Dallow Jessica (42 results)

Softcover. Condition: VG+. Inscribed by Matilsky. Quarto. Softcover. Color illustrated wraps. 131 pp. profusely illustrated in color. Catalog of an exhibition held at the Ackland Art Museum, the University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, December 18, 2005, to March 26, 2006; Pasadena Museum of California Art, Pasadena, California, April 30-September 24, 2006; San Jose Museum of Art, San Jose, California, October 21, 2006-January 7, 2007; and Palmer Museum of Art, The Pennsylvania State University, University Park, Pennsylvania, January 30-April 22, 2007./ Includes bibliographical references.

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Paperback. Condition: New. This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture.In focusing on the construction of identity in painting and photography-of Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competition-it illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large.This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies.

Paperback. Condition: new. Paperback. This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture.In focusing on the construction of identity in painting and photographyof Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competitionit illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large.This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies. This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture.In focusing on the construction of identity in painting and photography-of Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competition-it illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large.This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies.

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Paperback. Condition: Brand New. 196 pages. 9.68x6.87x0.55 inches. In Stock.

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Paperback. Condition: new. Paperback. This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture.In focusing on the construction of identity in painting and photographyof Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competitionit illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large.This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies. This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New. Jessica Dallow is Associate Professor of Art History at the University of Alabama at Birmingham.This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subj.

Paperback. Condition: New. This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture.In focusing on the construction of identity in painting and photography-of Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competition-it illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large.This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies.

Taschenbuch. Condition: Neu. Neuware - This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture.In focusing on the construction of identity in painting and photography-of Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competition-it illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large.This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies.

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Paperback. Condition: new. Paperback. This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture.In focusing on the construction of identity in painting and photographyof Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competitionit illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large.This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies. This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Paperback. Condition: New. This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture.In focusing on the construction of identity in painting and photography-of Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competition-it illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large.This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies.