The hymns employ sophisticated poetic techniques to foster a pro-Nicene sensitivity in the bishop's embattled congregation. After a summarypresentation of early Christian hymnody, with special attention to Ambrose's Latin predecessors, Dunkle describes the mystagogical function of fourth-century songs. He examines Ambrose's sermons, especially his catechetical and mystagogical works, for preached parallels to this hymnodic effort. Close reading ofAmbrose's hymnodic corpus constitutes the bulk of the study. Dunkle corroborates his findings through a treatment of early Ambrosian imitations, especially the poetry of Prudentius. These early readers amplify the hymnodic features that Dunkle identifies as 'enchanting,' that is, enlightening the 'eyes of faith.'.