Dion Daniel (28 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Softcover. Condition: Fine. First Edition. New book but for "booksale" stamp to inside front cover ; 64 pages.

Condition: New.

Condition: As New. Unread book in perfect condition.

Softcover, 96 pages, in French and English; new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Condition: New.

Condition: As New. Unread book in perfect condition.

Couverture souple. Condition: Très bon. 48 pages. Catalogue d'expositions de vidéos d'art. Publication trilingue français, anglais, espagnol. Size: Petit in-4.

Paperback. Condition: Brand New. 450 pages. 9.00x6.00x9.00 inches. In Stock.

[0-88884-621-5] 1993. (4to, wrappers) Fine. 95pp. Text in English and French; some black and white photographs. Exhibit took palce at the National Gallery of Canada in Ottawa from May 1 - July 4, 1993; Jean Gagnon and Christine Ross - Curators.

Couverture souple. Condition: Très bon. Daniel Dion (photographies (illustrator). 234 p. Ex libris de don du conseil des arts. Couverture arrière un peu défraîchie à cause de la colle du porte-carte. code 1558.

Couverture souple. Condition: Très bon. Daniel Dion (photographies (illustrator). 51 p. code 1591.

8vo. Five folded card pamphlets in clear plastic sleeve, with adhesive seal. Seal cut, otherwise fine.

Hard Back in Slipcase. Condition: New. Dust Jacket Condition: New. 322pp. Fully illus in col 164 items, sculpture, lighting, clocks and mounts from the Louvre collection are lavishly illustrated and fully catalogued.Heavy item, please ask for a quote for postage.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. Two over-sized volumes (tall quartos) in a slipcase. First edition: no later printings listed. Text is in English.Blind embossed name stamp lower right corner of the title pages. Otherwise AS NEW. No wear to the bindings. No slope. no twist from reading or improper shelving. No bumped corners. No broken hinges. Pages are tight and clean with no marks. No musty odor. No tobacco odor. No water damage. No soiling. The as new dust jackets show no wear, no sun fading. Light edge wear to the slipcase.

2 Vols. Hard Back in Slipcase. Condition: Very Good. Dust Jacket Condition: Very Good. Volume I 353pp. lists 119 pieces of furnitue from the Middle Ages to the 19th century, all lavishly illustrated and catalogued. Volume II 202pp. lists 66 chairs and consoles (menuiserie) of the 17th and 18th centuries. Heavy item, please ask for a quote for postage.

353 and 209 pages. Original cloth with original dust jackets in orig. slipcase (very good and clean copy). 32 x 24,5 cm. First edition. -------------------------------------------------------------------------------------------------------- ------------------------------------------------------------ -------------------------------------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. VINTAGESTAN BOOKS Title: Furniture Collections in the Louvre Volume 1 and 2 Summary: Volume 1: Middle Ages, Renaissance, 17th-18th Centuries (Ébénisterie), and 19th Century. Volume 1 explores the history and development of furniture in the Louvre from the medieval period through the 19th century, emphasizing furniture made by ébénistes (cabinetmakers specializing in veneered and luxury furniture). The key themes are. Key themes: ? Historical evolution of French furniture design from medieval craftsmanship to highly refined royal and aristocratic furniture traditions. ? Examination of major decorative styles, especially French furniture of the Louis XIV, Louis XV, and Louis XVI periods. ? Focus on celebrated master cabinetmakers including: o André-Charles Boulle o Charles Cressent o Jean-François Oeben o Jean-Henri Riesener o Martin Carlin ? Analysis of luxury techniques such as: o Marquetry o Gilt bronze mounts o Lacquer work o Exotic woods o Porcelain and pietra dura decoration ? A history of how the Louvre's furniture collection developed, including royal inheritances and later acquisitions. The book argues that French furniture represented a peak of artistic innovation and "art de vivre" (the French art of living), especially in the 18th century. Volume 2: Chairs and Consoles (Menuiserie), 17th and 18th Centuries The volume concentrates on furniture made by menuisiers (joiners), especially seating furniture and carved wooden pieces from the 17th and 18th centuries. The key themes of this volume are the study of Armchairs. Side chairs. Stools. Consoles and carved and wooden furnishing. ? Attention to construction methods, carving techniques, upholstery traditions, and stylistic changes across French court culture. ? Exploration of how furniture reflected changing tastes, social customs, and interior design in aristocratic France. ? Demonstrates distinctions between the work of menuisiers (structural woodworkers) and ébénistes (luxury cabinetmakers). Overall significance Together, the two volumes function as both an art-history reference and a visual catalogue of nearly 200 important furniture masterpieces from the Louvre collection, richly illustrated with detailed photography. The books highlight how French furniture became internationally influential and showcase furniture as both functional design and high art. Author: Daniel Alcouffe, Anne Dion-Tenenbaum, Amaury Lefebure, Bill, G. B. Pallot Publisher: Editions Faton Year Published: 1993 Edition: Original Binding type: Hardcover ISBN: Dimensions: 31cm x 23cm Notes: Please note this is a heavy book and may require extra postage if sent outside of the UK. Please ask for quote to your destination. SKU: VSS / 265 / H / 7379 / 5661 Condition Slip Case Condition: Very good. Some gentle rubbing to corners Dust Jackets Condition: Near fine Books condition: Near fine Binding: Intact Pages: Volume 1. 353 pages. Volume 2. 209 pages.

Leinen. Dust Jacket Condition: mit Schutzumschlag. Quart. 353, 209 S. 2 Bände. Leinen mit Schutzumschlag im Schmuckschuber. Sprache: Englisch, Mit zahlr., meist farb. Abb. Schuber geringf. berieben, sehr gute Exemplare.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. Two Volumes, in one beautiful marbled covered box, slipcase. These two incredible, hardback books are in excellent condition hardly used or read. Both books have their stunning dust jackets intact and are in fabulous condition. Each book has a delightful blue cloth hardback cover. Normal wear, marks and tear applies, consistent with use and age. Volume I has 353 pages, whilst Volume II has 209 pages, all pages are intact, all pages, English text, and gorgeous illustrations are in excellent, clean, readable order. Both editions have been printed as follows: "Three Thousand Eight Hundred Cloth-Bound Copies - Three Thousand in French and Eight Hundred in English - In a Paper Covered Slipcase". - The Finest Collection in the World, Of all the important collections of furniture exhibited in Paris or Versailles, in New York or other capital cities, that of the Louvre is indisputably the richest and most admired. Since inheriting the French Royal Collections, it has been enriched regularly by the addition of objects commensurate with its prestigious origins, in accordance with a very selective acquisitions policy. This furniture is the expression of an art in which in the past, and especially in the 18th century, French influence reigned supreme. Indeed, the best foreign craftsmen came to Paris to participate in the creation of masterpieces. Throughout that century, successive styles demonstrated the capacity for invention and renewal which is typical of French genius. The art of furniture-making was one element in an art de vivre which was then at its highest point. Previously unpublished: This collection has never before been the subject of such an important work. Its publication has required contributions from qualified art historians and compilation of a large quantity of very high quality illustrations. The work was conceived - and for the most part written - by the keepers of the Department des Objects D'art responsible for the furniture section of the Louvre Museum. It is dived into two volumes. Volume I includes a brief history of the collection and, for each period or style, an analysis of the furniture made by ebenistes (cabinet-makers), each style is presented in a separate chapter centred around the most representative craftsman - Boulle, Crescent, B.V.R.B., Oeben, Riesener, Martin Carlin. Volume II is devoted to 17th and 18th century furniture made by by menuisiers (joiners) - mainly seats. It has taken a whole year to prepare the illustrations. The photographs were taken with great skill under the most appropriate conditions. Nearly 200 masterpiece are presented, each with an overall view and with photographs of details, all of extremely high technical and artistic quality. The publisher's aim has been to provide a complete and exact image of this incomparable collection in a de luxe edition which does justice to its splendour. This publication won the Marc de Beauvau Craon Prize 1993. These incredible books are truly a work of art, just like the subject itself.

Dijon, Ed. Faton, 2004 In-4, rel. éd. pleine-toile bordeaux sous jaquette ill. en coul., 322 pp., 164 notices illustrées de nb. reprod. photogr. à pleine pp. et dans le détail en coul., bibliographie et index des noms propres. Ex-libris. /58D Comme neuf.

Couverture rigide. Condition: Très bon. Dubois, Jean-Yves (19.-.). Illustrateur Dubois, Nicolas (1968-.). Illustrateur (illustrator). 2 vol. (353, 209 p.) ; 31 cm ; Tirage de tête numéroté limité à 200 exemplaires. Relié pleine peau, tête dorée 22 carats, garde en moire, boitier en cuir. Comme neuf. Nombreuses et magnifiques photos. Nous possédons 5 exemplaires en stock portant des numéros différents. Un numéro au hasard vous sera livré. 11G1.

Dijon, Ed. Faton, 2004. 31,5 x 24 cm, 322 pp. Relié cartonnage d'éditeur pleinetoile bordeaux sous jaquette ill. en coul., sous étui. Bel exemplaire. 164 notices illustrées de nb. reprod. photogriques à pleine page et dans le détail en coul., bibliographie et index des noms propres. Livres.

In-8, 68pp., Nb-0346, Le souvenir de Georges Hain - Bourdelle - Lettre d'un provincial : Ecrit de l'Exposition coloniale - Anthologie: Remarque sur la poesie et les poetes- Le mouvement poetique - Divers poemes,

Deux volumes in-4 (h. 31 cm.) 353 et 209 pp. reliure de toile bleue, jaquettes illustrées. Ouvrage de référence largement illustré. Très bon état. Langue : Français.

Paperback. Condition: new. Ly, Jonathan (illustrator). Paperback. Stronger than ever, Dana and Kassidy return in the second installment of Project Zeus. Although their identities have been revealed, they must come to grips with the reality that their world is coming to an end. The truth is even harder to swallow - they won't be able to save everyone. As Dana and Kassidy face even more terrible dangers and challenges, they must also try to live as normal lives as possible, even when the truth haunts them. As they strive to fight off the forces that destroy their planet, this time, they're partners like never before. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condition: new. Ly, Jonathan (illustrator). Paperback. In this third and final installment of the Project Zeus series, Dana and Kassidy must face their greatest enemy. Everything is at stake! Humankind is on the brink of extinction. The planet is fading fast. And after learning how to combine their strengths, and following their instincts rather than relying on their powers alone, the two friends are at odds with each other again. This time, love, loyalty and trust are broken. Dana is manipulated and betrayed when Kassidy is put to the ultimate test. Will their humanity get in the way and finally seal their fate? This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.