Dargie William (16 results)

Soft cover. Condition: Good. No missing or clipped pages. Clean inside and out. Some light foxing to the back cover and many pages. The upper right and lower right corners of the front cover and upper left and lower left corners of the back cover are each lightly creased or bent, as are the corners of many pages. The magazine will be backed with cardboard and carefully packed in a sturdy, flat box to ensure safe transit. This issue includes: "Note on Our Cover"; "Handling Your Paint"; "A Variety of Painting Problems" by William Dargie; "Artist of Note"; "International Amateur Art Exhibition"; "Drawing the Figure" by Carl Cheek; "Book Reviews"; "Watercolour Painting" by John Rogers; "Masters of Watercolour and Their Techniques" by Adrian Bury; "Boylan Fitz-gerald's Page".

Soft cover. Condition: Good. Water stains to the front and back covers, barely visible on the front cover, visible around the periphery of the back cover. Water stains at the bottom of each page near the spine. A few additional water stains to the inside of the front cover. Wrinkling near the top and bottom of every page from water or humidity. Foxing (tan spotting) to the back cover. Very little wear otherwise. The magazine will be backed with cardboard and carefully packed in a sturdy, flat box to ensure safe transit. This issue includes: "Note on Our Cover"; "An Understanding of Pictorial Art"; "A Variety of Painting Problems" by William Dargie; "Readers' Questions"; "Drawing the Figure" by Carl Cheek; "Book Reviews"; "Masters of Water-colour and Their Techniques" by Adrian Bury; "Artist of Note"; "The Challenge of Gouache Painting" by Leonard Richmond; "Ways of the Old Masters" by John Mills; "Watercolour Painting" by John Rogers; and "Boylan Fitz-Gerald's Page".

Soft cover. Condition: Good. Covers and all pages show some very light water stains and wrinkling at top and bottom edges. One 1/4" nick in the front cover near the spine. Very little wear or damage otherwise. It will be backed with cardboard and carefully packed in a sturdy, flat box to ensure safe transit. This issue includes: "Note on Our Cover"; "Constructive and Imitative Drawing"; "Masters of Watercolour and their Techniques" by Adrian Bury; "Reader's Questions"; "A Variety of Painting Problems" by William Dargie; "Poster Design and Display" by Tom Eckersley; "Watercolour Painting" by John Rogers; "Reader's Picture of the Month"; "Book Reviews"; "Artist of Note"; "Drawing the Figure" by Carl Cheek; and "Boylan Fitz-Gerald's Page".

Condition: Very good. First printing. Hardcover. Very good condition (no dust jacket-as issued[?]). Internally clean and tight.

Hardcover. Condition: Good. No Jacket. First Edition. Dust jacket missing. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. Binding is sound. Secure packaging for safe delivery.

8vo hardcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. [18] unnumbered pages of text plus 23 tipped in color plates mounted on one side on 23 leaves. White boards backed in reddish cloth. dj. 28 cm. Introduction by Dargie. Edition limited to 1000 unnumbered copies signed by Bennett. Australian landscape painter.

4to, unpaginated. 23 tipped-in colour plates. A good hardback copy in chipped, torn and foxed dust jacket with significant loss to rear. Foxing to covers and intermittently throughout. . This edition is limited to 1000 copies and signed by the artist.

np. 100pp. 4to. Original boards in slightly defective dustwrapper, tipped in colour plates. A very good copy. Limited edition. Signed by the Artist.

4to, unpaginated. 23 tipped-in colour plates. A very good hardback copy in like dust jacket. Boards and edges of text block foxed. Angus & Robertson review slip affixed to front end paper. Limited to 1000 copies signed by Bennett.

1st edition hardback with dust jacket Nice copy large octavo 55pp., colour plates, Name crossed out & dust jacket sunned at spine o/w a nice copy.

119 pp. including index, b&w and colour plates with accompanying text, map on end papers, fine copy in like, illustrated d/j.

Signed & inscribed by author. 4to, pp. xiv + 354; green cl boards, spine lettered in gilt; frontis., photos, illus.; VG+ (light scuffing & soiling to boards; light bruising to spine & board edges & extrems; light tanning & soiling to pg edges; sl soiling to eps, prelims & terminals); in d/w, VG (light to moderate scuffing & soiling; light to moderate bruising & creasing to edges & extrems).

Limited edition. Unnumbered, only 1,000 copies. Signed in blue ink on limitation page by Bennett. With 23 tipped-in colour reproductions, in its original dust jacket. With an introduction by William Dargie. Unpaginated. 290 x 220 mm (11½ x 8¾ inches). William Rubery Bennett was an Australian landscape artist whose work is still in high demand. Some handling and small closed tears / chips to the dust jacket edges, and some soiling to back. Book is rubbed at edges. Gift inscription to front pastedown. Pages show some signs of age, overall a good copy of a scarce work.

LIMITED, NUMBERED & SIGNED, FIRST EDITION, lg quarto, beige cloth boards, white lettering to brown leather title plates to spine & front board, deckled page edges at base of page block, illus eps & prelims, frontispiece, 63pp, illus, VG (light to moderate tanning & foxing to spine, light tanning & foxing to page edges & eps, minor adhesive staining to some pages) in slipcase, VG- (moderate to heavy scuffing, bruising & soiling).

Hardcover. Condition: Fine. Limited Edition. Cloth lightly dusty. Slip case lightly rubbed with very light spotting; Full light brown linen, leather title labels, aqua slipcase; 4to 11" - 13" tall; Edition limited to 300 copies, fully signed "Will Ashton".