Coulon Robert (13 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Très bon. Couverture différente. Edition 1997. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Edition 1997. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Condition: Neuf.

Condition: fine. Photo non contractuelle. Envoi rapide et soigné.

Liste de titres publiés entre 1945 et 1992 - Cinq thèmes , Les terroirs, L'histoire, Les techniques, La gastronomie, L'architecture - Publi2 avec le concours du Centre Régional des Lettres d'Aquitaine 72 pages, broché, 22 cm. Très bon état.

Condition: fine. l'article peut presenter de tres legers signes d'usure. vendeur professionnel; envoi soigne en 24/48h.

Condition: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Condition: bon. R200110787: 1984. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 33 pages. Deux plans en noir et blanc, hors texte. . . . Classification Dewey : 908.447-Régionalisme : Aquitaine.

Couverture souple. Condition: Bon. Revue. Deux volumes19x28 cm broché de de 96 pages. Plats de couverture légèrement marqués sur les bords. Traces de scotch au revers des plats. Bonne tenue du brochage. Intérieur bon état. SOMMAIRE N° 10 : Jean Biès, A l'école de l'humanité nouvelle - Michèle Nibart, Comment exercer, avec bonheur, le métier de parent ? - Micheline Flak, le yoga à l'école - M. H. Gobert, Technique de la mémoire - Michel Paillou, Qu'est-ce donc que la pédagogie ? - François Reingold, Pour une pédagogie du non-savoir - Simonne Fabien, Pour que l'enfant reste uni à son Moi - Henri Go, L'éducation selon la vie - Elisabeth Andrès, L'enseignement de demain - Michel Random, Fabrice, celui qui regarde loin - Deux jours avec Stéphane Lupasco - Jean-Rémi Deléage, La logique des niveaux - Gérard Drouin, La formation des enseignants : marché ou service public ? - Le Congrès des enseignants d'écoles maternelles à Lyon. Fin du Numéro 10. SOMMAIRE N° 11 : Edito : L'impasse éducative, 2e partie, Les universités - Jacques Ardoino, L'éducation minuscule ou la pédagogie à fonds perdu - René Bernard, Le courage de Sisyphe - Dany Robert Dufour, La modernité, le désarroi, la formation - Catherine Tourette-Turgis et Alain Guy, Impasse, passe, pair, impaire et manque ou le jeu de la psychanalyse et de l'éducation - René Barbier, La création en éducation - Alain Coulon et Maurice Courtois, Universités : un état des lieux - Interview du professeur Misumi, doyen de l'université des Sciences d'Osaka - Aimé Michel, Le Kedher assassiné - Dr. Pierre Plat, Une pédagogie de l'éveil au collège à partir des pratiques culinaires - BIOS : une étude internationale sur les éléments biologiques dans les crises de la jeunesse universitaire - Maud Forget, Les maux de notre siècle naissent à l'école - Jacques Oudot, L'exemple - Kenneth White, Le chemin des étoiles - Comptes rendus des séminaires et colloques.…

Condition: Neuf.

BROCHE.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. [201] p. : color illustrations. ; 31 cm ; large Folio ; ISBN: 3822818348; 9783822818343 ; LC: NK2051 ; OCLC: 52880812 ; español, italiano y portugués ; powder-blue cloth with white lettering, in color photographic dustjacket ; Contents: Letham / Jean-Claude Chalmet, Aegina - The Pink House / Henri-Paul Coulon, Theodora Chorafas, Aegina - Oikia Kardamatis / Timothy Hennessy, Hydra - the Paouris Palace / Maria Matzini, Hydra - Maxie Leoussis, Hydra - The House of the Shooting Star / George Petrides, Hydra - An Architect's Refuge / The Tsghis Family, Hydra - Kourmada / Audrey and Robert Browning, Hydra - The Schneider Family, Hydra - Dina Nikolaou, Hydra - Tilly and Basile Touloumtzoglou, Hydra - The Governor's Palace, Argo-Saronic Islands - Vassily Tsighis, Serifos - Miriam Frank, Serifos - Panos Alexopoulos, Serifos - Langada / Dolly Contoyanni, Patmos - A hidden House for friends, Dodecanese - A Parisienne's Retreat. Patmos - A family home, Dodecanese - A Secret House, Patmos - Spiti Marilenas / Marilena Liakopoulos, Patmos ; FINE/FINE. Book.…

Condition: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déj.…