Drian Etienne (97 results)

Hardcover. Condition: Very Good. No Jacket. Enrico Sacchetti; George Barbier; Etienne Drian; Paul Iribe; Charles Martin; Andre-Edouard Marty; Delmas; Erte ( Romain De Tirtoff ); Georges Lepape (illustrator). Second Edition. Oversized book, will require extra for shipping.

hardcover. Condition: Very Good. Enrico Sacchetti; George Barbier; Etienne Drian; Paul Iribe; Charles Martin; Andre-Edouard Marty; Delmas; Erte ( Romain De Tirtoff ); Georges Lepape (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Très bon. Enrico Sacchetti; George Barbier; Etienne Drian; Paul Iribe; Charles Martin; Andre-Edouard Marty; Delmas; Erte ( Romain De Tirtoff ); Georges Lepape (illustrator). J.L.G se sert de Zelliseller Evolution pour gérer ses Market Places.

Condition: Fine. Etienne Drian (illustrator). The Gazette du Bon Ton featured some of the most desirable pochoir, fashion lithographs. The fashion periodical ran from 1912 to 1925, and greatly influenced the style of the time. Great artists from the day, such as George Barbier and Andre Marty, contributed beautiful plates to the work. Gazette du Bon Ton was published by Lucien Vogel in Paris.The work was meant to appeal to the upper echelon of Parisian society. The fashion prints beauty and quality of the publication has taken on great appeal through the time. The prints feature dramatic pochoir coloring, which is created when single layers of color are added by hand to a lithograph using a stencil.Many prominent artists contributed the magazine including Barbier, Marty, Brissaud, Worth, Monvel, Lepape, Pacquin, & Poiret. George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. Lucien Vogel, fashion publisher, (pictured above), was the brilliant creator of this famous Art Deco fashion magazine. He was well-known and well-connected paving the way for the Gazette's success. --- The work is in very good to excellent condition overall. There may be a few light marks, toned spots or imperfections to be expected with age. There are occasional pencil marks on some of the plates. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 7 1/2" by 9 3/4".

Enrico Sacchetti; George Barbier; Etienne Drian; Paul Iribe; Charles Martin; Andre-Edouard Marty; Delmas; Erte ( Romain De Tirtoff ); Georges Lepape (illustrator). Coillection catalogue. First edition 1994. Texts in German, English and French. 171 pages. Illustrated in colour. Boards. Very good in dustjacket with some minor scratching and denting. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 37 years experience, you may order with confidence.

Condition: Fine. Etienne Drian (illustrator). The Gazette du Bon Ton featured some of the most desirable pochoir, fashion lithographs. The fashion periodical ran from 1912 to 1925, and greatly influenced the style of the time. Great artists from the day, such as George Barbier and Andre Marty, contributed beautiful plates to the work. Gazette du Bon Ton was published by Lucien Vogel in Paris.The work was meant to appeal to the upper echelon of Parisian society. The fashion prints beauty and quality of the publication has taken on great appeal through the time. The prints feature dramatic pochoir coloring, which is created when single layers of color are added by hand to a lithograph using a stencil.Many prominent artists contributed the magazine including Barbier, Marty, Brissaud, Worth, Monvel, Lepape, Pacquin, & Poiret. George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. Lucien Vogel, fashion publisher, (pictured above), was the brilliant creator of this famous Art Deco fashion magazine. He was well-known and well-connected paving the way for the Gazette's success. --- The work is in very good to excellent condition overall. There may be a few light marks, toned spots or imperfections to be expected with age. There are occasional pencil marks on some of the plates. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 7 1/2" by 9 3/4".

Hardcover. Condition: New. Enrico Sacchetti; George Barbier; Etienne Drian; Paul Iribe; Charles Martin; Andre-Edouard Marty; Delmas; Erte ( Romain De Tirtoff ); Georges Lepape (illustrator). In shrink wrap. Looks like an interesting title!

Condition: Fine. Etienne Drian (illustrator). The Gazette du Bon Ton featured some of the most desirable pochoir, fashion lithographs. The fashion periodical ran from 1912 to 1925, and greatly influenced the style of the time. Great artists from the day, such as George Barbier and Andre Marty, contributed beautiful plates to the work. Gazette du Bon Ton was published by Lucien Vogel in Paris.The work was meant to appeal to the upper echelon of Parisian society. The fashion prints beauty and quality of the publication has taken on great appeal through the time. The prints feature dramatic pochoir coloring, which is created when single layers of color are added by hand to a lithograph using a stencil.Many prominent artists contributed the magazine including Barbier, Marty, Brissaud, Worth, Monvel, Lepape, Pacquin, & Poiret. George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. Lucien Vogel, fashion publisher, (pictured above), was the brilliant creator of this famous Art Deco fashion magazine. He was well-known and well-connected paving the way for the Gazette's success. --- The work is in very good to excellent condition overall. There may be a few light marks, toned spots or imperfections to be expected with age. There are occasional pencil marks on some of the plates. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 7 1/2" by 9 3/4".

Condition: Fine. Etienne Drian (illustrator). The Gazette du Bon Ton featured some of the most desirable pochoir, fashion lithographs. The fashion periodical ran from 1912 to 1925, and greatly influenced the style of the time. Great artists from the day, such as George Barbier and Andre Marty, contributed beautiful plates to the work. Gazette du Bon Ton was published by Lucien Vogel in Paris.The work was meant to appeal to the upper echelon of Parisian society. The fashion prints beauty and quality of the publication has taken on great appeal through the time. The prints feature dramatic pochoir coloring, which is created when single layers of color are added by hand to a lithograph using a stencil.Many prominent artists contributed the magazine including Barbier, Marty, Brissaud, Worth, Monvel, Lepape, Pacquin, & Poiret. George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. Lucien Vogel, fashion publisher, (pictured above), was the brilliant creator of this famous Art Deco fashion magazine. He was well-known and well-connected paving the way for the Gazette's success. --- The work is in very good to excellent condition overall. There may be a few light marks, toned spots or imperfections to be expected with age. There are occasional pencil marks on some of the plates. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 7 1/2" by 9 3/4".

Condition: Fine. Etienne Drian (illustrator). The Gazette du Bon Ton featured some of the most desirable pochoir, fashion lithographs. The fashion periodical ran from 1912 to 1925, and greatly influenced the style of the time. Great artists from the day, such as George Barbier and Andre Marty, contributed beautiful plates to the work. Gazette du Bon Ton was published by Lucien Vogel in Paris.The work was meant to appeal to the upper echelon of Parisian society. The fashion prints beauty and quality of the publication has taken on great appeal through the time. The prints feature dramatic pochoir coloring, which is created when single layers of color are added by hand to a lithograph using a stencil.Many prominent artists contributed the magazine including Barbier, Marty, Brissaud, Worth, Monvel, Lepape, Pacquin, & Poiret. George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. Lucien Vogel, fashion publisher, (pictured above), was the brilliant creator of this famous Art Deco fashion magazine. He was well-known and well-connected paving the way for the Gazette's success. --- The work is in very good to excellent condition overall. There may be a few light marks, toned spots or imperfections to be expected with age. There are occasional pencil marks on some of the plates. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 7 1/2" by 9 3/4".

Condition: Fine. Etienne Drian (illustrator). The Gazette du Bon Ton featured some of the most desirable pochoir, fashion lithographs. The fashion periodical ran from 1912 to 1925, and greatly influenced the style of the time. Great artists from the day, such as George Barbier and Andre Marty, contributed beautiful plates to the work. Gazette du Bon Ton was published by Lucien Vogel in Paris.The work was meant to appeal to the upper echelon of Parisian society. The fashion prints beauty and quality of the publication has taken on great appeal through the time. The prints feature dramatic pochoir coloring, which is created when single layers of color are added by hand to a lithograph using a stencil.Many prominent artists contributed the magazine including Barbier, Marty, Brissaud, Worth, Monvel, Lepape, Pacquin, & Poiret. George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. Lucien Vogel, fashion publisher, (pictured above), was the brilliant creator of this famous Art Deco fashion magazine. He was well-known and well-connected paving the way for the Gazette's success. --- The work is in very good to excellent condition overall. There may be a few light marks, toned spots or imperfections to be expected with age. There are occasional pencil marks on some of the plates. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 7 1/2" by 9 3/4".

Condition: Fine. Etienne Drian (illustrator). The Gazette du Bon Ton featured some of the most desirable pochoir, fashion lithographs. The fashion periodical ran from 1912 to 1925, and greatly influenced the style of the time. Great artists from the day, such as George Barbier and Andre Marty, contributed beautiful plates to the work. Gazette du Bon Ton was published by Lucien Vogel in Paris.The work was meant to appeal to the upper echelon of Parisian society. The fashion prints beauty and quality of the publication has taken on great appeal through the time. The prints feature dramatic pochoir coloring, which is created when single layers of color are added by hand to a lithograph using a stencil.Many prominent artists contributed the magazine including Barbier, Marty, Brissaud, Worth, Monvel, Lepape, Pacquin, & Poiret. George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. Lucien Vogel, fashion publisher, (pictured above), was the brilliant creator of this famous Art Deco fashion magazine. He was well-known and well-connected paving the way for the Gazette's success. --- The work is in very good to excellent condition overall. There may be a few light marks, toned spots or imperfections to be expected with age. There are occasional pencil marks on some of the plates. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 7 1/2" by 9 3/4".

Condition: Fine. Etienne Drian (illustrator). The Gazette du Bon Ton featured some of the most desirable pochoir, fashion lithographs. The fashion periodical ran from 1912 to 1925, and greatly influenced the style of the time. Great artists from the day, such as George Barbier and Andre Marty, contributed beautiful plates to the work. Gazette du Bon Ton was published by Lucien Vogel in Paris.The work was meant to appeal to the upper echelon of Parisian society. The fashion prints beauty and quality of the publication has taken on great appeal through the time. The prints feature dramatic pochoir coloring, which is created when single layers of color are added by hand to a lithograph using a stencil.Many prominent artists contributed the magazine including Barbier, Marty, Brissaud, Worth, Monvel, Lepape, Pacquin, & Poiret. George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. Lucien Vogel, fashion publisher, (pictured above), was the brilliant creator of this famous Art Deco fashion magazine. He was well-known and well-connected paving the way for the Gazette's success. --- The work is in very good to excellent condition overall. There may be a few light marks, toned spots or imperfections to be expected with age. There are occasional pencil marks on some of the plates. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 7 1/2" by 9 3/4".

Hardcover. Condition: Very Good. Enrico Sacchetti; George Barbier; Etienne Drian; Paul Iribe; Charles Martin; Andre-Edouard Marty; Delmas; Erte ( Romain De Tirtoff ); Georges Lepape (illustrator). 1991 - Glossy Pictorial boards, Book is in very nice condition, text is unmarked and pages are tight. Rear cover has 2 scratches.

Hardcover. Condition: Very Good. Enrico Sacchetti; George Barbier; Etienne Drian; Paul Iribe; Charles Martin; Andre-Edouard Marty; Delmas; Erte ( Romain De Tirtoff ); Georges Lepape (illustrator). 1991 - Red glossy boards w/o jacket. Book is in very nice condition, text is unmarked and pages are tight.

Condition: Fine. Etienne Drian (illustrator). The Gazette du Bon Ton featured some of the most desirable pochoir, fashion lithographs. The fashion periodical ran from 1912 to 1925, and greatly influenced the style of the time. Great artists from the day, such as George Barbier and Andre Marty, contributed beautiful plates to the work. Gazette du Bon Ton was published by Lucien Vogel in Paris.The work was meant to appeal to the upper echelon of Parisian society. The fashion prints beauty and quality of the publication has taken on great appeal through the time. The prints feature dramatic pochoir coloring, which is created when single layers of color are added by hand to a lithograph using a stencil.Many prominent artists contributed the magazine including Barbier, Marty, Brissaud, Worth, Monvel, Lepape, Pacquin, & Poiret. George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. Lucien Vogel, fashion publisher, (pictured above), was the brilliant creator of this famous Art Deco fashion magazine. He was well-known and well-connected paving the way for the Gazette's success. --- The work is in very good to excellent condition overall. There may be a few light marks, toned spots or imperfections to be expected with age. There are occasional pencil marks on some of the plates. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 7 1/2" by 9 3/4".

Non-Book. Condition: Near Fine. We consider each and every book we sell to be a treasure. That's why we provide accurate individualized condition descriptions; ship in sturdy protective packaging; and offer excellent customer service.; Overall size: 8.5" x 12". This is a vintage illustration reproduced in 1927 (not a modern reproduction). It has modest toning, otherwise clean and pristine. Engraved by Beck Engraving Company, New York. .; 8.5" x 12".

Etienne Drian (illustrator). Newcastle- Upon- Tyne: Side Real Press:, 2020. hardcover, Limited, New sans dust jacket as issued, 175 pp. Cover artwork by: Etienne Drian This edition limited to 300 copies. "Originally published in 1897, this novella by arch-decadent Jean Lorrain (the pseudonym of Paul Alexandre Martin Duval, 1855-1906) is newly translated, introduced and annotated by Brian Stableford. . . Those familiar with Lorrain's decadent oeuvre such as his novel 'Monsieur De Phocas' will be unsurprised to learn that this novella is equally bizarre, eccentric and full of abnormal psychologies, epitomized by eponymous 'hero' (party modelled on fellow-decadent author Barbey-d'Aurevilly) who regales two visitors to Amsterdam with stories concerning his youthful adventures in high society with his 'dear friend Monsieur Mortimer'. It is also a strangely poignant work of exotic phantoms and faded dreams which seem to have haunted its own author, for in 1898 Lorrain wrote an 'epilogue' to the book that remained unpublished until 1935. This moving coda is now incorporated into the present volume. The Side Real edition is also augmented by a suite of illustrations by the French artist and designer Etienne Drian (1885-1961) which originally appeared in a French-language de-luxe limited edition of the book published in 1927. Drian remains largely unknown to the English speaking world although his sinuous fashion illustrations for magazines such the U.S. magazine 'Harper's Bazaar' helped to define the 'jazz-age', while his interior designs graced the homes of the New York jet-set and Indian Maharajahs. An essay (including a rarely seen studio portrait of the artist) by fashion historian and conservator Sandrine Tinturier is the most substantial biography yet of this reclusive designer. The book is also our (Side Real Press) largest and most sumptuous volume to date, measuring 280 x 230mm (11" x 9"); printed on thick paper in four colours to ensure the best quality reproduction of Drian's artwork and bound in a heavy book-cloth blocked in two colours." hardcover, Limited, New sans dust jacket as issued,

Condition: Fine. Etienne Drian (illustrator). This remarkable fashion pochoir is from Journal des Dames et des Modes, Costumes Parisiens. The work was published between 1912 and 1914 with only 1,279 copies printed. Leading artists of the time contributed to the Journal including Barbier, Brunelleschii, Bakst, J. van Brock, Wegener, Drian, and many others. It was edited by Pierre de la Mesangere.Journal des Dames sought to be an expression of French elegance. It showed the fashion and also the culture of the early 20th century. Each illustration was printed on high quality paper using excellent pochoir coloring. Pochoir is created when single layers of color are added by hand to a lithograph using a stencil.George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 5 1/4 - 1/2" by 8 1/2 - 5/8".

Condition: Fine. Etienne Drian (illustrator). This remarkable fashion pochoir is from Journal des Dames et des Modes, Costumes Parisiens. The work was published between 1912 and 1914 with only 1,279 copies printed. Leading artists of the time contributed to the Journal including Barbier, Brunelleschii, Bakst, J. van Brock, Wegener, Drian, and many others. It was edited by Pierre de la Mesangere.Journal des Dames sought to be an expression of French elegance. It showed the fashion and also the culture of the early 20th century. Each illustration was printed on high quality paper using excellent pochoir coloring. Pochoir is created when single layers of color are added by hand to a lithograph using a stencil.George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 5 1/4 - 1/2" by 8 1/2 - 5/8".

Condition: Fine. Etienne Drian (illustrator). This remarkable fashion pochoir is from Journal des Dames et des Modes, Costumes Parisiens. The work was published between 1912 and 1914 with only 1,279 copies printed. Leading artists of the time contributed to the Journal including Barbier, Brunelleschii, Bakst, J. van Brock, Wegener, Drian, and many others. It was edited by Pierre de la Mesangere.Journal des Dames sought to be an expression of French elegance. It showed the fashion and also the culture of the early 20th century. Each illustration was printed on high quality paper using excellent pochoir coloring. Pochoir is created when single layers of color are added by hand to a lithograph using a stencil.George Barbier's contributions to this work are particularly desirable. He contributed greatly to design in this era and also had work featured in Vogue. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 5 1/4 - 1/2" by 8 1/2 - 5/8".

1. Original-Lithographie von Drian (im Stein signiert) auf rückseitig unbedruckten Büttenkarton, handkoloriert, Kartongröße ca. 24,5 x 18,5 cm, sauber und sehr gut erhalten 2100 gr.

Texte de Marcel Boulanger et de H. V., pages de texte illustrés de dessins couleurs dans des médaillons, Ouvrage illustré de 4 planches en couleurs contrecollées hors-texte par Barbier, Charles Martin, René. Vincent et Étienne Drian et de 6 planches photographiques hors-texte. Bel exemplaire en parfait état. Livres Plein cartonnage illustré d'un médaillon en couleurs sur le 1er plat.

22x27cm, broché sous couverture rempliée, Ouvrage illustré de 16 eaux-fortes originales en couleurs dont 6 hors-texte. Ouvrage édité sous la direction artistique d'Edouard Chimot. Tirage justifié à 407 exemplaires. Un des XX exemplaires d'artiste sur vélin d'Arches à la forme. Ex-libris manuscrit sur la page de faux-titre. Rousseurs éparses. NB. Nous exposons au Salon de la Bibliophilie place Saint-Sulpice à Paris, du 28 au 31 mai (10h à 19h et nocturne le samedi 30 mai jusqu'à 21h) Entrée gratuite. STAND 103 face à l'entrée rue Bonaparte. Les questions et commandes seront traitées en fin de journée et les expéditions reprendront début juin. Merci !

[10]ff. Broché, couverture grise janséniste d'attente. Plaquette publicitaire éditée par le Printemps à l'occasion de l'inauguration de ses nouveaux magasins. Elle est illustrée de sept illustrations en noir sur fond ocre par Étienne Drian et Dauvergne dont une à double page donnant une vue générale des Magasins. Textes de Laguionie & Cie, H. Gordon Selfridge, Jean-Louis Vaudoyer et P. Vanginot.Avec une carte de visite de la Direction du Printemps fixée en haut du premier feuillet par un trombone.Traces de rouille.

. Illustrateur : DRIAN (Adrien Désiré ETIENNE dit). (illustrator). Imprimerie de Sceaux, 1965, grand in-8 carré, broché, jaquette rose rempliée et imprimée en relief. Cette revue du personnel du groupe Printemps, illustrée en noir et en couleur, retrace les 100 ans d'existence de cette "institution" parisienne. Fragilité au brochage. Livres.

First Edition thus. PERRAULT Contes de Perrault, La Belle au Bois Dormant -Cendrillon -Barbe-Bleue -Peau-d'Ane -Les Oeufs, Paris, Edition d'Art de la Roseraie, 1922, first edition thus, large folio, vg or better with fine contents. Preface by Henri de Rgnier of the Acadmie Franaise with a note by Bibliographer Ernest Tisserand. Profusely illustrated by Etienne Drian. Of 396 total copies produced, this is 1/282 copies noted as DEUX CENT QUATRE-VINGT TROIS EXEMPLAIRES. This copy once owned by premier magazine illustrator, John Lagotta, as witnessed by his bookplate on the verso of the f.e.p. Text in French. (Postage guaranteed to be more than any auto-listed price.).

. Illustrateur : DRIAN (Adrien Désiré ETIENNE dit). (illustrator). Imprimerie de Sceaux, 1965, grand in-8 carré, broché, jaquette rose rempliée et imprimée en relief. Cette revue du personnel du groupe Printemps, illustrée en noir et en couleur, retrace les 100 ans d'existence de cette "institution" parisienne. Livres.

P., Draeger, 1926, 27 X 21 cm, agrafé, 8 pp. Plaquette d'invitation à la Collection de la Saison d'hiver du lundi 6 Octobre 1925 entièrement dessinée par Drian. Livres.

Pas de couverture. Lucien Vogel éditeur | Paris Juillet 1920 | 18 x 24 cm | une feuille | Estampe originale en couleur, tirée sur papier vergé, signée en bas à gauche de la planche. Gravure originaleréalisée pour l'illustration deLa Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications «s'adressent aux bibliophiles et aux mondains esthètes» (Françoise Tétart-Vittu «La Gazette du bon ton» in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (sur de Jean, le père de Babar) la Gazette du bon ton dont le sous-titre est alors «Art, modes et frivolités». Georges Charensol rapporte les propos du rédacteur en chef: «En 1910, observe-t-il, il n'existait aucun journal de mode véritablement artistique et représentatif de l'esprit de son époque. Je songeais donc à faire un magazine de luxe avec des artistes véritablement modernes [.] J'étais certain du succès car pour la mode aucun pays ne peut rivaliser avec la France.» («Un grand éditeur d'art. Lucien Vogel» in Les Nouvelles littéraires, n°133, mai 1925). Le succès de la revue est immédiat, non seulement en France, mais aussi aux Etats-Unis et en Amérique du Sud. À l'origine, Vogel réunit donc un groupe de sept artistes: André-Édouard Marty et Pierre Brissaud, suivis de Georges Lepape et Dammicourt ; et enfin ses amis de l'École des beaux-arts que sont George Barbier, Bernard Boutet de Monvel, ou Charles Martin. D'autres talents viennent rapidement rejoindre l'équipée: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Charles Martin, Maggie Salcedo. Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, deviendront par la suite des figures artistiques emblématiques et recherchées. Ce sont ces mêmes illustrateurs qui réalisent les dessins des publicités de la Gazette. Les planches mettent en lumière et subliment les robes de sept créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet et Doucet. Les couturiers fournissent pour chaque numéro des modèles exclusifs. Néanmoins, certaines des illustrations ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. La Gazette du bon ton est une étape décisive dans l'histoire de la mode. Alliant l'exigence esthétique et l'unité plastique, elle réunit pour la première fois les grands talents du monde des arts, des lettres et de la mode et impose, par cette alchimie, une toute nouvelle image de la femme, élancée, indépendante et audacieuse, également portée par la nouvelle génération de couturiers Coco Chanel, Jean Patou, Marcel Rochas. Reprise en 1920 par Condé Montrose Nast, la Gazette du bon ton inspirera largement la nouvelle composition et les choix esthétiques du « petit journal mourant » que Nast avait racheté quelques années auparavant : le magazine Vogue. | [ENGLISH DESC.