Claudia Bucher (17 results)

hardcover. Condition: Very Good. Includes dust jacket. Secondhand. Text in English and German. Clean pages. Dust jacket shows light shelf wear. Cover image shows a pair of eyes gazing out from a misty blue background. Very good book.

Condition: Good. Original blue boards, illustrated with numerous photographs in colour, text in German and English, 4to.; Still shrinkwrapped.

Condition: Good. Original blue boards, illustrated with numerous photographs in colour, text in German and English, 4to.

Nov 08, 2007. Condition: Sammlerstück; wie neu. Mit Widmung der Künstlerin und Autorin Claudia Bucher am Vorsatzblatt, wie ungebraucht.

Paperback. Condition: Brand New. 178 pages. 9.25x6.25x0.50 inches. In Stock.

Hardcover. Condition: Sehr gut. Mit 27 Abb.; 764 S. Size: 1445 g. Buch.

Paperback. Condition: New.

alle Schneider, München 1980/81, OPPbd., NaV, Einbände leicht bestoßen, Seiten etwas gebräunt [KL312].

Taschenbuch. Condition: Gut. 7., Aufl. 64 S. B3335-16 3774216703 Sprache: Deutsch.

Gebundene Ausgabe. 120 Seiten. Text: dt. / engl. - Kaum sichtbare Gebrauchsspuren, Zustand sonst tadellos. 9783908713777 Sprache: Deutsch Gewicht in Gramm: 800.

Hardcover. Condition: Brand New. 178 pages. 10.50x7.00x0.50 inches. In Stock.

Hardcover. Condition: As New. Swiss artist Hannah Villiger (1951-1997) was trained as a sculptor and always considered her work sculpture. Her artistic medium, however, was photography. In the early-1980s Villiger's own body became the focus of her work: it appears fragmented, distorted, twisted beyond recognition. Villiger developed her own unique way of working: Polaroid shots that she enlarged to a size of approximately one square meter (40 x 40 inches). With the Polaroid camera she circled around her own body using the straightforwardness of the medium. The "blindness" of the camera redefined the structure and the volume of her body parts. This first international monograph, with catalogue raisonnà , reveals Villiger as a radical predecessor of many of today's artists who create images of their own bodies. In her in-depth essay Claudia Spinelli traces the outlines of Hannah Villiger's personal and artistic development and poignantly examines the crucial relationship between Villiger's life and her work. Griselda Pollock's essay takes a close look at Villiger as a woman and an artist, highlighting the visionary power of the work. Pollock lucidly discusses the problems and obstacles Villiger, as a female-identified artist, had to face in a phallocentric, patriarchal visual culture. David Levi-Strauss ponders the intricate relationship of sculpture, photography and the human body in the work, whose daring and radical formal concepts and innovations remain as cutting-edge as ever. Edited by Jolanda Bucher and Eric Hattan. Essays by Jean-Christophe Ammann, Bice Curiger, Annelie Pohlen, Griselda Pollock, Claudia Spinelli, David Levi Strauss and Hannah Villiger. 150 color and 300 b&w. 9.5 x 12.5 in.…

Kartoniert / Broschiert. Condition: New. Der gegenwaertige Medienwandel vollzieht sich nicht nur innerhalb einzelner Gattungen wie Fernsehen, Presse oder Rundfunk, sondern crossmedial. Dabei beguenstigt die Digitalisierung eine Integration von Text, Bild, Video usw., wodurch neue multimodale Medien-.…

Rilegato. Condition: ottimo. prima edizione. Claudia Bucher. Vom Rieseln und Rinnen / On trikling and burbling. Stadt Luzern 2007. Tiratura in 1000 esemplari. Autografato dall'artista a matita al risguardo. Testi e didascalia in tedesco e inglese. Formato cm. 27,5 x 22. Pagine 120. Colori. Peso kg. 0,740. Legatura cartonata illustrata. Condizioni ottime. Autografato dall'autore. …

Hardcover. Condition: Sehr gut. 128 S. B930-10 3868000240 Sprache: Deutsch Gewicht in Gramm: 400.

Paperback. Condition: New.

Condition: Gut. Zustand: Gut | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.