David Duchemin (408 results)

Condition: Very Good. 1750424011. 6/20/2025 12:53:31 PM.

Condition: Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.

Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condition: New.

Paperback. Condition: new. Paperback. A book about the craft of camera-using and the creative struggle of picture-making.Learning how a camera works is not difficult. Once you understand how to focus and expose, the rest are details. So why is it such a challenge to make photographs that feel like they do what we hope for? Could it be we're asking the camera to do the work that all along has been ours to figure out? Is it possible we've been thinking too much about the camera and not enough about our own creativity? In an industry that obsesses over the gear and all too often ignores the deeper questions around creativity and expression, this should come as no surprise.It's true, the camera sees differently than we do. As our creative collaborator it can do things that we simply cannot. It can see much faster (1/8000 of a second) and much slower (8 seconds, or 8 minutes) than we can. It can cut the light in half, or double it. It can magnify, compress, and otherwise transform our field of view through lens and aperture choices. Learning to see as the camera does is, itself, an exercise in creative thinking and imagination.The journey of mastering this craft is not so much about bending the camera to our will, but working with the many different ways the camera is able to see the world in order to create photographs that express the way we see and feel about it. That effort is more creative than it is technical. Crucially, this journey is also about learning to give ourselves the permission to create photographs that are truly our own, to risk and experiment, and to explore and play. Too often we hold ourselves back.In Light, Space, and Time, photographer, teacher, and author David duChemin helps you learn to look in the same way as the camera does, and to think in the same language as the camera speaks. In 20 powerful essays, and featuring more than 100 beautiful photographs, David explores the place of the human behind the camera in the act of picture making, and he does so with the same inspiring heart, soul, and voice that he has brought to his previous best-selling books. Books that teach not only how to make photographs, but how to think like a photographer. Throughout the book, David encourages you to move beyond the functions of your camera to embrace the creative choices those functions make possible. This exploration provides new frameworks for thinking about your decisions, presents new ways to see and look, raises new questions about the challenges we face in being creative, and offers new answers as you carve out your own unique path forward. Most importantly, David will inspire you to head out with your camera and play with the possibilities held by every intersection of light, space, and time that eventually becomes a photograph.The result of all this? Freedom. Freedom to find new ways of wrestling with the challenges we all face when collaborating with the camera to make something that is truly our own. Freedom to embrace your fundamental creative nature, to overcome the fear of trying something new. Freedom to work as an artist more at ease with a process that's inherently messy. And freedom to make the kinds of photographs you've always wanted to create. A book about the craft of camera-using and the creative struggle of picture-making. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. 1st Edition. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Buch. Condition: Neu. Neuware - Photographers often look at an image--one they've either already created or are in the process of making--and ask themselves a simple question: 'Is this a good photograph ' How are you supposed to answer that What does 'good' even mean What if you were equipped to ask better, more specific questions of your work so that you could answer them more directly, and in doing so, bring more specific action and intention to the act of creating photographs What if asking the right questions allowed you to establish a more helpful and pragmatic approach to your image-making In The Heart of the Photograph, photographer and author David duChemin helps you learn to ask (and find your own answers to) better questions of your work in order to craft more successful photographs. David walks you through his own questions and process so that you can establish your own. Along the way, there are discussions of the building blocks from which compelling photographs are made, such as gesture, balance, scale, harmony, perspective, story, memory, symbolism, and much more.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.5.

Condition: Good. Used book that is in clean, average condition without any missing pages.

Hardcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition. 7.25 x 9.25 inches approximately. Signed by author on title page. Minor scuffing, otherwise in fine condition. 297 pages. White & grey cover with photo on front. White spine with black script. Contains mostly black & white photographs, a few colour. Signed By Author.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback (No Dust Wrapper.). Condition: Near Fine. Paperback. ; Measures 9" x 8" (1.2 kg); pp (xci) 254; Index; Includes: Colour photographs, within the text with some full page; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #196993 ||.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 296 | Sprache: Französisch | Produktart: Bücher.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New. Idioma/Language: Español. Detrás de una imagen impresionante, se encuentra la visión y las emociones del fotógrafo. En su primera edición, esta obra recibió el reconocimiento de la crítica por su humanidad y enseñanzas prácticas. En esta nueva edición, David duChemin nos presenta su sincero argumento sobre cómo crear fotografías y el descubrimiento de un punto de vista personal que hace que esas historias visuales sean atractivas y auténticas. David nos enseña cómo buscar y servir a nuestra visión creativa a través del arte de la fotografía, resaltando imágenes de su propia travesía alrededor del mundo para así obtener fotografías llenas de sensibilidad sobre rostros, lugares y culturas diferentes. El autor comparte todos los aspectos de la narración y el ensayo fotográfico: cómo dirigir la mirada a través del visor, qué apertura utilizar, su enfoque compositivo, las técnicas de exposición y la utilización de la luz. Esta renovada edición incluye nuevas imágenes, ejercicios y consejos creativos, capítulos actualizados, y un tratamiento más amplio sobre la fotografía paisajística. Y lo más importante, le ayuda a encontrar, cultivar y perseguir su propia visión y no rendirse hasta transmitirla a través de la fotografía. Prologado por Joe McNally, fotógrafo superventas de la colección PhotoClub. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: as new. Wie neu/Like new.

Condition: New.