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paperback. Condition: New.
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Paperback. Condition: Brand New. 212 pages. 7.01x0.87x4.80 inches. In Stock.
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Architecture of the Great Expositions 1937-1950 Messages of Peace, Images of War
Seller: Marcus Campbell Art Books, London, United Kingdom
Association Member: ABA ILAB PBFA
Seller rating 4 out of 5 stars
25 x 17 cm 227 pp with b&w illustrations. Wrappers, minor creasing to a corner o.w. very good.
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Condition: New. pp. 256.
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Condition: New. pp. 256.
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Architecture of Great Expositions 1937-1959: Messages of Peace, Images of War
Language: English
Published by Taylor & Francis Ltd, 2017
ISBN 10: 1138573353 ISBN 13: 9781138573352
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
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Condition: New. pp. 256.
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Paperback. Condition: Brand New. 227 pages. 9.25x6.75x0.50 inches. In Stock.
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Kartoniert / Broschiert. Condition: New.
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Taschenbuch. Condition: Neu. Architecture of Great Expositions 1937-1959 | Messages of Peace, Images of War | Rika Devos (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2017 | Routledge | EAN 9781138573352 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
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Architecture of Great Expositions 1937-1959: Messages of Peace, Images of War (Ashgate Studies in Architecture)
Language: English
Published by Ashgate Publishing Company, 2015
ISBN 10: 1472434609 ISBN 13: 9781472434609
Condition: New. pp.
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Architecture of Great Expositions 1937-1959: Messages of Peace, Images of War (Ashgate Studies in Architecture)
Language: English
Published by Ashgate Publishing Company, 2015
ISBN 10: 1472434609 ISBN 13: 9781472434609
Condition: New. pp.
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Gebunden. Condition: New.
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Architecture of Great Expositions 1937-1959: Messages of Peace, Images of War (Ashgate Studies in Architecture)
Language: English
Published by Ashgate Publishing Company, 2015
ISBN 10: 1472434609 ISBN 13: 9781472434609
Condition: New. pp.
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Architecture of Great Expositions 1937-1959 : Messages of Peace, Images of War
Language: English
Published by Taylor & Francis Ltd Okt 2015, 2015
ISBN 10: 1472434609 ISBN 13: 9781472434609
Buch. Condition: Neu. Neuware - Investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and 1959. The volume gives an account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank.
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Architecture of Great Expositions 1937-1959: Messages of Peace, Images of War (Ashgate Studies in Architecture)
Language: English
Published by Ashgate Publishing Company, 2015
ISBN 10: 1472434609 ISBN 13: 9781472434609
Hardcover. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
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Architecture of Great Expositions 1937-1959; Messages of Peace, Images of War
Language: English
Published by Ashgate Publishing Company, 2015
ISBN 10: 1472434609 ISBN 13: 9781472434609
Hardcover. Condition: New.
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Moderne Architectuur op Expo 58. 'Voor een humaner Wereld'.
Published by Mercatorfonds en Dexia Bank., 2006
ISBN 10: 9061536413 ISBN 13: 9789061536413
Seller: antiquariat RABENSCHWARZ, Braunschweig, Germany
Association Member: GIAQ
Seller rating 4 out of 5 stars
OLeinen mit OUmschlag. 351 Seiten mit zahlreichen Abbildungen. Guter Zustand - keine Mängel. Size: 4°.
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Condition: Very good.
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L'Architecture moderne à l'Expo 58. Pour un monde plus humain.
Seller: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Netherlands
Seller rating 5 out of 5 stars
Bruxelles, 2006. 350 pp. Col. ills. Hardcover,d/j.
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Moderne architectuur op expo 58 / voor een humanere wereld
Language: Dutch
Published by Mercatorfonds, 2006, 2006
Uitvoerig geïllustreerd in kleur en zwart-wit. Prima exemplaar met lichte gebruikssporen.
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De Coene op Expo 58. Art De Coene . Jaarboek 4.
Seller: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgium
Association Member: ILAB
Seller rating 5 out of 5 stars
Bellegem, Stichting De Coene, 2003, in-4°, 49 pp + publiciteit, genaaid, orig. stijve kaft. 4e Jaarboek van de V.Z.W. Stichting De Coene.
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L'Architecture Moderne à L'Expo 58. '' Pour un monde plus humain ''.
Seller: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgium
Association Member: ILAB
Seller rating 5 out of 5 stars
5. Bruxelles, Fonds Mercator, Dexia Banque, 2006, in-4°, 29 x 26 cm, 351 pp, colour and black/white ills., index, publisher's cased binding with dustjacket. Text in French. Livre en français. Architecture at the Brussels World Exhibition of 1958 - the first world exhibition since World War II.
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Architecture of Great Expositions 1937-1959
Language: English
Published by Taylor & Francis, Routledge, 2017
ISBN 10: 1138573353 ISBN 13: 9781138573352
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Seller rating 5 out of 5 stars
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and 1959. The volume gives a fascinating account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank. The famous standoffs between the Stalinist Russia and the Nazi Germany in Paris 1937, or the juxtaposition of the USSR and USA pavilions in Brussels 1958, are examples of very explicit shows of force. The book also discusses some less known - and more subtle - messages, revealed through an examination of several additional pavilions in both Paris and Brussels; of a series of expositions in Moscow; of the Universal Exhibition in Rome that was planned to open in 1942; and of London's South Bank Exposition of 1951: all of them related, in one way or another, to either an anticipation of the global war or to its horrific aftermaths. A brief discussion of three pre-World War II American expositions that are reviewed in the Epilogue supports this point. It indicates a significant difference in the attitude of American exposition commissioners, who were less attuned to the looming war than their European counterparts. The book provides a novel assessment of modern architecture's involvement with national representation. Whether in the service of Fascist Italy or of Imperial Japan, of Republican Spain or of the post-war Franquista regime, of the French Popular Front or of socialist Yugoslavia, of the arising FRG or of capitalist USA, of Stalinist Russia or of post-colonial Britain, exposition architecture during the period in question was driven by a deep faith in its ability to represent ideology. The book argues that this widespread confidence in architecture's ability to act as a propaganda tool was one of the reasons why Modernist architecture lent itself to the service of such different masters. 256 pp. Englisch.
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Architecture of Great Expositions 1937-1959 : Messages of Peace, Images of War
Language: English
Published by Taylor & Francis, Routledge, 2017
ISBN 10: 1138573353 ISBN 13: 9781138573352
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and 1959. The volume gives a fascinating account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank. The famous standoffs between the Stalinist Russia and the Nazi Germany in Paris 1937, or the juxtaposition of the USSR and USA pavilions in Brussels 1958, are examples of very explicit shows of force. The book also discusses some less known - and more subtle - messages, revealed through an examination of several additional pavilions in both Paris and Brussels; of a series of expositions in Moscow; of the Universal Exhibition in Rome that was planned to open in 1942; and of London's South Bank Exposition of 1951: all of them related, in one way or another, to either an anticipation of the global war or to its horrific aftermaths. A brief discussion of three pre-World War II American expositions that are reviewed in the Epilogue supports this point. It indicates a significant difference in the attitude of American exposition commissioners, who were less attuned to the looming war than their European counterparts. The book provides a novel assessment of modern architecture's involvement with national representation. Whether in the service of Fascist Italy or of Imperial Japan, of Republican Spain or of the post-war Franquista regime, of the French Popular Front or of socialist Yugoslavia, of the arising FRG or of capitalist USA, of Stalinist Russia or of post-colonial Britain, exposition architecture during the period in question was driven by a deep faith in its ability to represent ideology. The book argues that this widespread confidence in architecture's ability to act as a propaganda tool was one of the reasons why Modernist architecture lent itself to the service of such different masters.
