Dietl Cora (393 results)

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Language: German
Published by de Gruyter Akademie Forschung 10/21/2024 2024
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Hardcover. Condition: Fine. No Jacket. English and German contributions with summaries in English. 237 pp. [ISBN: 978-3847103165] Hardbound. Printed boards. A fine bright copy.

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- Softcover
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- Softcover
Seller: Majestic Books, Hounslow, , United KingdomMajestic Books
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- Hardcover
Seller: SKULIMA Wiss. Versandbuchhandlung, Westhofen, , GermanySKULIMA Wiss. Versandbuchhandlung
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Condition: Sehr Gut. Zustandsbeschreibung: Mängelexemplarstempel auf Schnitt, Einband etwas berieben, Kanten leicht bestoßen/defect copy stamp on cut, somewhat rubbed, edges slightly bumped. Edited by Cora Dietl, Christoph Schanze and Glenn Ehrstine. In 6 englisch and 5 german papers Theater historians discussing the particular…type of violence displayed by medieval religious plays. The volume, which gathers selected papers of the first regional colloquium of the Société Internationale pour l?Étude du Théâtre Médiéval (SITM) in Germany, draws upon recent sociohistorical work on the phenomenon to reconsider past paradigms for the function of violence on the medieval stage, including the concept of compassio. The authors argue that an important key to the understanding of violence in medieval and early modern theater can be found in the relationship between violentia, vis, and potestas (violence, force, and power). The plays normally do not present violence as an isolated feature, but rather as an expression or a means of power. They thereby address the legitimacy of power, both on the page and in performance. The time frame for the plays under discussion (c. 1470-1570) elides the traditional border line between late medieval Catholicism and the Protestant Reformation. The essays clearly reveal that the depiction of violence, while altered in character and function by post-Reformation confessional debates, nonetheless remained a central feature of the new Protestant theater as well. -- From the content: 1. Cora Dietl: Preface; - 2. Jutta Eming; Gewalt als Kommunikation im geistlichen Spiel; - 3. Cora Dietl: Göttliche potestas und ihre teuflischen Handlanger. Gewalt im 'Güssinger Weltgerichtsspiel'; - 4. Stefan Engels: Die 'Münchner Marienklage' D-MBS Cgm 716. Ein dramatisierter Gesang zur Darstellung psychischer Gewalt; - 5. Glenn Ehrstine: The True Cross in Künzelsau. Devotional Relics and the'Absent' Crucifixion Scene of the Künzelsau 'Corpus Christi Play'; - 6. Heidy Greco: Inszenierte Rituale der Gewalt in der städtischen Wirklichkeit und auf der Bühne. Anmerkungen zur Aufführung des 'Donaueschinger Passionsspiels' in Luzern; - 7. Aneta Bialecka: Martyrdom as an Act of Divine Power and Pagan Violence. A Visual Reading of Hrotsvit's Dramas in the Late Fifteenth Century; - 8. Klaus Ridder, Beatrice von Lüpke, Rebekka Nöcker: From Festival to Revolt. Carnival Theater during the Late Middle Ages and Early Reformation as a Threat to Urban Order; - 9. Judith Pfeiffer: The Changing Function of Violence in Swiss Reformation Drama as Relates to Laughter and Mockery. Sixt Birck's German Judith and Nikiaus Manuel's 'Der Ablasskrämer'; - 10. Nicole Lorenz: The Functional Shift of Violence in Reformation Theater in Saxony; - 11. Regina Toepfer: Gewalt im reformatorischen Bibeldrama. Zur 'Tragedia / von Stephano dem heiligen Marterer' von Michael Sachs (1565). 237 Seiten mit einigen Abb., gebunden (V&R unipress 2014). Statt EUR 55,00. Gewicht: 477 g - Gebunden/Gebundene Ausgabe.

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Seller: Revaluation Books, Exeter, , United KingdomRevaluation Books
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Paperback. Condition: Brand New. 292 pages. German language. 9.44x6.69x9.61 inches. In Stock.

- Hardcover
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- Softcover
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- Hardcover
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Hardcover. Condition: new. Hardcover. English summary: Theater historians were discussing the particular type of violence displayed by medieval religious plays long before cultural studies discovered violence as a favored topic. The present volume, which gathers selected papers of the first regional colloquium of the ociete Inte…rnationale pour l'Etude du Theatre Medieval(SITM) in Germany, draws upon recent sociohistorical work on the phenomenon to reconsider past paradigms for the function of violence on the medieval stage, including the concept of ompassio. The authors argue that an important key to the understanding of violence in medieval and early modern theater can be found in the relationship between iolentia is and otestas (violence, force, and power). The plays normally do not present violence as an isolated feature, but rather as an expression or a means of power. They thereby address the legitimacy of power, both on the page and in performance. The time frame for the plays under discussion (c. 1470-1570) elides the traditional border line between late medieval Catholicism and the Protestant Reformation. The essays clearly reveal that the depiction of violence, while altered in character and function by post-Reformation confessional debates, nonetheless remained a central feature of the new Protestant theater as well. German description: Gewaltdarstellungen im mittelalterlichen Spiel waren schon lange vor dem 'Cultural Turn' ein haufig diskutierter Gegenstand der Theatergeschichte; jetzt werden sie neu bewertet. Auf der Grundlage aktueller sozialgeschichtlicher Untersuchungen werden die Parameter der Theatergeschichte im Zeitraum von 1470-1570 hinterfragt. Als ein wichtiger Schlussel zum Verstandnis der Gewalt im alteren Drama wird das Verhaltnis zwischen violentia, vis und potestas, den drei Facetten des Begriffs 'Gewalt', konstatiert. Gewalt tritt hier nicht als isoliertes Phanomen auf, sondern eher als ein (Ausdrucks-)Mittel der Macht. So diskutieren Dramentext und Auffuhrung die Legitimitat von Herrschaftsgewalt. Theater historians were discussing the particular type of violence displayed by medieval religious plays long before cultural studies discovered violence as a favored topic. The present volume draws upon recent sociohistorical work on the phenomenon to reconsider past paradigms for the function of violence on the medieval stage (1470 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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- Softcover
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Condition: New. 1st edition NO-PA16APR2015-KAP.

- Softcover
- First Edition
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New. 2024. 1st Edition. paperback. . . . . .

- Softcover
- First Edition
Seller: ISD LLC, Bristol, CT, U.S.A.ISD LLC
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- Hardcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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- Hardcover
Seller: killarneybooks, Inagh, CLARE, Irelandkillarneybooks
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Hardcover. Condition: Very Good. Hardcover, xxiv + 243 pages, NOT ex-library. Book is clean and bright throughout with unmarked text and firm binding, free of inscriptions and stamps. A vertical scratch on the front board, a couple of tiny scuff-marks on the lower edge of rear board. Issued without a dust jacket. -- The book ope…ns a window into the cultural logic, social function, and symbolic resonance of collective violence across the centuries. Ranging from Late Antiquity through the early modern Confessional Age, it does not simply recount acts of violence - it explores their structure, rules, and meaning within the societies that enacted and narrated them. Bringing together interdisciplinary contributions from historians, philologists and literary scholars, the book reveals how violence was embedded in the cultural codes of its time: not just as spontaneous brutality but as performative, ritualised and often rule-governed action. The essays examine a broad spectrum of cases - from Roman show executions and early medieval regicide to Norse saga violence, crusader atrocities, and gendered punishment in medieval didactic literature. Each case becomes a lens for understanding how violence could forge group identity, enforce political power, articulate religious conflict or encode social anxieties. Topics include the theatrical staging of martyrdom, disciplinary uses of domestic violence in literary texts, politicised framing of 'barbarian' invaders, and conflicted ideals of chivalric restraint in Arthurian romance. Especially compelling is the treatment of 'communities of violence' - groups bound by shared transgression, whose cohesion often relied more on internal codes and ritualised aggression than on formal institutions. The volume also explores how violence is retrospectively framed - whether to justify, mourn, condemn, or mythologise it. This book will appeal to scholars and curious readers in medieval and early modern history, literary studies, legal anthropology, and political theology. It challenges readers to rethink how violence has shaped and been shaped by cultural narratives and collective identities. By mapping violence as both lived experience and discursive tool, it recalibrates our view of the premodern world and the roots of modern collective behaviour. -- Contents: Beasts, Burning, and Beheading. Show Executions in Late Antiquity / Ralph Mathisen; Murder in the Palace. Some Considerations on Assassinations in Late Antiquity and the Early Middle-Ages / Guido M. Berndt; Ripped Bodies, Pierced Heels and Burned Houses. Violence and Its Evaluation in Norse Saga Literature / Marco Mora; Gewalt und Gemeinschaft im Eneasroman Heinrichs von Veldeke / Sonja Feldmann; More than Enemies. The Description of Nomads in the Byzantine Literature of the Epoch of the First Pecheneg Incursions into Byzantium / Sergei A. Kozlov; At the Threshold of Hell. Northern Crusaders on the Way to Satan's Dominion / Jaroslaw Wenta; Ehestands-Mären und Gewalt. Autoaggressive Gewaltgemeinschaften und ihre gewalthafte Transformation - in Gewaltgemeinschaften (Die eingemauerte Frau, Frauenzucht) / Silvan Wagner; Regeln für den gattungsfreien Raum. Generische Muster der Gewaltdarstellung in Hans Folz' Erzähllied vom Poß rauch / Gabriel Viehhauser; Der Ritter im Baum. Wahnsinn als Auslöser von Gewalt am Beispiel des Rappoltsteiner Parzifal / Anna-Lena Liebermann; Practices of Violence and Their Limits. The Percy-Neville Feud in the 1450s / Mathis Prange; Der Überfall auf das Nördlinger Scharlachrennen. Gewalt und symbolische Ordnung der Gesellschaft in der urbanen Festkultur / Aneta Bialecka; Erasmus, Reuchlin und Ulrich von Hutten als Gewaltgemeinschaft? Ein Tragedia oder Spill gehalten in dem künigklichen Sal zu Pariß / Cora Dietl; Der Kampf der Reformatoren gegen die baalistischen Pfaffen in der Grafschaft Nassau-Weilburg zur Zeit des Augsburger Interims, 1548-52/1555 / Winfred Frey; Short Biographies; Index.

- Hardcover
Seller: Antiquariat Bookfarm, Löbnitz, GermanyAntiquariat Bookfarm
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Hardcover. XXIV, 243 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. Q08577 9783110364569 Sprache: Englisch Gewicht in Gramm: 550.

- Softcover
Seller: Plurabelle Books Ltd, Cambridge, , United KingdomPlurabelle Books Ltd
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Paperback. Condition: Good. Series: Hermaea Germanistische Forschungen 429p large white paperback wrapper with orange front panel, as new, unused copy, no faults Language: German.

- Hardcover
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- Softcover
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- Hardcover
- First Edition
Seller: Antiquariat Stefan Krüger, Essen, NRW, GermanyAntiquariat Stefan Krüger
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1. Aufl. 25 cm Erste Auflage, XVIII, 356 S. Opp. mehrfach gestempelt, sonst gut.

- Softcover
- First Edition
Seller: Borkert, Schwarz und Zerfaß GbR, Berlin, GermanyBorkert, Schwarz und Zerfaß GbR
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Broschiert. Condition: Gut. 1. Auflage. VIII, 154 Seiten : Illustrationen ; 21 cm, 317 g sehr guter Zustand - Im Zuge der Einführung des Protestantismus bzw. dessen Bekämpfung im 16. und 17.Jahrhundert wurde das Thema des aufopfernden Todes für den rechten Glauben in einigen Dramen auf die Bühne gebracht. Diese frühneuzeitlichen… Märtyrerdramen bedienten sich der theatralen Mittel des vorreformatorischen Spiels sowie einzelner Elemente des modernen humanistisch geprägten Dramas. -- In einer kleinen Reihe werden acht dieser Dramen, die sich vorwiegend in den Beständen der Herzog August Bibliothek befinden, als kritische Edition mit Kommentar präsentiert. Jedem Drama ist eine kurze Einführung zum Kontext vorangestellt. Damit leisten diese Editionen einen wichtigen Beitrag zur deutschen Theater- und Dramengeschichtsschreibung. -- Die acht Bände enthalten folgende Dramen: Catharina von Wolfgang Waldung (1602), Dorothea von Balthasar Thamm (1594), Stephanus von Michael Sachs (1564), Stephanus von Melchior Neukirch (1591), Felicitas von Daniel Holtzmann (1577), Jacobus und Petrus von Arnold Quiting (1593), Chrysantus und Daria von Hilger Gartzwiller (1609) sowie Felicitas von Mathaeus Steffan (Stessan, 1589). ISBN 9783447109406 Sprache: Deutsch Gewicht in Gramm: 878.