Collins Roberta (17 results)

paperback. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condition: As New. 1st Paperback Printing. An uncreased spine with no edge rubbings. No store stamp. Stories by:Susan Wade, Tanith Lee, Garry Kilworth, Nancy Kress, Farida S.T.Shapiro, Joyce Carol Oates, Roberta Lannes, Michael Cadnum, Lisa Goldstein, John Brunner, Nancy A Collins, Gene Wolfe, Susan Palwick, Milbre Burch,GahanWilson, Anne Bishop, Kahtie Koja, Ellen Steiber, Neil Gaiman, Jane Yolen, Delia Sherman.…

Softcover. Condition: Very Good with no dust jacket. Sound binding. Pages bright and clean. Wrappers have light handling wear. Contents: Collins, Finding parents for Lizzie Evans, wife of George C. Davis of Greene County, Georgia. Sanborn, Zipporah in her own right: an African in early Boston. King, Research in Nebraska. Reviews, features. 10.0" tall; 75 pages. …

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Very Good. . paperback. From the library of Ivor Browne and June Levine. Signed and inscribed affectionately by Collins. Very good copy showing minor age and wear. Minor damage to front cover. Remains a nice copy. . . . . Books ship from the US and Ireland.

Soft cover. Condition: Good. Limited Edition. Roger Lacouriere, Paris, 1929. Softcover, 102 pp. A limited numbered edition; this is numbered copy 339 of 550 copies printed. A collection of poetry in English, printed in France. Good with some chipping with loss of paper at both ends of spine.

Paperback. Condition: New. Anthropology has long been associated with an ethos of "engagement." The field's core methods and practices involve long-term interpersonal contact between researchers and their study participants, giving major research topics in the field a distinctively human face. Can research findings be authentic and objective? Are anthropologists able to use their data to aid the participants of their study, and is that aid always welcome?In Engaged Observer, Victoria Sanford and Asale Angel-Ajani bring together an international array of scholars who have been embedded in some of the most conflict-ridden and dangerous zones in the world to reflect on the role and responsibility of anthropological inquiry.  They explore issues of truth and objectivity, the role of the academic, the politics of memory, and the impact of race, gender, and social position on the research process. Through ethnographic case studies, they offer models for conducting engaged research and illustrate the contradictions and challenges of doing so.…

Condition: Very Good. . paperback. From the library of Ivor Browne and June Levine. Signed and inscribed affectionately by Collins. Very good copy showing minor age and wear. Minor damage to front cover. Remains a nice copy. . . . .

Condition: New. In English.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

brossura. Condition: Poor. libro con copertina cartonatacon segni d'uso ai margini e sul dorso.Pagine ingiallite. Taglio ingiallito e lievemente sporco 880430278x Mediocre (Poor) .

Paperback. Condition: New. Anthropology has long been associated with an ethos of "engagement." The field's core methods and practices involve long-term interpersonal contact between researchers and their study participants, giving major research topics in the field a distinctively human face. Can research findings be authentic and objective? Are anthropologists able to use their data to aid the participants of their study, and is that aid always welcome?In Engaged Observer, Victoria Sanford and Asale Angel-Ajani bring together an international array of scholars who have been embedded in some of the most conflict-ridden and dangerous zones in the world to reflect on the role and responsibility of anthropological inquiry.  They explore issues of truth and objectivity, the role of the academic, the politics of memory, and the impact of race, gender, and social position on the research process. Through ethnographic case studies, they offer models for conducting engaged research and illustrate the contradictions and challenges of doing so.…

234 pp.; 22.8 x 15.3 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Compendium of writings and images compiled by Richard Prince. Artists and writers include Tina Lhotsky, Reese Williams, Anne Turyn, Constance DeJong, Peter Nadin, Roberta Allen, Glenn O'Brien, Gary Indiana, Kathy Acker, Sylvia Reed, Robin Winters, Tricia Collins / Richard Milazzo, Cookie Mueller, Lynne Tillman, Paul McMahon, Spalding Gray, Wharton Tiers, and Richard Prince. References : "Sand in der Vaseline : Künstlerbüucher 1980 - 2002" by Uwe Koch, Sabine Roeder, Dorothea Klein, Klaus Pohl, Melitta Kliege. Köln, Germany : Verlag der Buchandlung Walther König, 2003, pp. 73. No. 137 in "Bibliothèque d'un Amateur : Richard Prince's Publications 1981 - 2014" by Richard Prince, Vincent Pécoil, Yann Sérandour, Francine Delaigle, Christophe Daviet-Thery, Jérôme Saint-Loubert Bié. Paris / Foligno, France / Italy : &: Christophe Daviet-Thery / VIAINDUSTRIAE Publishing, 2014, pp. 55, 137. No. 7 in "Bibliothèque d'un Amateur : Richard Prince's Publications" by Vincent Pécoil, Robert Rubin, Yann Sérandour. Paris / Foligno / Gènve, France / Italy / Switzerland : &: Christophe Daviet-Thery / Viaindustriae Publishing / Éditions de la Photographie Genève, 2021, pp. 53, 201. Fair / Good. Sunning of covers along edges with rubbing of edges. 2.8 cm. crease to top right corner of recto, and 3 cm. crease to top left corner of recto. Title page through to page 4 has separated from the spine as has pages 143 - 168 and pages 205 - 216. Light rubbing of separated page edges along text block edge. Contents otherwise clean and unmarked.…

Condition: Fine. LIMITED EDITION SIGNED BY 21 OF THE AUTHORS - Octavo, 9 inches high by 6-1/4 inches wide. Hardcover, bound in black textured cloth, titled in neon red on the spine with a vignette on the front cover, in a color pictorial black dust wrapper illustrated by Rick Berry. The book is housed in a black textured slipcase with a vignette in gilt on the front panel. [1] leaf, [x] and 276 pages, with bold black & white illustrated endpapers and full-page color plates by Rick Berry. Near fine. Limited edition of 500 numbered copies signed on a special pictorial limitation leaf by Poppy Z. Brite, Nancy A. Collins, Gregory Nicoll, Elizabeth Massie, Kathe Koja, Douglas E. Winter, John Skipp, Craig Spector, Simon McCaffery, Brooks Caruthers, Roberta Lannes, J.S. Russell, Chan McConnell, Nancy Holder, Mort Castle, Dan Simmons, Douglas Morningstar, Maxwell Hart, Glen Vasey, Tom Savini and Gahan Wilson.…

New York. Directeurs: John Hopper et Robert Brotherson. Un volume 25,4x17,8cm broché de 124 pages illustrées de collages par James Nichols. Couverture en couleurspar Patrick Sullivan. Revue poétique d'avant-garde. Livres.

Draft script for the 1972 film. With actor Betty Anne Rees' first name and phone number in manuscript ink on the front wrapper. Karen (Claudia Jennings) quits her job at a cannery and joins a roller derby team. She quickly clashes with Mickey (Betty Anne Rees), the star skater, and stirs jealousy amongst the whole team as she dominates the rink. Following in the wake of the successful roller derby film "Kansas City Bomber" released earlier the same year, starring Raquel Welch. Shot on location in Los Angeles. Blue titled wrappers. Title page present, with credits for screenwriters Howard R. Cohen and Vernon Zimmerman. 100 leaves, with last page of text numbered 92. Mechanical duplication, rectos only, with pink revision pages throughout, dated 9/17. Pages Very Good plus, wrapper Near Fine, bound with two gold brads.…

Collection of twelve vintage oversize double weight photographs, eleven vintage contact sheets, and six vintage photographs taken by noted fashion photographer Ara Gallant. Photographer's stamp on the versos. Gallant began his career in high fashion as a hairstylist for Vogue in the early 1960s, becoming the first stylist to be paid solely to style hair by a magazine. He was best known for perfecting the "flying hair" technique, most memorably captured on a portrait of Twiggy in 1968. During his tenure at Vogue he worked with a number of prominent photographers, including Richard Avedon and Irving Penn, and his work was featured on 26 Vogue covers in total. Gallant would begin working as a photographer in the 1970s, succeeding Sari Marks as staff photographer for the fashion magazine Ambiance. Gallant became well known around New York for his personal style as much as his photographs, sporting all black from head to toe, wearing high heeled cowboy boots and a Japanese schoolboy hat, lining his eyes with black kohl, and frequenting Andy Warhol's Studio 54. By the 1980s drug use and financial troubles would force Gallant to sell his apartment in the West End, relocating to Los Angeles, where he would pursue an ultimately unsuccessful career in the film industry. The photographs in the collection, taken throughout the 1970s, feature a who's who of contemporary celebrities, and are shot in Gallant's typically fantastical and glamorous style, with an androgynous bent, and, of course, distinctive hair. Gallant would enjoy a period of renewed interest after a collection of his styling and photographic work was published by Damiani in 2010, edited by David Wills. Photographs ranging from 6.25 x 7.75 inches to 11 x 14 inches. Near Fine to Very Good plus. …