Language: English
Published by University of Hawaii Press, 2017
ISBN 10: 0824875133 ISBN 13: 9780824875138
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by University of Hawai'i Press, US, 2017
ISBN 10: 0824875133 ISBN 13: 9780824875138
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence from a colonial hold that had lasted almost a century. It was an exciting time for a diverse group of pioneering musicians who formed a band they named ""Sanguma."" These Melanesian artists heard an imagined future and performed it during a socially and politically critical time for the region. They were united under one goal: to create a sound that represented the birth of a new, sovereign, and distinctly Melanesian nation; and to express their values, identities, and cosmology through their music and performance. Sanguma's experimental music sounded the complex expectations and pressures of their modern nation and helped to steer its postcolonial journey through music.In Hearing the Future, Australian ethnomusicologist Denis Crowdy documents and analyzes the music and activities of the Sanguma band, arguing that their music was a vital form of cultural expression in sync with sociopolitical change then taking place in PNG. Drawing from rock, jazz, and nascent ""world music"" influences, Sanguma reached audiences far from their home nation, introducing the world to modern music, Melanesia-style, with its fusion of old and new, local and global. Performances ranged from ensembles of Melanesian log drums (garamuts) to extended songs and improvisations involving electric guitars, synthesizers, saxophone, trumpet, bamboo percussion, panpipes, and kuakumba flutes. The band sang in a variety of local vernacular languages, as well as in Tok Pisin and English. To further emphasize their ancestral style, the musicians wore decorative headdresses and body decoration from all around the nation, along with distinctive pants featuring indigenous designs.As the optimism of the early years of the nation faded due to harsh economic and social realities, and as an increasingly commercial popular music scene came to dominate public music culture, tensions between a once heard future and the sounding present emerged. Continuing a theoretical trajectory in ethnomusicology, Crowdy explores the role of music in imagining, constructing, and representing national and regional identity. The analysis reveals inherent tensions between distinctly Melanesian ideals and the complexities in navigating the realities of local neoliberal capitalism.
Language: English
Published by University of Hawaii Press, 2017
ISBN 10: 0824875133 ISBN 13: 9780824875138
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by MP-HAW University of Hawai'i, 2017
ISBN 10: 0824875133 ISBN 13: 9780824875138
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Paperback. Condition: Brand New. reprint edition. 183 pages. 9.00x6.00x0.75 inches. In Stock.
Language: English
Published by University of Hawai'i Press, 2017
ISBN 10: 0824875133 ISBN 13: 9780824875138
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by University of Hawaii Press, 2017
ISBN 10: 0824875133 ISBN 13: 9780824875138
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2017. Reprint. paperback. . . . . .
Condition: New.
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
Language: English
Published by Cambridge Scholars Publishing, 2009
ISBN 10: 1443800511 ISBN 13: 9781443800518
Seller: Basi6 International, Irving, TX, U.S.A.
Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Language: English
Published by University of Hawaii Press, 2017
ISBN 10: 0824875133 ISBN 13: 9780824875138
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by University of Hawaii Press, 2017
ISBN 10: 0824875133 ISBN 13: 9780824875138
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. 2017. Reprint. paperback. . . . . . Books ship from the US and Ireland.
Language: English
Published by University of Hawaii Press, 2017
ISBN 10: 0824875133 ISBN 13: 9780824875138
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by Bloomsbury Publishing Plc, US, 2024
ISBN 10: 1666909211 ISBN 13: 9781666909210
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Software mediates a great deal of human musical activity. The writing, running, and maintenance of code lies at the heart of such software. Code Musicology: From Hardwired to Software argues why it is time for a "code musicology," then outlines what that should entail. A code musicology opens a conduit between musicology and software studies, providing insights into both of these now interlinked fields along the way. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms. For popular music studies, it helps direct attention to a newly relevant industrial focus-IT and software-centered transnational commerce-as a result of sectorial transformation.Denis Crowdy demonstrates how analysis from software studies, critical code studies, and the digital humanities offers insights into power relations, diversity, and commerce in music. Crowdy weaves readings of code and application programming interfaces (APIs) into the discussion, as well as ethnomusicological fieldwork exploring music and mobile phones from the Global South. Analysis of the author's own music apps and associated distribution infrastructure provides unique insights into the machinations of music "appification.".
Condition: As New. Unread book in perfect condition.
Language: English
Published by University of Hawai'i Press, 2017
ISBN 10: 0824875133 ISBN 13: 9780824875138
Seller: Joseph Burridge Books, Dagenham, United Kingdom
Soft cover. Condition: New. Summary:During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence. It was an exciting time for a diverse group of pioneering musicians who formed a band they named "Sanguma". Australian ethnomusicologist Denis Crowdy argues that the Sanguma band's music was a vital form of cultural expression in sync with sociopolitical change then taking place in PNG.
Published by University of Hawai'i Press 2016, 2016
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New Zealand
Association Member: IOBA
Imperial octavo hardcover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 36.60
Quantity: Over 20 available
Add to basketCondition: New. In.
Published by Institute of Papua New Guinea Studies, 2001
Seller: Masalai Press, Oakland, CA, U.S.A.
Soft cover. Condition: Very Good. 124 pp., illustrations, maps, bibliography. Contents: Editors' introduction to Krähenheide's "Music of the Gunantuna in the Vicariate of Rabaul"; Music of the Gunantuna in the Vicariate of Rabaul; Ol Singsing Enga; "Same but Different": musical behavior, gender roles, and the transference of power in Yanyuwa society; Three traditional songs form Malala, Madang Province; Questions of origin: George Telek and David Birdie's collaborative recordings; Meekamui: music of Bougainville's war; Recording review: Betel Nuts by Christopher Roberts.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by University of Hawaii Press, 2016
ISBN 10: 0824851560 ISBN 13: 9780824851569
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.
Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Text clean and tight; Music and Performing Arts of Asia and the Pacific; 9.13 X 6.57 X 1.11 inches; 198 pages.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by University of Hawai'i Press, 2016
ISBN 10: 0824851560 ISBN 13: 9780824851569
Seller: Joseph Burridge Books, Dagenham, United Kingdom
Hardcover. Condition: New. Dust Jacket Condition: New. xiii, 183 pages : illustrations, music : 24 cm. Summary:During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence from a colonial hold that had lasted almost a century. It was an exciting time for a diverse group of pioneering musicians who formed a band they named 'Sanguma'. These artists heard an imagined future and performed it during a socially and politically critical time for the region. They were united under one goal: to create a sound that represented the birth of a new, sovereign, and distinctly Melanesian nation; and to express their values, identities, and cosmology through their music and performance. Sanguma's experimental music sounded the complex expectations and pressures of their modern nation and helped to steer its postcolonial journey through music. In 'Hearing the Future', Denis Crowdy documents and analyzes the music and activities of the Sanguma band.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 158 pages. 9.00x6.00x0.38 inches. In Stock.
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Seller: Fables Books, Goshen, IN, U.S.A.
Condition: like_new. Appears unused. Pictures available upon request. Individually inspected by Shadow. Thanks for supporting an independent bookseller!
Language: English
Published by University of Hawai'i Press, US, 2017
ISBN 10: 0824875133 ISBN 13: 9780824875138
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence from a colonial hold that had lasted almost a century. It was an exciting time for a diverse group of pioneering musicians who formed a band they named ""Sanguma."" These Melanesian artists heard an imagined future and performed it during a socially and politically critical time for the region. They were united under one goal: to create a sound that represented the birth of a new, sovereign, and distinctly Melanesian nation; and to express their values, identities, and cosmology through their music and performance. Sanguma's experimental music sounded the complex expectations and pressures of their modern nation and helped to steer its postcolonial journey through music.In Hearing the Future, Australian ethnomusicologist Denis Crowdy documents and analyzes the music and activities of the Sanguma band, arguing that their music was a vital form of cultural expression in sync with sociopolitical change then taking place in PNG. Drawing from rock, jazz, and nascent ""world music"" influences, Sanguma reached audiences far from their home nation, introducing the world to modern music, Melanesia-style, with its fusion of old and new, local and global. Performances ranged from ensembles of Melanesian log drums (garamuts) to extended songs and improvisations involving electric guitars, synthesizers, saxophone, trumpet, bamboo percussion, panpipes, and kuakumba flutes. The band sang in a variety of local vernacular languages, as well as in Tok Pisin and English. To further emphasize their ancestral style, the musicians wore decorative headdresses and body decoration from all around the nation, along with distinctive pants featuring indigenous designs.As the optimism of the early years of the nation faded due to harsh economic and social realities, and as an increasingly commercial popular music scene came to dominate public music culture, tensions between a once heard future and the sounding present emerged. Continuing a theoretical trajectory in ethnomusicology, Crowdy explores the role of music in imagining, constructing, and representing national and regional identity. The analysis reveals inherent tensions between distinctly Melanesian ideals and the complexities in navigating the realities of local neoliberal capitalism.
Language: English
Published by Port Moresby/Eigenverlag des Institutes of Papua New Guinea Studies., 2000
ISBN 10: 9980680415 ISBN 13: 9789980680419
Seller: Dobben-Antiquariat Dr. Volker Wendt, Oldenburg, Germany
24x18 cm, Softcover/Paperback. Condition: Gut. 182 S. mit einigen s/w Illustrationen. Seltenes Werk mit den Schwerpunkten "Popular Music", "Traditional Music & Changing Contexts" sowie "Church Music". - Der vordere Buchdeckel weist oben rechts einen kleinen Knick auf. Gut erhaltenes Exemplar. Bitte beachten: Lieferung nach Vorauszahlung. An Buchhandel, Antiquariate, Behörden, öffentliche Bibliotheken, Universitäten und Museen liefern wir auf Wunsch mit Rechnung. Sprache: Englisch Gewicht in Gramm: 360.
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 89.61
Quantity: Over 20 available
Add to basketCondition: New. In.