Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Condition: Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Condition: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Language: English
Published by Harry N Abrams Inc, Boston, Massachusetts, U.S.A., 1999
ISBN 10: 0810963841 ISBN 13: 9780810963849
Seller: Alphaville Books, Inc., Hyattsville, MD, U.S.A.
Hardcover. Condition: Near Fine. A very clean and sound copy. Careful packing and fast, efficient shipping including delivery confirmation. International Priority Air Mail and Domestic Priority will require additional shipping.
Language: English
Published by High Museum of Art/Harry N. Abrams, Atlanta, GA and New York, 1999
ISBN 10: 0810963841 ISBN 13: 9780810963849
Seller: Saucony Book Shop, Kutztown, PA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Burgundy cloth-effect paper covered boards, lettered in copper foil. As issued. Color illus. dust jacket as issued. 107 pp., 77 illus. including 55 color plates. Size: Folio - over 12" - 15" tall. Book.
hardcover. Condition: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.
Language: English
Published by Harry N. Abrams, Inc., 1999
ISBN 10: 0810963841 ISBN 13: 9780810963849
Seller: The Last Book Store, Tyler, TX, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. This is a fine copy in a fine jacket. Appears unread. Simply beautiful!
Language: English
Published by Harry N Abrams Inc, Boston, Massachusetts, U.S.A., 1999
ISBN 10: 0810963841 ISBN 13: 9780810963849
Seller: M & M Books, ATHENS, GA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Ed.
hardcover. Condition: Acceptable. This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.
Language: English
Published by Harry N. Abrams, New York, 1999
ISBN 10: 0810963841 ISBN 13: 9780810963849
Seller: Newbury Books, Atlanta, GA, U.S.A.
First Edition
Hardcover. Condition: New. Dust Jacket Condition: New. 1st. Published to accompany an exhibition at the High Museum of Art, Atlanta, Georgia, February 23 - May 16, 1993. With 77 illustrations, 55 in color. 107pp 2.10lb 12.3x9.3x0.6in.
Hardcover. Condition: Used - Very Good. French artists Claude Monet and Frederic Bazille worked together for seven years -- until Bazille was killed in the Franco-Prussian War -- to develop the overwhelmingly popular style of painting that became known as Impressionism. This book presents the most revealing study available of this extraordinarily fruitful collaboration and the stunning works that resulted from it. Kermit Champa assesses an association dominated by Monet's overpowering personality and talent and nurtured by Bazille's selfless generosity. Dianne Pitman discusses the significance of the artist's studio at a time when French painters were blazing new trails by painting outdoors. And David Brenneman presents fascinating discoveries made during recent technical analysis of almost identical paintings Monet and Bazille made of the beach at Sainte-Adresse. Splendidly illustrated with large colorplates, Monet &Bazille accompanies an important exhibition.
Language: English
Published by Stramullion Co-operative, Edinburgh, 1980
ISBN 10: 0907343007 ISBN 13: 9780907343004
Seller: Literaticus, Loanhead, United Kingdom
First Edition
Soft cover. Condition: Near Fine. Dianne Barry, Suzie Innes (illustrator). 1st Edition. Great copy. Very little wear, inspection reveals original price (£1.60) scored through and replaced by £2.25 (see pictures). All our books at the moment are reduced so the price you see reflects a 33% discount. If this is intended as a gift, please email first and I can gift wrap for no extra charge. If you would like special delivery but don't see an option for it, just email first and I'll obtain a quote. If you have any questions, require more information or if you would like more pictures, do not hesitate to get in touch. 2024.
Language: English
Published by Stramullion, Edinburgh, 1980
ISBN 10: 0907343007 ISBN 13: 9780907343004
Seller: Byre Books, Newton Stewart, United Kingdom
Soft cover. Condition: Very Good. Dianne Barry and Suzie Innes (illustrator). Poems and pictures from a Scottish-based feminist collective. VG, no inscriptions.
Hardback. , . NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.Author: Kermit Champa Format: Hardback Number of Pages: 107 The French artists Claude Monet and Frederic Bazille worked together for seven years - until the latter was killed in the Franco-Prussian War - to develop the style of painting which became known as Impressionism. This is a study of that fruitful collaboration and the works that resulted from it. Published to accompany a 1999 exhibition at the High Museum of Art, Atlanta, Georgia, the book assesses an association dominated by Monet's overpowering personality and talent and nurtured by Bazille's selfless generosity. It also discusses the significance of the artist's studio at a time when French painters were blazing new trails by painting outdoors, and presents discoveries made during technical analysis of almost identical paintings by Monet and Bazille of the beach at Sainte-Adresse. Hardback.
Language: English
Published by Pennsylvania State University, University Park, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Hardcover. A burgundy casebound book. There is a dust jacket with the title in white down a black spine. Pages: (9), x-xvi, (9), 2-275, (1). Contains eight color illustrations. Contents are as follows: Introduction: From the Point of View of Painting -- 1. Theatricality and Purity at the Salon of 1870 -- 2. "As Simple a Subject as Possible" -- 3. The Photographic Pose -- 4. The Figure in the Landscape -- 5. Quotation, Pose, and Presence -- 6. Diverging Paths -- Epilogue: Beyond Impressionism -- App. I. The Critical Response, 1866-1870 -- App. II. Chronology -- App. III. Concordance of Bazille's Correspondence. VG/VG: Stamp on front free end page. Stamp and due date card on back pasted end page. Stamp on top text block. Nice shelf appeal in mylar jacket.
Condition: New. Satisfaction Guaranteed or your money back.
Language: English
Published by Pennsylvania State University Press, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:0271017007.
Language: English
Published by Pennsylvania State Univ Pr, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 275 pages. 11.25x8.75x0.75 inches. In Stock.
Language: French
Published by Ed. de la Réunion des musées nationaux ; Musée Fabre, Paris ; Montpellier, 1992
ISBN 10: 2711826228 ISBN 13: 9782711826223
Seller: Papier Mouvant, Houilles, France
Condition: Bon. 175 pages : illustrations en noir et en couleurs, couverture illustrée en couleurs ; 23,3 x 28,1 x 1,6 cm || Texte français.
Language: English
Published by Penn State University Press, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Seller: online-buch-de, Dozwil, Switzerland
Hardcover Jul 01, 1998. Condition: gebraucht; wie neu.
Language: French
Published by Musée Fabre - Editions de la Réunion des Musées Nationaux, Montpellier - Paris, 1992
ISBN 10: 2711826228 ISBN 13: 9782711826223
Seller: Librairie Rouchaleou, Saint-André-de-Sangonis, FR, France
Broché. Condition: Très bon. 1 volume broché, couverture à rabats illustrée en couleurs, 176 pages, avec 103 illustrations en noir et blanc et en couleurs. Catalogue de 54 numéros décrits et reproduits, chronologie, bibliographie, index. Frédéric Bazille, Montpellier 1841 - Beaune-la-Rolande 1870, peintre impressionniste français. Catalogue de l'exposition présentée au pavillon du Musée Fabre du 9 juillet au 4 octobre 1992, et au Brooklyn Art Museum, du 12 novembre 1992 au 31 janvier 1993. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).
Language: English
Published by Penn State University, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Penn State University Press, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Penn State University Press, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Penn State University Press, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Pennsylvania State University Press, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Num Pages: 256 pages, 133 b&w illustrations, 8 colour illustrations. BIC Classification: 3JH; ACVT; AFC; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 287 x 214 x 23. Weight in Grams: 1354. . 1998. Hardback. . . . .
Language: English
Published by Penn State University Press, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by Pennsylvania State University Press, US, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. Studio companion of Monet and Renoir, protégé of Courbet, and friend of Manet, Frédéric Bazille (1841-1870) is more often remembered for the financial assistance he provided to future Impressionists than for his own vivid and often unsettling work. In this first complete book in English devoted to Bazille, Dianne Pitman seeks to situate this often overlooked artist within the complex and contradictory art world of the 1860s. In the process, she greatly refines our understanding of the modernist tradition.Pitman examines a series of major paintings and critical essays by Bazille and his contemporaries and frames them within the modernist discourse about purity, or respecting the proper limits of the medium. She stresses the problem of pose-the way in which painted subjects seem to respond to the artist's presence and the implied presence of the beholder-and explores his responses to the new medium of photography, the idea of painting without subject matter, the burden of tradition, and the problematic of self-portraiture. As these themes again come to the fore in much of the most controversial art and criticism of the late twentieth century, this study also represents an important contribution to the ongoing debate concerning the oppositions and continuities between modernism and postmodernism.
Language: English
Published by Pennsylvania State University Press, 1998
ISBN 10: 0271017007 ISBN 13: 9780271017006
Seller: moluna, Greven, Germany
Gebunden. Condition: New. This study seeks to situate Bazille within the complex art world of the 1860s. It examines a series of major paintings and critical essays by Bazille and his contemporaries and frames them within the modernist discourse about purity, or respecting the prope.