Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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Language: English
Published by Indiana University Press, US, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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Paperback. Condition: New. Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity.Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen.
Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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Language: English
Published by Indiana University Press 11/1/2018, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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Paperback or Softback. Condition: New. Corporeality in Early Cinema: Viscera, Skin, and Physical Form. Book.
Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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Condition: New. pp. 370.
Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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Condition: New. 2018. Paperback. . . . . .
Language: English
Published by University of New Mexico Press, 2014
ISBN 10: 0826354246 ISBN 13: 9780826354242
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Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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£ 39.34
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Language: English
Published by University of New Mexico Press, 2014
ISBN 10: 0826354246 ISBN 13: 9780826354242
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Signed
Hardcover. Condition: Very Good. Signed and inscribed by editor Raymond Thompson on half-title page. Signed by Author(s).
Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
Seller: Optimon Books, Gravesend, KENT, United Kingdom
Paperback. Condition: Very Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity. Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen.
Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 370.
Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
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Condition: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 360 pages. 9.00x6.00x0.75 inches. In Stock.
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Language: English
Published by University Of New Mexico Press, Albuquerque, NM, 2014
ISBN 10: 0826354246 ISBN 13: 9780826354242
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First Edition
Hardcover. Condition: As New. Dust Jacket Condition: as new. First edition. Hard cover with dust jacket as new. 336, index, references, figures and maps. Inscribed by Werner S Zinnit translator.
Language: English
Published by Indiana University Press, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
Seller: moluna, Greven, Germany
Condition: New. Über den Autoredited by Marina Dahlquist, Doron Galili, Jan Olsson, Valentine RobertInhaltsverzeichnisIntroduction / Marina Dahlquist, Doron Galili, Jan Olsson, and Valentine Robert Part I: Impo.
Language: English
Published by University of New Mexico Press, Albuquerque, 2014
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Signed
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 336pp. Signed by Thompson and Zimmt and inscribed by Dahlquist. Inscribed by Author(s).
Language: English
Published by Indiana University Press, US, 2018
ISBN 10: 0253033659 ISBN 13: 9780253033659
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity.Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 99.77
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by University of New Mexico Press, 2014
ISBN 10: 0826354246 ISBN 13: 9780826354242
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 376, 6 Maps.
Language: English
Published by Univ of New Mexico Pr, 2014
ISBN 10: 0826354246 ISBN 13: 9780826354242
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 336 pages. 9.00x6.25x1.50 inches. In Stock.
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Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 360 pages. 9.00x6.00x0.75 inches. In Stock. This item is printed on demand.