Donata Lovreglio (4 results)
- Softcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contact seller5-star sellerCondition: New
£ 17.00
Free ShippingShips within U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. (Music Sales America). The nineteenth century saw an enthusuasm for Italian opera which live performance could never satisfy. In the absence of gramophone and radio the instrumental transcription flourished, and composers, often themselves virtuoso performers, found in the most popular arias… ready material for their own sets of variations. Here is an outstanding example: Donato Lovreglio (1841-1907) played the flute and composed many pieces for his own instrument, mainly operatic fantasias, as well as a few for the clarinet. In Fantasia on the opera 'La Traviata' he demonstrates his remarkable ability to write variations, which, whilst providing a dazzling display of notes, nevertheless remain faithful to the character of the Verdi arias which inspired them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
£ 24.16
£ 27.71 shippingShips from Australia to U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. (Music Sales America). The nineteenth century saw an enthusuasm for Italian opera which live performance could never satisfy. In the absence of gramophone and radio the instrumental transcription flourished, and composers, often themselves virtuoso performers, found in the most popular arias… ready material for their own sets of variations. Here is an outstanding example: Donato Lovreglio (1841-1907) played the flute and composed many pieces for his own instrument, mainly operatic fantasias, as well as a few for the clarinet. In Fantasia on the opera 'La Traviata' he demonstrates his remarkable ability to write variations, which, whilst providing a dazzling display of notes, nevertheless remain faithful to the character of the Verdi arias which inspired them. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Softcover
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
Contact seller5-star sellerCondition: New
£ 17.93
£ 37.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. (Music Sales America). The nineteenth century saw an enthusuasm for Italian opera which live performance could never satisfy. In the absence of gramophone and radio the instrumental transcription flourished, and composers, often themselves virtuoso performers, found in the most popular arias… ready material for their own sets of variations. Here is an outstanding example: Donato Lovreglio (1841-1907) played the flute and composed many pieces for his own instrument, mainly operatic fantasias, as well as a few for the clarinet. In Fantasia on the opera 'La Traviata' he demonstrates his remarkable ability to write variations, which, whilst providing a dazzling display of notes, nevertheless remain faithful to the character of the Verdi arias which inspired them. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
£ 22.53
£ 51.69 shippingShips from Germany to U.S.A.Quantity: 2 available
Taschenbuch. Condition: Neu. Neuware - (Music Sales America). The nineteenth century saw an enthusuasm for Italian opera which live performance could never satisfy. In the absence of gramophone and radio the instrumental transcription flourished, and composers, often themselves virtuoso performers, found in the most popular aria…s ready material for their own sets of variations. Here is an outstanding example: Donato Lovreglio (1841-1907) played the flute and composed many pieces for his own instrument, mainly operatic fantasias, as well as a few for the clarinet. In Fantasia on the opera 'La Traviata' he demonstrates his remarkable ability to write variations, which, whilst providing a dazzling display of notes, nevertheless remain faithful to the character of the Verdi arias which inspired them.
