Cropper Elizabeth (208 results)

Condition: Acceptable. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Softcover, 126 pages; very good condition; pages yellowed at edges; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Very Good. --ALL INVENTORY 40% OFF in Sept--Unmarked. 21 color plates. 32 b/w illustrations. 1 color foldout. French flaps. Notes. Bibliography. Genealogy of the Guardi family. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo de'Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art.…

paperback. Condition: As New. Used like new softcover. No spine creases, writing, highlighting or tears. A sound and square copy.

Paperback. Condition: Very Good. Text clean and tight; Getty Museum Studies On Art; 8vo 8" - 9" tall; 138 pages.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Trade Paperback. Condition: Used - Good. Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art. Used copy with some wearm some foxing.…

Trade Paperback. Condition: Used - Very Good. Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art. Very nice clean, tight copy free of any marks.…

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condition: As New. 4to 11" - 13" tall.

Paperback. Condition: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Standard-sized.

paperback. Condition: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Hardcover. Condition: Good. bumped/creased still NICE! - may have remainder mark or previous owner's name Oversized.

Paperback. Condition: Fine. 1st. 132 pages, illustrations (some colour); 24 cm. Firm binding, clean inside copy. *** "Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo de' Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art." - Publisher. Size: 8vo. …

Soft cover. Condition: Near Fine. SC book in VG condition. Spine square and intact and points have light wear on the tips. Binding is paper and is glossy with almost no self wear. Some slight discoloration on the edges of the pages from age.

Softbound. Black and white illustrated wraps.civ, 297 pp., profusely illustrated in bw. "Shown at the Philadelphia Museum of Art, November 5-December 31, 1988, and the Arthur M. Sackler Museum, Harvard University Art Museums, Cambridge, January 21-March 19, 1989"--Title page verso. Includes bibliographical references (pages 291-297). Works of Pietro Testa, an Italian High Baroque artist in Rome. G-, covers show wear and rubbing. Outsides edges of text block have foxing. Pages 131-146 show some staining at top right edge, does not bleed into text or images.…

Softcover. Condition: Excellent condition. 200 pp. In Memoriam Robert P. Bergman 1945-1999 Director, The Cleveland Museum of Art 1993-1999. The exhibition, A Painting in Focus: Nicolas Poussin's "Holy Family on the Steps" and this volume are sponsored by the Florence Gould Foundation. Volume 4 (1999). Softcover.…

Condition: New. 356 pp., paperback, NEW!!! - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Softcover. Condition: Near Very Good. Second printing, trade paperback, has a light lean to the binding, bumps to the spine ends and corners with a short split to the head of the front hinge, slight creasing to the cover corners, moderate rubbing with some edge wear to the covers, smudging to the edges of the text block, and a couple of effaced bookseller marks to the first free end page. Otherwise, this is a solid, Near Very Good copy with unmarked text.…

Hardcover. Condition: Used - Good. The description for this book, The Ideal of Painting: Pietro Testa's Dusseldorf Notebook, will be forthcoming. Previous owner wrote his name on the end paper. Binding is tight no interior marks. Brod Dart dj protector on dj.

Softcover, 256 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softbound. Black and white illustrated wraps.civ, 297 pp., profusely illustrated in bw. "Shown at the Philadelphia Museum of Art, November 5-December 31, 1988, and the Arthur M. Sackler Museum, Harvard University Art Museums, Cambridge, January 21-March 19, 1989"-- Title page verso. Includes bibliographical references (pages 291-297). Works of Pietro Testa, an Italian High Baroque artist in Rome. VG- (minor wear or smudging to wraps and block, light pencil marks on several pages throughout).…

Hardcover. Condition: VG. Light brown cloth over boards; Color pictorial dj.; 424 pp.; 95 color plates, 156 bw figures. A collection of paired essays that cover the history of world art, from ancient Egypt and Mesopotamia, to Renaissance and Baroque Italy, to 18th and 19th-century France to the USA today; Includes "Memory and Knowledge in Egyptian Tomb Painting" by Betsy M. Bryan, "When Art Is Writing and Writing, Art: Graphic Communication in Preconquest Mexico" by Elizabeth Hill Boone, "Urakami Gyokudo: An Intoxicology of Japanese Literati Painting" by Yukio Lippit, "Taking Dutch Art Seriously: Now and Then" by Svetlana Alpers, "Image Matters: The Case of Boucher" by Ewa Lajer-Burcharth, and much more. Contents as follows: Memory and knowledge in Egyptian tomb painting /; Betsy M. Bryan --; Knowledge as cultural biography : lives of Mesopotamian monuments /; Marian H. Feldman --; When art is writing and writing, art : graphic communication in preconquest Mexico /; Elizabeth Hill Boone --; Reading art without writing : interpreting Chimú architectural sculpture /; Joanne Pillsbury --; Islamic identities and Islamic art : inscribing the Qur an in twelfth-century Afghanistan /; Finbarr Barry Flood --; Concepts of the portrait in the Islamic lands, c.1300-1600 /; David J. Roxburgh --; Rethinking East Asian tombs : a methodological proposal /; Wu Hung --; Urakami Gyokud : an intoxicology of Japanese literati painting /; Yukio Lippit --; Importance of vernacular style in Renaissance art : the invention of Simone Martini's Maestà in the Palazzo Communale in Siena /; Charles Dempsey --; Simone Martini, Petrarch, and the vernacular poetics of early Renaissance art /; C. Jean Campbell --; Holy redundancy and echo in the Lateran Basilica in Rome /; Joseph Connors --; Simon Vouet's Hesperus and the mythopoetics of praise /; Louise Rice --; Taking Dutch art seriously : now and then /; Svetlana Alpers --; Taking Dutch art seriously : now and next? /; Mariët Westermann --; Taking Dutch art seriously : discussion --; Image matters : the case of Boucher /; Ewa Lajer-Burcharth --; Interpreting portraits : images of society or the self? /; Phillipe Bordes --; Figures of sublimity in Orientalist painting /; Marc Gotlieb --; American art history after 11/2 /; Michael Leja --; Museum tales of twentieth-century art /; Hal Foster --; I stagger from this temple of the loftiest pleasures with a splitting head : encounters in the space of art /; Jeffrey Weiss.…

hardcover. Condition: Good. Includes dust jacket. Minor wear/ tear along dust jacket edges. Ex owner markings on prelim pages.