Constable Martin (29 results)

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Physical description; 160 pages : illustrations ; 25 cm. Notes; Includes bibliographical references and index. Contents; Constable: the natural portrait painter / Martin Gayford -- Constable's portraiture and the British art scene of the early nineteenth century / Anne Lyles -- Plates. Subjects; Constable, John (1776-1837) ; Exhibitions. Constable, John (1776-1837) Family ; Portraits ; Exhibitions. Constable, John (1776-1837) Friends and associates ; Portraits ; Exhibitions. Constable, John (English landscapist, 1776-1837) ; Exhibitions. Constable, John (English landscapist, 1776-1837) Friends and associates ; Portraits. National Portrait Gallery (Great Britain) ; Exhibitions. National Portrait Gallery (London, England) ; Exhibitions. Compton Verney (House : Warwickshire, England) ; Exhibitions. Constable portraits (2009 : National Portrait Gallery, London, England). Portrait painting, English 19th century. Painting, English 19th century. Painters England Biography. Human figure in art ; Exhibitions. Portrait painting, British ; Exhibitions. Portrait painting 19th century Great Britain ; Exhibitions. Human figure in art. Portraits, British-19th century. Exhibition catalogues. English artist landscape portrait painting portraiture nineteenth century society middle upper class people family friends. Portrait painting. Genres; Bibliography. Exhibition catalogs. Illustrated. 3 Kg.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 240 x 185 mm. 160 pp., illustrated throughout, mostly in colour. [ISBN-: 978-1855143982] Hardbound. A fine bright copy in like dustwrapper.

First edition. Softcover.4to. Exhibition catalogue. 6 full page illustrations. 5pp text by Stuart Morgan. V.g.

CD. Condition: Very Good. 7 CDs and booklet in slipcase: all materials in very good condition; Philips Complete Mozart Edition, Vol. 3; 8vo 8" - 9" tall.

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Physical description; 160 pages : illustrations ; 25 cm. Notes; Includes bibliographical references and index. Contents; Constable: the natural portrait painter / Martin Gayford -- Constable's portraiture and the British art scene of the early nineteenth century / Anne Lyles -- Plates. Subjects; Constable, John (1776-1837) ; Exhibitions. Constable, John (1776-1837) Family ; Portraits ; Exhibitions. Constable, John (1776-1837) Friends and associates ; Portraits ; Exhibitions. Constable, John (English landscapist, 1776-1837) ; Exhibitions. Constable, John (English landscapist, 1776-1837) Friends and associates ; Portraits. National Portrait Gallery (Great Britain) ; Exhibitions. National Portrait Gallery (London, England) ; Exhibitions. Compton Verney (House : Warwickshire, England) ; Exhibitions. Constable portraits (2009 : National Portrait Gallery, London, England). Portrait painting, English 19th century. Painting, English 19th century. Painters England Biography. Human figure in art ; Exhibitions. Portrait painting, British ; Exhibitions. Portrait painting 19th century Great Britain ; Exhibitions. Human figure in art. Portraits, British-19th century. Exhibition catalogues. English artist landscape portrait painting portraiture nineteenth century society middle upper class people family friends. Portrait painting. Genres; Bibliography. Exhibition catalogs. Illustrated. 1 Kg.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: Brand New. 1280 pages. 8.11x5.35x4.21 inches. In Stock.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. John Constable (illustrator). 1st Edition. This copy is in fine, unmarked condition bound in grey cloth covered boards with bright gilt titling to the spine. This copy is bright, tight, white and square. The unclipped dust wrapper is in fine condition. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. 'I've always thought that it was completely loopy for people to go on about portrait painters, English portrait painters, and not to have Constable among them.' Lucian Freud, 2002 Published to coincide with the first ever exhibition dedicated to Constable's portraits, this book will present new scholarship and argue that many of these unexplored paintings are worthy of close attention, both for their contribution to the history of portraiture and for the insights they bring to a painter of international acclaim. Constable's sitters make up a 'Jane Austen' world, belonging to the middle and upper ranks of early-nineteenth century provincial society: clergymen and their wives, landed gentry and families wealthy from trade. A number of previously unknown works are featured in this delightful book, including family members, close friends and children, as well as commissioned portraits. Collectively, they provide a fascinating insight into the period. This book and exhibition seek to vindicate the view of Lucian Freud that Constable belongs an important tradition of British portraiture, to bring Constable's portraits back to the fore, and give them the critical acclaim that they deserve. Published to accompany the exhibition Constable Portraits: The Painter and His Circle at the National Portrait Gallery, London, 5 March - 14 June 2009, and at Compton Verney, Warwickshire, 27 June - 6 September 2009. Ref N 3.

SOFTCOVER. Condition: As New. 1st Edition. Quarto size (4to) in stiff card covers, text plus 6 plates. Private view invitation card loosely inserted . [CONDITION: A well preserved almost AS NEW unmarked copy ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condition: New. In.

Condition: New. In.

Condition: New. pp. 200.

Condition: New. Softcover reprint of the original 1st ed. 2018 edition NO-PA16APR2015-KAP.

Hardcover. Condition: Brand New. 205 pages. 9.25x6.25x0.75 inches. In Stock.

Hardcover. Condition: Near Fine condition. Dust Jacket Condition: Very Good dust jacket. First Edition. Kyoto [Japan]: Rinsen Books Co, 1998. Near Fine condition in bright, shiny Very Good dust jacket. Sharp corners. There is a small smudge on the top edge of the text block. A short tear to the jacket's rear panel has been repaired with clear tape. Otherwise this is a clean, square, tight, unmarked copy. NOT price clipped. NO owner's name or bookplate. NO remainder mark. Pages are clean and crisp. No underlining. No highlighting. No margin notes. The book contains 19 essays on modern poetry, of which 16 are by British or American writers. Among the contributions are: THE CHARACTER AND FUTURE OF RICH POETIC EFFECTS by John Constable; THE CROSS-CULTURAL POETRY OF YONE NOGUCHI by Edward Marx; POETICS OF CONTEMPORANEITY: A CROSS-CULTURAL READING OF OE KENZABURO AND SEAMUS HEANEY by Akiko Murakata; R.A.K. MASON'S UNIVERSALITY by Joost Daalder; PLACE AND HISTORY IN THE POETRY OF BASIL BUNTING by Anthony Martin; ELIZABETH BISHOP'S ONE ART by Peter Robinson; etc. All but 2 of the contributors attended the Modern Poetry Seminar at Kyoto University. Bound in the original off-white boards, stamped in red and black. First Edition. Hardcover. Near Fine condition/Very Good dust jacket. 8vo. (xii), 375pp.

Hard Cover. Condition: Very Good ++. Dust Jacket Condition: Very Good. Oversized hardcover with dust jacket, 176 pages including 113 black-and-white illustrations, and "Eighty oil sketches and paintings are full discussed and illustrated in full colour---";---laid in are three tiny pieces of related ephemera;---the book has teeny tiny bumps to the front hinge top and the back cover bottom corner tip, and the spine is ever so slightly slanted, but very clean and unmarked throughout, almost as new; DJ gently bumped and rumpled along top edge and ever so slightly along bottom, but no chips or tears. See also our listings for Kurt Badt's John Constable's Clouds, and for Herbert Tompkins' 1906 classic In Constable's Country (with many reproductions from his paintings).

Hardcover. Condition: New.

Exhibition catalogue. First edition. 245x190mm 160 pages. Illustrated mainly in colour. Very good in dustjacket. 'I've always thought that it was completely loopy for people to go on about portrait painters, English portrait painters, and not to have Constable among them.' Lucian Freud, 2002 Published to coincide with the first ever exhibition dedicated to Constable's portraits, this book will present new scholarship and argue that many of these unexplored paintings are worthy of close attention, both for their contribution to the history of portraiture and for the insights they bring to a painter of international acclaim. Constable's sitters make up a 'Jane Austen' world, belonging to the middle and upper ranks of early-nineteenth century provincial society: clergymen and their wives, landed gentry and families wealthy from trade. A number of previously unknown works are featured in this delightful book, including family members, close friends and children, as well as commissioned portraits. Collectively, they provide a fascinating insight into the period. This book and exhibition seek to vindicate the view of Lucian Freud that Constable belongs an important tradition of British portraiture, to bring Constable's portraits back to the fore, and give them the critical acclaim that they deserve. Published to accompany the exhibition Constable Portraits: The Painter and His Circle at the National Portrait Gallery, London, 5 March - 14 June 2009, and at Compton Verney, Warwickshire, 27 June - 6 September 2009. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with over 32 years experience, you may order with confidence.

SOFTCOVER. Condition: Fine. 1st Edition. 4to in stiff card covers, unpaginated, approx. 24pp on thick glossy art paper, colour plates, etc. Touring exhibition held at Gallery Westland Place, London - Falmouth College of Arts - Herbert Read Gallery, Canterbury. Two private view invitation cards loosely inserted . [CONDITION: A well preserved FINE unmarked copy (covers very slightly rubbed) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condition: Brand New. New. US edition. Print on demand title. Delivery takes 20-25 days.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Explains how some of the esthetic attributes of a painting may be transferred to a photograph using the latest in computational approachesShares many tips and insights into next-generation image improvementWritten by leading experts in the .

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book examines paintings using a computational and quantitative approach. Specifically, it compares paintings to photographs, addressing the strengths and limitations of both. Particular aesthetic practices are examined such as the vista, foreground to .

Condition: New. Print on Demand pp. 200.

Condition: New. PRINT ON DEMAND pp. 200.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.