Duchen Michael (53 results)

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. bbc02 8½"x11"; 108 pages; Soft Pictorial Cover; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. Due to USPS regulations, this item may require additional postage. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. BBC Music Magazine is a British monthly magazine that focuses primarily on classical music. Each edition comes together with an audio CD, often including BBC recordings of full-length works. The first issue appeared in September 1992. The magazine includes regular columns and reviews of new releases as well as several in depth feature articles by noted music writers. Each issue contains a CD featuring complete works by the greatest composers, performed by world-class artists and ensembles. This issue includes the audio CD "Rimsky-Korsakov, Introduction & Wedding March from The Golden Cockerel and Capriccio espagnol and Mussorgsky, Pictures at an Exhibition (Ravel orchestration)" performed by the BBC Philharmonic conducted by Yan Pascal Tortelier. This issue contains the following articles: "Couzens, kith and kin" (company profile of the record company Chandos) by Nick Kimberley; "Music in art" ('The Sense of Hearing' by Philippe Mercier and 'The Sharp Family: A Musical Party on the Thames' by Johann Zoffany) by Tom Phillips; "Bernstein and the British" (Leonard Bernstein) by Humphrey Burton; "The Art of Arranging Pictures" (different orchestrations for Mussorgsky's 'Pictures at an Exhibition') by Michael Russ; "The Pictures" (the exhibition of the art of Viktor Hartmann which was the inspiration for Mussorgsky's 'Pictures at an Exhibition') by Tom Phillips; "The song on the Tyne is all mine" (artistic director of the Northern Sinfonia Heinrich Schiff) by Lindsay Kemp; "Composer of the Month: Johann Sebastian Bach" by Nicholas Anderson; "Women Composers: Past & Present" (Ethel Smythe) by Jeremy Siepmann; "Present women composers" (Judith Weir, Meredith Monk, Sofia Gubaidulina, Kaija Saariaho, Joan Tower, Karen Tanaka, Thea Musgrave, Elena Firsova) by Jessica Duchen; "Building a Library" (Die Zauberflote) by John Steane; "Brian Kay's Starter Collection" (recommended essential performances from the classical repertoire) by Brian Kay; "The Grand Old Duke" (Duke Ellington) by Stuart Nicholson; "Music that changed me: Frans Bruggen" interview by Jessica Duchen.

Soft cover. Condition: Very Good. No Jacket. bbc 03 8½"x11"; 66 pages; Soft Pictorial Cover; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. Due to USPS regulations, this item may require additional postage. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. BBC Music Magazine is a British monthly magazine that focuses primarily on classical music. Each edition comes together with an audio CD, often including BBC recordings of full-length works. The first issue appeared in September 1992. The magazine includes regular columns and reviews of new releases as well as several in depth feature articles by noted music writers. Each issue contains a CD featuring complete works by the greatest composers, performed by world-class artists and ensembles. This issue includes the audio CD "Festive Airs" a selection reflecting this year's music festivals. This issue contains reviews of the following European Festivals: "Salzburg Festival" by Edward Greenfield; "Arena di Verona Festival" by Michael White; "Bayreuth Festival" by Barry Millington; "Prague Spring International Music Festival" by Jan Smaczny;"Glyndebourne Festival Opera" by Patrick O'Connor; "Florence May Music Festival" by George Hall; "Drottningholm Court Theatre Festival" by Hilary Finch; "Stars of the White Nights International Arts Festival" (St. Petersburg, Russia) by Nick Winter; "Aldeburgh Festival of Music and Theatre" by Bayan Northcott; "Sintra Festival of Music" (Portugal) by Michael Church; "Istanbul International Festival" by David Nice; "Schleswig-Holstein Musik Festival" by Stephen Pettit; "Munich Opera Festival" by Stephen Johnson; "Lockenhaus Chamber Music Festival" by Richard Wigmore; "Savonlinna Opera Festival" by Hilary Finch; "BBC Henry Wood Promenade Concerts" (London) by David Harman; "Aix-En-Provence Festival" by Elizabet Forbes; "Edinburgh International Festival" by Christopher Lambton; "Holland Festival Early Music Utrecht" by Stephen Pettit; "Berlin Summer Festival" by Stephen Johnson; "Eisenstadt International Haydn Festival" by Richard Wigmore; "Schubertiade Feldkirch" by Jessica Duchen; "Bath International Festival" by Jessica Duchen; "Evian Musical Encounters" by Jessica Duchen; "Bregenz Festival" by Jessica Duchen; "Lucerne International Music Festival" by Jessica Duchen; "Mondsee Music Days" by Jessica Duchen; "Take a trip off the beaten track" (View art and architecture in the festival cities) by Robert Maniura.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. The pages are lightly tanned. The copy shows minor external wear, but is in otherwise clean condition.

Hardcover. Condition: Book fine, Dust jacket fine. Dust Jacket Condition: dj. 1st. With a twelve page section, showing 24 reproductions in color. Containing thirteen essays examining her work.

Binding firm and intact. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st edition. Small 4to. 233pp. Hardcover with complete DJ. Colour and B/W illustrations. Light tanning to top of DJ. Clean, unmarked, and square.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Trivial shelving wear. DJ is protected by a mylar cover. Binding is tight and square. Pages are very clean and bright with no markings. Overall in excellent condition.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. ix, 233 pages, [12] pages of plates, illustrations (some colour); 27 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "Charlotte Salomon was born in Berlin in 1917 and was murdered at Auschwitz at the age of twenty-six. While in exile in the south of France from 1940 until her deportation in 1943, she created some 1,325 small gouaches using only the three primary colors plus white. From these she gathered nearly 800 into a work that she titled Life? or Theater? A Play with Music, which employs images, texts, and musical and cinematic references. The narrative, informed by Salomon's experiences as a talented, cultured, and assimilated German Jew, depicts a life lived in the shadow of Nazi persecution and a family history of suicide, but also reveals moments of intense happiness and hope. The tone of the gouaches becomes increasingly raw and urgent as Salomon is further enmeshed in grim personal as well as political events. The result is a deeply moving meditation on life, art, and death on the eve of the Holocaust."- Publisher. *** CONTENTS: Reading Charlotte Salomon: history, memory, modernism, by Michael P. Steinberg; A life before Auschwitz, by Monica Bohm-Duchen; Theater of memory: trauma and cure in Charlotte Salomon's modernist fariytale, by Griselda Pollock; Historical effacements: facing Charlotte Salomon, by Darcy Buerkle; Memory and Trauerspiel: Charlotte Salomon's Life? or theater? and the angel of history, by Christine Conley; Creative synergies: Charlotte Salomon and Alfred Wolfsohn, by Edward Timms; Giving voice: Charlotte Salomon and Charlotte Delbo, by Ernst van Alphen; Ornament, boundaries, and mourning after Auschwitz, by Shelley Hornstein; Inscriptions of difference in Charlotte Salomon's work, by Astrid Schmetterling; The aesthetics of trauma: five installations of Charlotte Salomon's Life? or theater?, by Reesa Greenberg; Aestheticizing catastrophe, by Mieke Bal; "Create her world anew": seven dilemmas in re-presenting Charlotte Salomon, by Mary Felstiner; On the impossibility of Charlotte Salomon in the classroom, by Nanette Salomon. Size: 4to. Collectible.

Hardcover. Condition: Good.

Hardcover. Condition: Very Good. Thirteen essays on the German-Jewish artist. Middle section of 24 colour reproductions of Solomon's work. Other black-and-white illustrations. Minor wear to dust jacket. Book is in fine condition with no marks, inscriptions or fading. Not ex-library. Not a remainder. Binding is firm. 233 pages. s163.

Condition: Very good.

Hardback. Condition: New. Charlotte Salomon was born in Berlin in 1917 and was murdered at Auschwitz at the age of twenty-six. While in exile in the south of France from 1940 until her deportation in 1943, she created some 1,325 small gouaches using only the three primary colors plus white. From these she gathered nearly 800 into a work that she titled Life? or Theater?: A Play with Music, which employs images, texts, and musical and cinematic references. The narrative, informed by Salomon's experiences as a talented, cultured, and assimilated German Jew, depicts a life lived in the shadow of Nazi persecution and a family history of suicide, but also reveals moments of intense happiness and hope. The tone of the gouaches becomes increasingly raw and urgent as Salomon is further enmeshed in grim personal as well as political events. The result is a deeply moving meditation on life, art, and death on the eve of the Holocaust.Salomon's art, discovered after the war in the south of France where she had left it for safekeeping, was first exhibited in 1961 and has gained steadily in reputation since then. A major exhibition focused on Life? or Theater? appeared at the Royal Academy of Arts in London in 1998, subsequently at the Art Gallery of Ontario in Toronto; the Museum of Fine Arts, Boston; and the Jewish Museum in New York City. This book, lavishly illustrated with many color plates, is the first to analyze Salomon's work critically, historically, and aesthetically. It includes a chronology of Salomon's life and a list of exhibitions of Life? or Theater? Featuring contributions from prominent art historians, literary and cultural critics, and historians, Reading Charlotte Salomon celebrates the genius and courage of a remarkable figure in twentieth-century art. Contributors: Mieke Bal, University of Amsterdam; Monica Bohm-Duchen, independent art historian, London; Darcy Buerkle, Smith College; Christine Conley, University of Ottawa; Mary Felstiner, San Francisco State University; Reesa Greenberg, Concordia University and York University; Shelley Hornstein, York University; Griselda Pollock, University of Leeds; Nanette Salomon, The College of Staten Island/CUNY; Astrid Schmetterling, University of London; Michael P. Steinberg, Cornell University; Edward Timms, University of Sussex; Ernst van Alphen, University of California, Berkeley, and Leiden University.

Hb. Dj. As New copy.

Hardcover. Condition: New.

Condition: New. ix 233 12 of lates 47 Illus.

Condition: new.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. ix 233 12 of lates.

Hardcover. Condition: New.

Condition: New. Editor(s): Steinberg, Michael P.; Bohm-Duchen, Monica. Num Pages: 248 pages, 47. BIC Classification: ACX; AFC; AGB. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 186 x 257 x 23. Weight in Grams: 772. . 2006. 1st Edition. Hardcover. . . . .

Hardcover. Condition: Brand New. 233 pages. 10.00x7.00x1.00 inches. In Stock.

Condition: New. Editor(s): Steinberg, Michael P.; Bohm-Duchen, Monica. Num Pages: 248 pages, 47. BIC Classification: ACX; AFC; AGB. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 186 x 257 x 23. Weight in Grams: 772. . 2006. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Condition: New. Satisfaction Guaranteed or your money back.

Condition: New.

Hardcover. Condition: new. Hardcover. This second edition brings together up-to-date contributionsfrom leaders in the field internationally on the various ways in whichmitochondrial dysfunction contributes to the pathogenesis of neurodegenerativediseases, including Parkinsons disease, Alzheimers disease and multiplesclerosis. The reader is guided through the basic functions of mitochondria andthe mechanisms that lead to their dysfunction, and on to the consequences ofthis dysfunction for neuronal function before finishing with the modelling ofthese disorders and discussion of new potential therapeutic targets. Additional chapters have been added to the book to reflectadvances in the field and there are many new contributors and topics, includinghow mitochondria are degraded and the interaction of the mitochondria withpathologically relevant proteins. Mitochondrial Dysfunction in Neurodegenerative Disordersprovides an accessible, authoritative guide to this important area forneurologists; research and clinical neuroscientists; neuropathologists; andresidents with an interest in clinical research. This second edition brings together up-to-date contributionsfrom leaders in the field internationally on the various ways in whichmitochondrial dysfunction contributes to the pathogenesis of neurodegenerativediseases, including Parkinsons disease, Alzheimers disease and multiplesclerosis. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. Charlotte Salomon was born in Berlin in 1917 and was murdered at Auschwitz at the age of twenty-six. While in exile in the south of France from 1940 until her deportation in 1943, she created some 1,325 small gouaches using only the three primary colors plus white. From these she gathered nearly 800 into a work that she titled Life? or Theater?: A Play with Music, which employs images, texts, and musical and cinematic references. The narrative, informed by Salomon's experiences as a talented, cultured, and assimilated German Jew, depicts a life lived in the shadow of Nazi persecution and a family history of suicide, but also reveals moments of intense happiness and hope. The tone of the gouaches becomes increasingly raw and urgent as Salomon is further enmeshed in grim personal as well as political events. The result is a deeply moving meditation on life, art, and death on the eve of the Holocaust.Salomon's art, discovered after the war in the south of France where she had left it for safekeeping, was first exhibited in 1961 and has gained steadily in reputation since then. A major exhibition focused on Life? or Theater? appeared at the Royal Academy of Arts in London in 1998, subsequently at the Art Gallery of Ontario in Toronto; the Museum of Fine Arts, Boston; and the Jewish Museum in New York City. This book, lavishly illustrated with many color plates, is the first to analyze Salomon's work critically, historically, and aesthetically. It includes a chronology of Salomon's life and a list of exhibitions of Life? or Theater? Featuring contributions from prominent art historians, literary and cultural critics, and historians, Reading Charlotte Salomon celebrates the genius and courage of a remarkable figure in twentieth-century art. Contributors: Mieke Bal, University of Amsterdam; Monica Bohm-Duchen, independent art historian, London; Darcy Buerkle, Smith College; Christine Conley, University of Ottawa; Mary Felstiner, San Francisco State University; Reesa Greenberg, Concordia University and York University; Shelley Hornstein, York University; Griselda Pollock, University of Leeds; Nanette Salomon, The College of Staten Island/CUNY; Astrid Schmetterling, University of London; Michael P. Steinberg, Cornell University; Edward Timms, University of Sussex; Ernst van Alphen, University of California, Berkeley, and Leiden University.