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Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
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Published by Springer International Publishing, 2018
ISBN 10: 3030079406 ISBN 13: 9783030079406
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Taschenbuch. Condition: Neu. Rethinking Genre in Contemporary Global Cinema | Ciara Barrett (u. a.) | Taschenbuch | xv | Englisch | 2018 | Springer International Publishing | EAN 9783030079406 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
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Published by Springer International Publishing, Springer International Publishing, 2018
ISBN 10: 3030079406 ISBN 13: 9783030079406
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Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume's content-the films, genres, and movements explored, as well as methodologies used in their analysis-is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat 'other' national cinemas in isolation and/or as distinct systems of production, on the other.In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.
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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume's content-the films, genres, and movements explored, as well as methodologies used in their analysis-is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat 'other' national cinemas in isolation and/or as distinct systems of production, on the other.In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.
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