Dethloff Diana (20 results)

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Profusely Illustrated (illustrator).

Hardcover. Condition: Good. Hardcover published without DJ. Some shelf wear and staining to covers and edges. Pages are unmarked.

Hardback. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. xv[iii]pp, 207pp. Colour illus. brown d.j. No inscriptions or clipping.

First Edition. Fine copy in cloth boards, with a very good, somewhat edge-dulled dust wrapper. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Provenance; The copy of Michael Jaffé CBE (1923-1997), British art historian and curator. Physical description; xv, 207 pages : illustrations ; 34 cm. Subjects; Drawing, technique, history. Old master drawings, criticism and interpretation. Artists' materials, history. Conference papers and proceedings. 1 Kg.…

hardcover. Condition: Good. No Dust Jacket. Hardcover. No jacket. Boards and page block are lightly marked. Front upper leading corner is lightly bumped. Pages are clean and contents are clear throughout. Binding is sound. HCW. Used.

Condition: New.

Hardcover. Condition: Very Good. 0856674168. 1992, bright clean copy, with dustjacket, no markings, Professional booksellers since 1981.

Condition: As New. Unread book in perfect condition.

First edition. 4to. 207 pp. Illustrations. Cloth binding in unclipped dustwrapper, very good copy. (43213). Foreword by Maryanne Stevens.

Condition: New.

xv, (3), 207, (1)pp. Prof. illus. Sm. folio. Cloth. D.j.

Condition: As New. Unread book in perfect condition.

HRD. Condition: Good. Hardcover, many rubs on cover, damages on spine, 34.0x25.0cm, 207pp, dust jacket. Profusely Illustrated (illustrator).

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Soft cover. Condition: As New. No damage, markings or signs of use. 2015 paperback. The photo is of the actual book you will receive. Fast dispatch, normally within 24 hours, by UK seller.

Oversized Paperback. Condition: Very good. First edition. Quarto (over size). Slight wear to edges and corners of covers. 277 p. w/ color illus., footnotes, list of Bindman's non-review publications. A festscrift for Bindman, a well regarded art historian. 26 essays. section b.

hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: gut. Collecting prints and drawings in Europe, c. 1500-1750 In englischer Sprache. pages.

Hardcover. Condition: As New.

Hardcover with dusjacket, 225 pages, Illustrated. **fine!! ISBN 9780754600374. Collecting prints and drawings in Europe, c. 1500-1750 ; Papers of a conference held at the National Gallery in London in 1997, organized by the Burlington Magazine and sponsored by the Getty 0 g.